Surround Sound System Reviews

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Daniel Kumin  |  Jan 29, 2015  |  3 comments

Performance
Build Quality
Value
PRICE $5,693

AT A GLANCE
Plus
Awesome potential for clean loudness
Impressive tonal fidelity and finesse
No subwoofer required
Atmos!
Minus
Requires generous spacing and AC power
Connectivity is a bit complex

THE VERDICT
A one-stop, state-of-the-surround loudspeaker solution, especially apt for any who prefer not to accommodate a subwoofer—with the bonus of being Dolby Atmos enabled.

Definitive Technology’s BP-8060ST has remained a highlight of the Baltimore-area maker’s lineup for several years—a dog’s age in the new-and-improved, series-II world of high-end loudspeakers. The longevity suggests that Definitive considers this slim “power tower” a fully evolved design, and indeed it’s hard to argue the point.

Mark Fleischmann  |  Jan 13, 2015  |  0 comments

Infinity Reference R162 Speaker System
Performance
Build Quality
Value

Infinity Reference SUB R12 Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,100

AT A GLANCE
Plus
Detailed high frequencies
Proprietary drivers
Curved enclosure
Minus
Can be too revealing
More finishes needed

THE VERDICT
The new Infinity Reference series has superb top-end transient detail and a commendably subtle sub, turning even familiar material into a fresh experience.

“Attention to detail.” That was my mantra when I hired and trained people to write product descriptions for an e-commerce site. It’s a pretty good rule to live by in general, and I try my imperfect best to practice it myself, both personally and professionally. It came back to me when I pulled the grille off the Infinity R162, part of the big brand’s new Reference series. When I saw a tweeter waveguide unlike any I’d previously seen, I knew I was communing with a kindred spirit, a lover of detail—though one with access to far greater resources than I command as a mere reviewer. Infinity’s parent corporation, Harman International Industries, has the kind of facilities and personnel that many speaker companies can only dream of. Harman pays a whole lot of talented people to attend to detail.

Daniel Kumin  |  Dec 24, 2014  |  First Published: Dec 23, 2014  |  3 comments

Prime Satellite 5.1 Speaker System
Performance
Build Quality
Value

SB-1000 Subwoofer
Performance
Features
Ergonomics
Value
PRICE $1,000

AT A GLANCE
Plus
Honest, accurate, full-range sound
Painless sub/sat blending
Cheap!
Minus
Won’t match ultimate volume level of larger, more costly systems

THE VERDICT
If your criterion is un-hyped reproduction, SVS’s Prime Satellite 5.1 system is as good as it gets for $1,000.

Good-sounding small speakers no longer impress me. After all, these days, pretty much anybody with a laptop and an Internet connection can design a small two-way that’s reasonably neutral. The tools are all online (many of them share/freeware), fine-performing drivers ranging from cheap ’n’ cheerful to exotic ’n’ expensive are readily available with complete Thiele-Small parameters, and MDF and veneer are plentiful down at Lowe’s. You don’t even need to know Ohm’s law; fluency in Windows or OSX and some basic woodworking skills are probably more useful.

Mark Fleischmann  |  Nov 14, 2014  |  3 comments

Studio 230 Speaker System
Performance
Build Quality
Value
Studio SUB 250P Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,630

AT A GLANCE
Plus
Efficient, high output
Vocal clarity and defined soundfield
Affordable price
Minus
Thin, accentuated top end
Best at low-to-moderate volumes

THE VERDICT
Although their bright voicing may not be for everyone, the JBL Studio 2 speakers combine high efficiency with excellent detail retrieval.

What if the solution to room-interaction problems resided in your loudspeakers? Wouldn’t that be a great alternative to the ills of receiver-based room correction systems? Those are some potentially interesting questions posed by JBL’s Studio 2 series.

For starters, who needs room correction anyway? Well, when it’s hard to catch the dialogue, and imaging smears all over the place, the room correction program in your A/V receiver can mitigate those problems (depending on the receiver and the room). But quite often, it also introduces new artifacts and errors. For my own part, in my own room, I find that many room correction systems thin out the overall tonal balance and induce fatigue. That’s why some audiophiles shun room correction and choose to live with the acoustic character of their room, for better or worse—usually both.

Mark Fleischmann  |  Nov 08, 2014  |  First Published: Nov 07, 2014  |  2 comments

Performance
Build Quality
Value
PRICE $1,748

AT A GLANCE
Plus
Versatile with movies and music
Superb build quality
Addictively listenable
Minus
Needs sub reinforcement

THE VERDICT
Like David in a world of Goliaths, Silverline Audio’s Minuet Supreme Plus is the kind of small speaker that makes listening to music an addictive pleasure.

Every January, I find myself walking down a hotel corridor lined with audio exhibitors. Sounds like the dream sequence from an audiophile movie, doesn’t it? I’m talking, of course, about the Consumer Electronics Show in Las Vegas. Pretty much every year, I pay a visit to Silverline Audio, and pretty much every year, the reward is sweet, involving sound. This year, that sound was coming from Silverline’s Minuet Supreme Plus. Remarkably, it was powered by one of those tiny Class T amps you can buy on Amazon for $30. Having reviewed the original Minuet in 2008—and having loved it—I was eager to hear what its successor would sound like in my system with a better amp.

Thomas J. Norton  |  Oct 28, 2014  |  2 comments

683 S2 Speaker System
Performance
Build Quality
Value
ASW 610XP Subwoofer
Performance
Features
Build Quality
Value
PRICE $4,300 (as reviewed)

AT A GLANCE
Plus
Soundstaging
Presence and immediacy
Tight bass (with subwoofer)
Minus
Top end a bit restrained
Limited subwoofer output
Pedestrian styling

THE VERDICT
It took some effort to get their best in my room, but these relatively affordable B&Ws ultimately came through with a big, immediate, and generous sound.

Bowers & Wilkins, aka B&W, has been in the loudspeaker game since the mid-1960s. I reviewed the company’s original 600 series for Stereophile Guide to Home Theater over six years ago, and I was impressed—even though I was listening to those speakers immediately after evaluating Revel’s high-end Ultima2 system. At less than 15 percent of the Revels’ price, the B&Ws couldn’t, of course, equal them. But they weren’t anywhere near embarrassed by the comparison. Now we have the 600 S2 models in house, ready to do battle. The Revels are no longer here, of course, so the 600 S2s will have to speak for themselves. We’re ready to see if they can.

Mark Fleischmann  |  Oct 17, 2014  |  2 comments

Imagine XB Speaker System
Performance
Build Quality
Value
SubSeries 125 Subwoofer
Performance
Features
Build Quality
Value
PRICE $1,846

AT A GLANCE
Plus
Clarity and evenness
Compact, tuneful sub
Affordable price
Minus
Dynamic limits of small sub

THE VERDICT
PSB’s Imagine X series refreshes a popular speaker line with reliably excellent sound.

A small but growing number of my younger readers care more about headphones than loudspeakers—but might eventually want to own both. That’s why I’m about to use headphones as the starting point in a speaker review.

There are names that evoke loudspeakers: Bowers & Wilkins, GoldenEar, KEF, Klipsch, MartinLogan, Paradigm, Wilson, Definitive Technology. Then there are names that evoke headphones: AKG, Audeze, Beyer, Grado, Koss, Sennheiser, Stax. However, though several speaker manufacturers have dabbled in headphones, it’s hard to think of many brands known equally well in both categories.

Mark Fleischmann  |  Oct 10, 2014  |  2 comments

Excite X14 Speaker System
Performance
Build Qaulity
Value

Sub 250 II Subwoofer
Performance
Features
Build Quality
Value
PRICE $5,100

AT A GLANCE
Plus
Generous soundfield
Surprisingly strong bass
Gorgeous veneers
Minus
Expensive for small speakers

THE VERDICT
Dynaudio’s X14, part of the revised Excite line, earns its high-end price tag with sweet build quality and high performance, including a bottom end that is amazingly substantial for a small speaker.

The high end exists in the eye of the beholder. To some folks, a pair of mini-monitors selling for $1,500—or a 5.1-channel system at $5,100—may seem steeply priced. In fact, if you want lower-priced alternatives, you’ll find plenty among our Top Picks. But there always will be another kind of consumer who is fussy about what he or she brings into the living room. Vinyl-wrapped boxes won’t cut it; they want furniture-grade wood veneer. In the same discriminating spirit, the Danish manufacturer Dynaudio is equally fussy about materials, including drivers that the company designs and makes itself. In the recently overhauled Excite line, the result is a speaker that exceeds already high expectations in both appearance and sound. The X14 monitor and X24 center are my favorite kind of small speaker: the kind that sounds bigger than it looks.

Daniel Kumin  |  Sep 26, 2014  |  0 comments

Mini T Speaker System
Performance
Build Quality
Value

Mini T Subwoofer
Performance
Features
Build Quality
Value
PRICE $8,881 (as tested)

AT A GLANCE
Plus
Outstanding sonics and dynamic ability
Impressive bass extension from Mini-T alone
Made in Canada, not overseas
Minus
Requires substantial
amplifier power for best performance
Classic boxy designs won’t thrill everyone

THE VERDICT
They’re big, boxy, and expensive, but these speakers are world-class performers, top to bottom.

Bryston’s new Mini T loudspeakers spoke to me early, even before I’d fully wrestled them out of their imposing, oversized packaging. And what they said was, “We were designed by guys who don’t give a hamster’s hindquarters for new-age cosmetics, ‘breakthrough’ transducers, or 21st-century styling: We’re old school!”

For the record, Bryston Ltd.—based in the small Canadian city of Peterborough, an hour or so east of Toronto—has for decades produced some of the world’s preeminent power amplifiers (also preamps, surround processors, and even the odd integrated amp), impeccable performers built to a standard of brick-house quality seldom bettered, and warrantied accordingly. If you wanted vast reserves of current, bulletproof design, road-ready ruggedness, and genuine craftsmanship, Bryston fit the bill.

Daniel Kumin  |  Sep 08, 2014  |  3 comments

Bowers & Wilkins CM6 S2 Speaker System
Performance
Build Quality
Value

Bowers & Wilkins ASW10 CM S2 Subwoofer
Performance
Features
Build Quality
Value
PRICE Price: $5,850 (CM6 S2, $1,000 each; CM Centre 2 S2, $1,250 each; CM1 S2, $550 each; ASW10 CM S2, $1,500)

AT A GLANCE
Plus
Exceptional tonal balance
Superb sub/sat integration
Impressive bass extension from compact sub
Lovely design and finish

Minus
Expensive
No dipole/bipole surround option

THE VERDICT
Highly neutral and free of obvious coloration, invitingly listenable, and beautiful, the B&W CM S2s wear their substantial prices fairly.

B&W should need little introduction in these pages. The British loudspeaker-maker has been a force in serious audio repro practically since Noah’s flood (1965, actually), and here in the States have for two decades and more occupied an enviable market position straddling the highest of high-end to the almost-popularly-priced. So when a new generation of B&Ws take the stage, the audio world tends to pay attention, as we are doing here with the firm’s latest iteration of its next-most-affordable CM range. Named with typical British phlegm the CM S2, the new designs highlight a dozen or so interesting engineering refinements in driver, crossover, and cabinet designs (in particular a new “dual-dome” aluminum tweeter diaphragm claimed to push its resonance a half-octave or so higher, and thus extending its smooth reproducing range), but in typical B&W fashion show comparatively little in the way of visible changes.

Thomas J. Norton  |  Jul 23, 2014  |  First Published: Jul 22, 2014  |  1 comments

Monitor Audio Silver 10 Speaker System
Performance
Build Quality
Value
Monitor Audio W-12 Subwoofer
Performance
Build Quality
Value
PRICE $5,925 ($6,600 as shown in gloss black)

AT A GLANCE
Plus
Crisp, open sound
Superb imaging
First-rate fit and finish
Minus
Two-way center channel
Limited subwoofer output

THE VERDICT
The center speaker suffers the usual off-axis quirks of a two-way design, and the small sub came up short for the deepest movie bass, but Monitor’s Silver series is a triumph, a treat to hear, and well worth seeking out for a serious audition.

Monitor Audio offers an exceptionally wide range of speakers, from the decidedly expensive (but not nosebleed high-end) to the modestly priced. In 2010, I reviewed the company’s relatively affordable Silver RX system. That line has now been completely redesigned, losing its RX moniker and morphing into the Silver series. Like the RXs before them, the Silvers were designed at Monitor’s U.K. headquarters and are built in a company-owned plant in China. For this review, we’ve selected the largest of the floorstanders, the Silver 10, along with the Silver Centre, the Silver W-12 subwoofer, and, instead of the Silver FX dedicated surround speakers, a pair of Silver 2s to serve the surround channels.

David Vaughn  |  Jun 18, 2014  |  5 comments

S300 Speaker System
Performance
Build Quality
Value

X12 Subwoofer
Performance
Features
Ergonomics
Value
PRICE $17,700

AT A GLANCE
Plus
Realistic, dynamic sound
Outstanding build quality
Carries on the fine M&K tradition
Minus
Expensive

THE VERDICT
M&K’s system is perfect for the movie lover and extremely capable for the discerning audiophile.

It was in February 2000 when I was in a hi-fi store looking at some new electronics and stumbled upon a salesman giving a speaker demonstration to a married couple. I decided to listen in to see if anything piqued my interest. The salesman went through a number of different speakers, and I didn’t hear anything remarkable until his last demo: M&K Sound S150s coupled with an MK350 subwoofer. I don’t recall the exact track he played, but my jaw dropped when I heard the sound emanating from the speakers. It was as if the entire wall came alive, and I couldn’t pinpoint which speakers were active. Much like the wand picking the wizard in Harry Potter, these speakers picked me, and I knew I’d have to own them.

Sadly, it took me three years to convince She Who Must Not Be Crossed to give her blessing, but I’ve been in audio bliss for over 10 years now with a trio of S150s across the front soundstage and four SS150s across the rear of my home theater.

Mark Fleischmann  |  Apr 18, 2014  |  0 comments

Aero 2 Speaker System
Performance
Build Quality
Value

Aero 9 Subwoofer
Performance
Features
Build Quality
Value
PRICE $2,446

AT A GLANCE
Plus
Flat BMR in lieu of tweeter
Clear sonic window into the midrange
Unusual dual-mono/bipole surrounds
Affordable price
Minus
Boxy vinyl-wrap enclosures

THE VERDICT
Cambridge Audio’s Aero reinvents the two-way loudspeaker in midrange-friendly fashion with excellent performance and value.

What if you needed two throats to speak? Sounds a bit cumbersome, right? But that’s how a two-way loudspeaker usually treats the human voice. Its drivers divide the midrange frequencies where the voice resides into two parts, sending higher frequencies to the tweeter and lower frequencies to the woofer. While the crossover varies from speaker to speaker, the frequencies that handle the voice usually get split right in the region where human ears are most sensitive to vocal timbre.

Of course, good speaker designers routinely surmount this obstacle to natural vocal sound, either by carefully tweaking their two-way designs or by going to three-way designs that dedicate a separate driver to midrange reproduction. But the three-way approach adds two more crossover sections, potentially leading to other troubled areas of reproduction.

Mark Fleischmann  |  Jan 30, 2014  |  1 comments

Speaker System
Performance
Build Quality
Value
Subwoofer
Performance
Features
Ergonomics
Value
PRICE $3,996

AT A GLANCE
Plus
Sweet dedicated midrange
Solidly musical bass
Multilayer lacquer finish
Minus
Sub is merely average

THE VERDICT
The Pinnacle Black Diamonds are stellar performers with a winning personality, delivering consistently pleasing sound.

Even in our industrial twilight, the USA still has a cornucopia of great loudspeaker brands, and Pinnacle Speakers is one of them. Since the company’s founding in 1976, it has always been a family-owned business—and if there’s one kind of outfit you don’t want to mess with, it’s a family outfit. I haven’t reviewed a Pinnacle product in eight years, but just when I thought I was out, they pull me back in.

A limousine screeched to a halt outside my building, and two bulky guys in Men’s Wearhouse suits got out. They didn’t leave me much choice: I was blindfolded and driven around for hours and hours until I had no idea where I was. At one point, I thought I smelled Secaucus, New Jersey. Another time, the blindfold slipped, and out of the corner of my eye I saw Satriale’s Pork Store.

Thomas J. Norton  |  Jan 02, 2014  |  0 comments

Performa3 F208 Speaker System
Performance
Build Quality
Value

B112 Subwoofer
Performance
Features
Ergonomics
Value
PRICE $13,300 (with stands)

AT A GLANCE
Plus
Superb overall performance
Impeccable fit and finish
Effective subwoofer EQ
Minus
Complex subwoofer EQ setup

THE VERDICT
While not inexpensive, the Performa3s can challenge anything out there on either music or movies, and likely come out in front.

Has it really been six years since I last reviewed a Revel speaker system? It has. That system, anchored at the front by the Ultima2 Studio2s, is still available—but combined with a five-star dinner for two, it will cost you around $40,000. Although I imagine its sales have met expectations, I suspect that system isn’t exactly flying out the doors at Fred’s High-Ende Audio Shoppe.

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