Thomas J. Norton

Coraline Jones is a lonely little girl. She has just moved into a creepy old house, has no real friends, and her parents are so preoccupied with their work on a gardening catalog that they have no time for her. But she soon discovers a small, papered-over doorway in the living room. It leads to another universe—similar to her own but different in important ways. Her “other” parents in that universe are devoted to satisfying her every whim. Her only new friend there doesn’t talk much (actually, not at all), the neighbors who share the old, subdivided house are fascinating rather than merely eccentric, and everything is colorful and fun.

All is not what it seems. Coraline is, at its core, a bloodless horror story. Much like the recent computer-animated film 9 (the first post-apocalyptic sock-puppet movie, and another dynamite audio/video transfer), it gets under your skin in ways that animated fare rarely does and could seriously frighten young children. It also uses stop-motion animation as refined by stop-motion expert Henry Selick (The Nightmare Before Christmas, Monkeybone, James and the Giant Peach).

We’re only a couple of months away from the scheduled introduction of Ultra HD Blu-ray players and the UHD discs to play on them. At CES both Samsung and Philips announced players due in March, and 17 titles are currently listed on Amazon for release March 1.

Reviewers (who are almost universally inveterate collectors) tend to accumulate more software—videos, LPs, CDs, and soon music and video files, than your average bear. Digital files take up little space, but the others can soon grow to enormous proportions. Not only does this create a storage problem, it also makes it difficult to find that special disc we want to enjoy now. Of course, we all organize our collections in some rational form, don’t we? In a classic line from the (must see) movie High Fidelity, a record store owner is reorganizing his personal LP collection. A friend asks him how he’s doing it: alphabetical, by artist, by label, by genre? His answer: autobiographical.

Somewhere in the dim past I wrote a blog on whether or not you might want to work with a custom installer in designing and building setting up your home theater or media room. In a random search through my computer files (as messy as any physical file system on the planet!) on a different subject I came across it again. It appears to have been written for one of the newsletter in the now defunct Stereophile Guide to Home Theater/Ultimate AV. In the hope that it might be as pertinent now as it was then (given a significant update), here it is again...