Mike Mettler

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Mike Mettler  |  Nov 18, 2016
Elvis Presley would have loved to have taken advantage of today’s meticulous recording standards. Fact is, The King was very much a stickler in the studio. Elvis also had an affinity for orchestral arrangements, something his estate was able to realize last year with If I Can Dream: Elvis Presley With the Royal Philharmonic Orchestra (RCA/Legacy), which has sold over 1.5 million copies worldwide to date. A worthy sequel, The Wonder of You: Elvis Presley With the Royal Philharmonic Orchestra, has just been released. I reached out across The Pond to get album producers Don Reedman and Nick Patrick’s takes on the sonic differences between the two albums, how a certain mantra guided their respective hands and ears, and what aspects of modern recording Elvis would have embraced.
Mike Mettler  |  Jun 24, 2022

Remember when we all knew exactly what the song of the summer was? With today’s non-centralized listening habits, it’s harder and harder to have a mass consensus on what constitutes the very best new song to hear pumping out of a car radio and/or at the beach—or through your headphones/earbuds of choice.

Even so, there will always be songs, whether new or old, that define the summer experience, and some of the choices herein this week’s Spatial Audio File definitely fit that bill. Naturally, each of the five tracks to follow has been thoroughly spec’ed and checked by way of my personal deep-dive listening sessions on both my home system and headphones alike. Sometimes, I even put my shades on to get into the proper full-on summertime vibe. You too can find these and other stellar Made for Spatial Audio and Dolby Atmos tracks within the always expanding Apple Music library.

Shades duly doffed, I now present to you this week’s quintet of sun-drenched but wholly unbowed immersive tracks as follows. . .

Mike Mettler  |  Aug 08, 2018
Photo by James Cumpsty

Tom Bailey, the chief architect of the super-successful ’80s synth-pop masters Thompson Twins (“Hold Me Now,” “Love on Your Side”) is back with a cosmically named solo album, Science Fiction. We called him during a tour stop in Houston to discuss the sonic structure of the album, how he once built his own P.A. speakers, and reconnecting with listening to music on vinyl.

Mike Mettler  |  Jun 07, 2019
Performance
Sound
When Tom Petty unexpectedly passed away in October 2017 following a triumphant 40th anniversary tour with The Heartbreakers that had wrapped up barely a week earlier in his adopted hometown of Los Angeles, the outpouring of grief on an international scale was beyond palpable. Petty's loss at age 66 was a gut-punch, to be sure, especially considering the successive sonic triple threat of 2010's Mojo, 2014's Hypnotic Eye, and 2016's Mudcrutch 2.
Mike Mettler  |  May 26, 2013

Tom Petty & The Heartbreakers worked all kinds of magic at the Beacon Theatre in New York City this past week, culminating in a raucous 140-minute long set on Sunday, May 26.

Mike Mettler  |  Sep 26, 2018
Some long-gestating sonic missions are simply worth the wait. Case in point: Styx’s June 2017 studio concept album The Mission (Alpha Dog 2T/UMe), which recently entered into the 5.1 stratosphere via the 24-bit/96kHz surround sound mix found on the just-released two-disc CD + Blu-ray Edition of the album. As good and enveloping as The Mission sounds in stereo, it sounds even better in its hi-res 5.1 mix — and that’s due in no small part to the creative synergy between the record’s three chief sonic architects: Styx guitarist/vocalist Tommy Shaw, producer/guitarist/vocalist Will Evankovich (Shaw-Blades, The Guess Who), and producer/engineer Jim Scott (Tom Petty, Wilco, Dixie Chicks). I spoke with Shaw and Evankovich to delve into the making of the surround sound mix of The Mission.
Mike Mettler  |  May 31, 2006

Like the Rolling Stones, Styx continues to gather no moss. Singer/guitarist Tommy Shaw has been a member of these perennially successful road warriors - perhaps best known for enduring rock hits like "Renegade," "Come Sail Away," and "Too Much Time on My Hands" - for 30 years and counting.

Mike Mettler  |  Mar 22, 2011

Good is good. It's a simple adage, but one that's especially true when it comes to music. Genre and predetermined preferences should be secondary if you're truly interested in having your ears entertained, challenged, and enriched.

Mike Mettler  |  Mar 22, 2011

Good is good. It’s a simple adage, but one that’s especially true when it comes to music. Genre and predetermined preferences should be secondary if you’re truly interested in having your ears entertained, challenged, and enriched.

Mike Mettler  |  Mar 22, 2011

Good is good. It’s a simple adage, but one that’s especially true when it comes to music. Genre and predetermined preferences should be secondary if you’re truly interested in having your ears entertained, challenged, and enriched.

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