Growing up is tough enough for any eleven-year-old, but when Riley finds out that her family is moving, her idyllic life is turned upside down. She must now contend with a new house, a new school, and a host of new feelings. Fortunately, the five main emotions that share control of her mind—Joy, Sadness, Disgust, Fear, and Anger—are at the ready. But when partners Joy and Sadness find themselves cut off from headquarters, confused little Riley’s situation quickly goes from bad to worse.
Once again, writer/director Pete Docter has crafted a tale that entertains the youngest viewers while also challenging even the smartest adults in the room. The underlying psychology is brilliantly laid out, allowing
us to explore the relationship between emotions, memories, and personality. Dialogue is deliciously witty (star Amy Poehler is comedy gold in any medium),
and in revealing the delicate balance between happiness and sorrow, the story achieves its greatest poignancy.
Author Walter Farley’s sweet, timeless tale of a young boy and his special bond with a spirited horse was brought to cinematic life with irresistible visual and sonic beauty, more appreciable than ever on Criterion’s fantastic new Blu-ray. Our boy, Alec (Kelly Reno, what a find), is washed ashore on a remote island after a shipwreck, and the only other survivor is a magnificent Arabian stallion. Their time alone together is a prolonged marvel of wordless storytelling, while the post-rescue second half is quite a different animal, as a grizzled old trainer (a wonderfully cast Mickey Rooney) agrees to prepare the horse to race. It’s a thrilling adventure for kids, but without the sap that might otherwise send the adults fleeing.
The still-thrilling Terminator franchise has certainly experienced its share of highs and lows over the last 30-odd years. And so creator James Cameron’s ringing endorsement for the latest installment, Terminator Genisys—in which he had no direct involvement—carried a lot of weight with fans. While giving major respect to the classic canon, this fifth movie is superbly smart, inventive, and even quite funny at times.
In an era when Glee was everywhere, moviegoers understandably didn’t flock to see the seemingly similar Pitch Perfect on the big screen, but Blu-ray/DVD and TV showings ultimately brought the charming comedy the audience it deserved. Three years later, the mettlesome young songstresses from Barden University are back, eager to win an international competition with the help of a new recruit. Returning co-star/producer Elizabeth Banks also makes a triumphant directorial debut with Pitch Perfect 2, seamlessly maintaining the ongoing franchise’s breezily mean-spirited humor while staging many memorable new cover versions of eclectic pop tunes.
Sequels can be a tough nut. Age of Ultron is of course the follow-up to 2012’s The Avengers, but along the way, there were four other Marvel Universe movies that apparently need to be acknowledged here, coupled with the laborious task of tying in TV series and setting up movies yet to come. Throw in too many characters and some extraneous subplots, and the result is a sequel more exhausting than entertaining.
As 2015 draws to a close and gift-giving holidays loom, you can take comfort in knowing that Blu-ray is still the king of physical media, and plenty of studios continue to go above and beyond to release extra-special editions of movies, music, and beloved TV series sure to make a lasting impression. Here are 10 for your consideration.
After the gasoline (and almost everything else) has dried up, only the baddest of badasses have managed to survive in the barren future of Mad Max: Fury Road. And surviving is enough for Max Rockatansky (Tom Hardy stepping into Mel Gibson’s well-worn leather), a former cop with but one stubborn shred of decency remaining. He’s a handsome enough actor, but he finds himself behind another Bane-like mask for much of his screen time: Captured, used as an unwilling blood donor, and thrust into the center of a deadly pursuit by three rival warlords, he unexpectedly finds himself protecting a cargo more precious than “juice,” with a long and furious road ahead.
Remember reading that Oscar winner and True Blood star Anna Paquin was going to reprise her role as the mutant Rogue in the most recent X-Men movie, Days of Future Past? And then the movie came out and she was in exactly two shots with nary a word of dialogue, and even that moment came a scant four-and-a-half minutes before the end? Well, there was in fact more planned for her, and the new “Rogue Cut” reinstates her scenes as part of a rethought, expanded version of the movie. To be frank, it’s largely the same story you’re probably used to. Rogue’s return has minimal impact on the plot, but there are lots of other little changes along the way too, successfully enhancing the overall drama.
As popular as 007’s grittier, more credible exploits have been of late, fans raised on the character’s more extreme tendencies have wondered what those movies might be like if he had continued his cheeky, over-the-top evolution. And for them, there’s Matthew Vaughn’s Kingsman: The Secret Service. Here a small but well-funded super-secret organization, independent of government, is populated by consummate gentleman (and lady) spies, quietly risking their lives to save others and maintain peace. Headquartered in a posh Savile Row tailor shop, they have access to impossible high-tech gadgets, bold training, and virtually unlimited resources.
If not the first movie to expose the true inner workings of organized crime—in contrast to Coppola’s seminal, romanticized The Godfather—GoodFellas is arguably the most influential, and the most enduring. It is also one of Martin Scorsese’s most popular films, a near-perfect intersection of source material and cinematic execution. Nicholas Pileggi’s book Wiseguy: Life in a Mafia Family recounted bona-fide gangster Henry Hill’s rise from two-bit mob gopher to prolific felon, as well as his ultimate downfall, and the many escapades in between. Adapted with ample violence and profanity, GoodFellas (renamed to avoid confusion with contemporary TV series Wiseguy) is also incredibly funny, often darkly so, for a more deeply entertaining tale.