Surround Sound System Reviews

PRICE $3,895 (updated 3/10/15)

AT A GLANCE
Plus
Crisp, powerful bass
Superior speaker-to-speaker timbre match
Excellent value
Minus
Slightly tipped-up highs

THE VERDICT
An immensely satisfying speaker system with both music and movies.

Canadian speaker manufacturer Paradigm makes a bewildering variety of loudspeakers. Its offerings top out at around $9,000 for a two-channel pair of Signature S8s—remarkably sensible considering the recent and alarming inflation in high-end audio prices. But while the speakers that make up the Paradigm’s Monitor Series 7, latest version of the company’s long-lived, bread-and-butter line, are far less expensive, they’re anything but an afterthought.

Price: $3,348 At A Glance: Distinctive enclosure shapes • Strong build quality • Satisfying, balanced sound

The debut of the SVS Ultra speaker line prompts me to reconsider a question that’s been lurking at the back of my mind for years: Is SVS one of the great American speaker brands?

As a company founded in Ohio and initially operated out of a garage, SVS has all the right narrative elements of a great speaker brand. The company has built a reputation for making brilliantly unorthodox subwoofers and pretty good speakers—versus the scads of respectable brands that put most of their brilliance into speakers and treat subs as an afterthought. In the past few years, the story has added a few new chapters, with new heavy-hitter personnel in management and product design and a manufacturing move from Ohio to (where else?) China.

Price: $10,580 (standard finish, updated 3/10/15)
At A Glance: Folded-planar magnetic tweeters • Treble and bass trim switches • Biwire and biamp capable

Every company has its genesis story, be it the back of a napkin or something more grandiose. Apple, of course, is famous for starting out in Steve Jobs’s parents’ garage. Lutron’s backstory isn’t quite as well known, but its unassuming beginnings were in the bedroom founder Joel Spira and his wife intended to use as their first child’s nursery. (“Sorry, kid, you’ll have to sleep on the couch. Daddy’s got a solid-state dimmer to invent.”) Similar to Apple, Legacy Audio’s birthplace was in a garage; but this garage was far from Cupertino. Instead, it was located in the midst of the cornfield-filled upper Midwest where, according to Legacy, Bill Dudleston and “a stubborn Dutch craftsman,” Jacob Albright, built the company’s first speaker, the Legacy-1, in 1983. Thirty years later, though, what the heck does any of this have to do with Legacy Audio’s loudspeakers today? Really, who gives a flying flip about two dudes, a garage, cornfields, and some woodworking equipment? (Hmm…cornfields. Wasn’t there a movie about that? “If you build it, they will listen.”)

Two years ago, SVS changed ownership, and you could say it’s simultaneously a remarkably unchanged yet very different firm. It’s unchanged in that many old hands are still with the company, and the concentration on high-performance home theater products remains.

Price: $1,880 At A Glance: Innately musical monitors • Bipole/dipole surrounds • Powerful subwoofer

Phase Technology is one of the great American loudspeaker makers. The man behind that achievement was Bill Hecht, a genuine first-generation audio pioneer. This review can’t begin without noting his passing last fall at age 89, the end of a life devoted to bringing movies and music into both the public and private realms.

Hecht began his career as an expert in Cinemascope Stereophonic Sound, installing systems at New York’s Radio City Music Hall and other pleasure palaces. His company United Speaker Systems (USS) launched in 1955 as he hand-built speakers, including drive units, in his garage. USS got a boost when Avery Fisher offered a commission to build the first Fisher loudspeakers. Hecht earned several patents, most notably for developing the soft-dome tweeter. He also patented a self-damping woofer voice coil, a manufacturing process for flat piston drivers, silicon-injected drivers for resonance damping, and a basketless midrange/woofer mounting system.

Price: $1,449 At A Glance: Second-gen high-end compact satellites • Mix of flat and cone drivers • Incredible dispersion

Compact cube speakers are an intriguing subset of the satellite/subwoofer speaker genre. Though not invariably high performers, cubes have achieved iconic status, and some manufacturers have made a fortune marketing them to folks whose significant others look at the diminutive geometric forms and say, “Bingo. That’s what I want your speakers to look like. Now get those big tombstones out of our den.”

Cambridge Audio has tapped into the cube mystique with its Minx sat/sub sets. In fact, the Minx has done so well that it is now a separate division of the company. Part of the Minx suc- cess story is, believe it or not, performance. The first-generation Min 10 (single cube) and Min 20 (double cube) earned rave reviews all over the place, and the single- cube version found a coveted perch on our Top Picks list.

Price: $3,345 At A Glance: Leather-like enclosure finish • Beefy subwoofer • Easy-listening, aggression-free treble

The question “what speakers should I buy?” is increasingly giving way to the more provocative “why should I buy stand-alone speakers at all?” Loudspeakers have to argue for their very existence in a world where consumers are logging fewer listening hours with component systems. Instead, stylish music sources such as tablets and smartphones are driving listeners toward equally stylish all-in-one wireless/docking systems and headphones. Today, the poor old loudspeaker has to work harder to attract attention. It has to convince you to buy it—oh, and one of those pesky audio/video receivers to power it.