Thomas J. Norton

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Thomas J. Norton  |  May 15, 2018  |  7 comments
Every year there’s a major high-end audio show in Munich, Germany, held in a large convention-center type facility. By all reports it’s the biggest such event in the world, though it began as a modest hotel show in Frankfurt (also Germany, not Kentucky). I actually attended two of those 80s shows when I was stationed in Germany in the Air Force, an hour’s drive from Frankfurt.

But this isn’t about audio shows, though from what I’ve heard about the Munich event it’s more about viewing than serious auditioning. And since home theater isn’t nearly as significant in Europe as it is in the U.S., Munich is mainly about 2-channel audio. I have no issue with that; I’m a fan myself. But the high-end 2-channel market isn’t doing itself any favors with the current trend toward crazy pricing. While a new, $250,000 pair of monoblock amplifiers from an industry icon may be an outlier, it’s symptomatic...

Thomas J. Norton  |  Nov 29, 2013  |  3 comments
Lasers, or Light Amplification by Stimulated Emission of Radiation, have been with us for half a century. A laser produces a highly focused (spatially coherent) beam of light having a very specific wavelength, the latter depending on the design and application. They’re used in medicine, industry, laser printing, barcode scanners, CD, DVD, and Blu-ray players, laser light shows, and innumerable other applications.

Lasers can also be used as a light source for digital projection. While this is still under development, we’re likely to see it first in movie theaters. Lasers can not only produce a much brighter image—which can help overcome the dimness of 3D presentations—but also offer cost benefits to theater owners. Conventional xenon lamps are expensive to replace, and have a useful life of perhaps 1000 hours (some theaters try to stretch this as much as possible, often with negative effects on picture quality). A laser light source can stretch this by at least twenty-fold or even more. While replacement lasers will likely be significantly more expensive to early on, they’ll still be cheaper per hour of use. Another possible cost saving might come from using a centralized “light farm,” with the light from a single remotely located bank of lasers routed to multiple projectors via fiber optics.

Thomas J. Norton  |  Oct 08, 2006  |  Published: Oct 09, 2006  |  0 comments

This single seater in the Pioneer booth is for those who can't fit a Mini in the garage. I'm not sure how it fits into consumer electronics. Perhaps it's the audiophile special—you can drive and still always be in the sweet spot.

Thomas J. Norton  |  Jun 13, 2006  |  1 comments

The gear has been packed back up and the rooms cleared. The demo material has been tossed into suitcases, destined to end up in an obscure corner of each exhibitor's factory, the place where overplayed and now unloved recordings go to die. And copious notes have been made on what worked and what needs to be improved.

Thomas J. Norton  |  Apr 23, 2024  |  2 comments
I've blogged on audio (and video) shows before but there's always something more that needs to be said on the subject. Every year new hi-fi shows seem to pop up, though some will inevitably fade while others come along to fill the gaps. I've never been involved in organizing an audio show, but can imagine that it's a hectic, rewarding, but often difficult business (our sister publication, Stereophile actually ran a few annual audio shows years ago).
Thomas J. Norton  |  Oct 18, 2022  |  1 comments
After a long, hot summer (in more ways than one!), the audio and A/V show season recently kicked off with the annual CEDIA Expo. CEDIA stands for the Custom Electronics Design and Installation Association, and as the name implies, it caters to attendees in the business of installing custom home theaters and media rooms. As such it also offers a wide range of training sessions to supplement its trade show exhibits.

In recent years CEDIA has moved beyond traditional A/V gear and into peripheral products such as home automation, security, and home health assistance — areas a custom install company might find useful in expanding its services. But traditional audio and video are still CEDIA's core attractions, and in showcasing both current and new products it draws a huge contingent from the A/V press.

Thomas J. Norton  |  Oct 02, 2018  |  1 comments
While the movers behind the Marvel, Star Wars, and Star Trek franchises aren’t at risk of losing sleep over dinosaurs just yet, the Jurassic worlds and parks do threaten to chomp on more than a few toes over the coming years.

When Jurassic Park debuted in 1993 it could have been a boom or a bust. Computer generated effects (CGI) were just coming into their own, but with a few exceptions (notably Terminator 2) they still hadn’t eaten the film business alive. Though keenly aware of his problems with the anamatronic shark in 1975’s Jaws, director Steven Spielberg was also aware that CGI, while still in its infancy, had significantly advanced the possibilities for special effects since the (on-set) practical effects of 1975.

So Spielberg went ahead. Using a brilliant combination of anamatronics and CGI he crafted a classic movie with effects that still hold up today. Four other Jurassic films have followed, three of them directed by others...

Thomas J. Norton  |  Nov 25, 2013  |  0 comments
Picture
3D-ness
Sound
Extras
Interactivity
The old fairy tail of Jack and the Beanstalk has been a staple in movies and television, with versions including Disney’s Mickey and the Beanstalk, several Looney Tunes cartoons, a segment in the recent Puss in Boots animated feature, a recent TV episode of Once Upon a Time, and even a 1952 Abbot and Costello movie. In Jack the Giant Slayer, teen Jack trades his uncle’s horse and cart for those magic beans.
Thomas J. Norton  |  Sep 12, 2014  |  2 comments
I've only caught two Dolby Atmos demos so far, but the JBL Synthesis demo was by far the most impressive--and may be the most impressive at the show. I'll reserve judgment on that, but with 12 discrete height speakers(JBL SCS 8s), 16 surround speakers (also JBL SCS8s, just a few of them shown here--no way to get all of them into a group photo!), 8 subwoofers, JBL M2 front speakers, a Dolby pro Atmos processor, banks of JBL Synthesis amps, and a 17-foot wide screen (projector unspecified--I'll update this when I find out), this $200,000 system is ready for your lottery winnings.

The picture (only 2K no less, from a DPI NC 900C projector, about $50,000) was spectacular (though with blacks more typical of theatrical presentations rather than the superior blacks available from some even modest home theater models). And the sound was as good as any movie sound I've yet heard, either home or theatrical (the latter including even the best theaters in Los Angeles). It could go plenty loud, but with the exception of an extended racing car sequence it was never edgy or grating. If you're fortunate enough to be at the show while reading this, it's a don't miss demo.

Thomas J. Norton  |  Sep 17, 2016  |  0 comments
The JBL/Harman Luxury Group demo was perhaps the most impressive at the show for the totality of its picture and sound.

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