Brent Butterworth covers the details on the new Infinity Reference Series below. Here’s a look at the three-way center ($499). Its vertical orientation for the midrange and tweeter is, in my opinion, the only proper way to design a center channel speaker other than using a speaker identical to the left and right, which can only work if the screen is very high or acoustically transparent, or the system is used for music only with no images.
The bipolar dual tweeters on the opposing front faces of the Infinity Reference Series surround speaker are said to produce a very uniform front dispersion. The mid/bass driver is mounted on the back, where a metal bracket keeps it spaced out from the wall by a couple of inches.
In case you haven't noticed, prices in the consumer world are creeping up. It's not yet a tsunami, but the signs are there. This should be a concern for everyone, and audio- and videophiles won't be immune from it. Some of the rising costs are due to unexpected events, such as the hacking of an oil pipeline, which might settle back in time. Others are due to government monetary policies, for better or worse in the unsettled time of Covid-19. Inflation is always produced when too much money chases too few goods. And there's no money tree in the back room of the Capitol in Washington. We're borrowing from Peter to pay Paul, but Peter can't object; he's just a printing press. The typical payback is inflation, a hidden tax on everyone.
Economics is a boring, black art, but it could inevitably affect our own little A/V corner of the wider world...
It's been a couple of years since we last tested an InFocus projector. When Fred Manteghian reviewed the $7,000, 720p <A HREF="http://ultimateavmag.com/videoprojectors/905infocus/">ScreenPlay 7210</A> back in September 2005 there was a lot less competition in the front projector market, and InFocus was a major player. It's still a respected name, with a long history in business and home projectors. But the playing field has not only become a lot more crowded, the name of the game has changed to 1080p. Not just 1080p, but 1080p at what would have been seen as impossibly low prices two years ago.
Until recently, the beer-budget options available for equipping a home theater with a projection system were severely limited. You either bought used or you settled for a projector designed primarily to serve the business market. Both approaches saved money, but neither was ideal. You can luck out buying used gear—a car holds its value far longer than a video projector—but you can also get burned. A business projector can perform reasonably well at home, but it won't be optimized for home applications and often lacks important features, such as full control of aspect ratio.
As the first three-chip DLP projector to pass through my studio, the InFocus ScreenPlay 777 generated more than a little excitement. Apart from its futuristic, streamlined appearance, its size and weight—not to mention its price—immediately set it apart from the one-chip designs that have come to dominate the home-theater projection market.
If you sometimes get nostalgic for the days of 2-channel audio, you're not alone. Life was simple then. You plugged your CD player in here, your turntable in there, hooked up the preamp to the power amp (unless you were a hair-shirt audiophile with an all-in-one integrated amp) and you were done. Select the source, adjust the volume, sit back, and listen.
Price: $2,600 At A Glance: Outstanding audio and video performance • All the latest Audyssey and THX Ultra2 Plus features • Uniquely flexible video calibration controls
Covering All the Bases
If you sometimes get nostalgic for the days of two-channel audio, you’re not alone. Life was simple then. You plugged in your CD player here, your turntable over there, hooked up the preamp to the power amp (unless you were a hair-shirt audiophile with an all-in-one, integrated amp), and you were done. Then you would select the source, adjust the volume, sit back, and listen.
A 75Wpc, 2-channel amp (into 8 ohms) might seem a little anachronistic today, when home theater fans want as many high-powered channels as they can afford in their amps and AVRs.