HDMI is a boon to videophiles. It can carry both audio and video using one cable, in contrast to the 9 (!) required for a totally analog A/V connection (R, G, B, and 5.1 audio). It can also pass all the features offered by current HD and Ultra HD formats.
HDMI is a nightmare. Sometimes it works. Sometimes it works but limits the information it transports from the source to the display. And sometimes it doesn’t work at all.
Take your pick, but the truth sits somewhere between these two statements.
While popular among readers, direct A/B tests comparing one audio or video component with a competing model are far more difficult to do properly than you might imagine. I’ve conducted or participated in numerous such tests over the years, going back to speaker shootouts when I wrote exclusively for Stereophile back in the ‘90s. I also set up or participated in several shootouts of video displays for Home Theater.
Maybe I’m just in a bad mood from having dental surgery yesterday, or maybe there’s something odd happening at Disney these days. But what, exactly, is going on with some of their Ultra HD Blu-ray soundtracks?
I like to think that have a broad taste in movie and television entertainment. I don’t much care for crime dramas, horror, gross-out comedies, or westerns (having lived through the era where westerns dominated evening television). I like historical films (either epics or straight dramas), science fiction, contemporary drama, and animation.
And there can be little doubt that the latter is on fire and in the midst of a new golden age. The first such era was centered almost exclusively on the early work of Walt Disney. It survived for about 25 years, from Snow White and the Seven Dwarfs (1937) to The Jungle Book (1967). I’d argue, however, that there were only six true classics from that period...
Every year as LG gets ready to release new TVs into the market, the company invites reviewers from all over the country to its Los Angeles facility to introduce the new lineup. Just this week I was scheduled to travel to that annual event for an up-close look at LG’s 2020 TV lineup. I thought seriously for days about whether or not to attend as coronavirus (COVID-19) slowly spreads across the country...
Ah, the good old days. Happy crowds coming together in joyful celebration, shopping together for a new TV on a lazy Saturday afternoon. Seems like only yesterday. Oh, wait, it was. But in the greater scheme of things, how the current Wuhan Virus pandemic will affect our small world of consumer audio-video isn’t a big topic on the nightly news. Nevertheless, that’s our gig here, and it’s important to consider the possible consequences. Will this be the end of the A/V world as we know it?
<I>Avoid a Blue Tuesday by capping off your holiday weekend plans with the end of the world! Whether we will become extinct as a species from within or without is the subject of two movies on DVD, one an environmental-disaster flick of dubious distinction, the other a classic loosely based on the Victorian novel that in turn has inspired a current remake. Thomas J. Norton and Fred Manteghian report on 2004's </I>The Day After Tomorrow: All Access Collector's Edition<I> and 1953's </I>The War of the Worlds.
The final installments of my Blu-ray players saga are coming soon to a computer monitor near you. They will cover the analog outputs of the Oppo BDP-83 Special Edition and the Pioneer BDP-320. Also coming is a listen to all of the players from their digital outputs.
Wolf Cinema was the second of only two home theater demos I found at the Venetian Hotel (the other being the MSR discussed above), which was otherwise (apart from a few soundbars) a sea of 2-channel, audio-only demos. Wolf Cinema showed three of its offerings. The fabulous photo shown here was the headliner, the $25,000 SDC-25. It's a single-chip DLP design with lamp-free, LED illumination, and looked plenty bright on a 102-inch (wide) screen.