Thomas J. Norton

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Exceptional Value
Effective full array local dimming
Brilliant HDR
Minus
Limited off-center viewing angle
So-so sound

THE VERDICT
Three years ago, Vizio’s flagship 65-inch Ultra HD set carried a $6,000 MSRP. Today’s P-Series Quantum, the most advanced and highest-performing model in the company’s lineup, retails for $2,100. That’s a boon for consumers—and a serious throwdown to the competition.

Founded in 2002, Vizio is an American company headquartered in California that aims to offer top-quality TVs at prices appealing to a wide range of consumers. Vizio came close to being bought out by Chinese company LeEco in 2017. But that purchase fell through for a number of reasons and the company remains American-owned. HDTVs and UHDTVs remain its primary focus, but Vizio also markets a competitively-priced lineup of soundbars.

Performance
Features
Ergonomics
Value

AT A GLANCE
Plus
Impressive HDR brightness
Excellent black level and shadow detail
Superior off-center viewing angle for LCD
Minus
Some backlight blooming artifacts
Unimpressive built-in sound

THE VERDICT
Sony’s Master Series Z9F LCD makes a strong claim for top-dog status in today’s Ultra HDTV market. It produces superb images, with enhanced off-center viewing so all guests will be happy at your next Super Bowl party.

In mid-2016, Sony launched a new flagship LCD design, the XBR-Z9D. The series incorporated Backlight Master Drive, a local dimming technology that was a big step forward in realizing the peak brightness potential of high dynamic range (HDR). The Z9D series has remained at the top of Sony’s TV lineup for two years—an eternity for UHDTV technology. But it now shares space with the new XBR-Z9F Master Series LCD models, which are available in 65- and 75-inch sizes, along with the company’s new A9F Master Series OLED TVs.

When Jurassic Park debuted in 1993 it could have been a boom or a bust. Computer generated effects (CGI) were just coming into their own, but with a few exceptions (notably Terminator 2) they still hadn’t eaten the film business alive. Though keenly aware of his problems with the anamatronic shark in 1975’s Jaws, director Steven Spielberg was also aware that CGI, while still in its infancy, had significantly advanced the possibilities for special effects since the (on-set) practical effects of 1975.

So Spielberg went ahead. Using a brilliant combination of anamatronics and CGI he crafted a classic movie with effects that still hold up today. Four other Jurassic films have followed, three of them directed by others...