The beta version of the Google Video Store is now online. The surprise is that it offers an abundant amount of free material in the form of short, amusing, amateur video clips. (Pick hit: a video editor ranting on "Why Mac's Suck.") The pay-for-play material includes a motley assortment of movies, NBA games, music videos, and TV shows like The Brady Bunch, The Twilight Zone, and Star Trek in two flavors—Deep Space Nine and Voyager. Pricing varies according to the nature and length of the material. Movies cost from $12.99-24.99 while TV shows are $1.99 per episode. In some cases you can also pay $2.99 for a Day Pass that will allow you to download the video and view it within 24 hours on the Google Video Player. Google's software is required for paid material but the free stuff will work on any player that handles AVI files. Picture quality is standard-definition with heavy video compression artifacts, but this being Google, the user interface and search features are user-friendly. Even if you have no intention of paying for anything, the Google Video Store is a great way to while away idle hours. Click on the external link below. Or, from the Google homepage, click on More, Video.
Google-owned YouTube flunked its first test as a copyright-compliant media company. The Financial Times reported a month ago that a "content identification system" promised for the end of 2006 has failed to materialize. GooTube had been promising the tool to large copyright owners as a first step in converting its often dubious legal status into something sustainable. Instead, Google will be forced to go on making piecemeal deals with whoever threatens to sue. Is GooTube intentionally dragging its feet to prevent a catastrophic exodus from its user base? With hungry and well-funded players like AOL Video charging into the arena, GooTube may be playing for time. For my own part, I spend an impressive chunk of downtime with my armchair pulled up in front of the PC, watching amazing concert videos on YouTube that aren't available on DVD. The future belongs to whoever can deliver that experience while staying on the right side of the law, hitting the sweet spot between legality and comprehensiveness.
When last we checked on YouTube, the Google-owned site was having trouble keeping its promises to the entertainment industry. Users were illicitly posting copyrighted material and the legal bills mounted. By September, the YouTubers hope, all that will change.
Gracenote, the leading music metadata provider—for the iPod, no less—has cut a deal with music publishers to deliver lyrics in digital form. The company says possible applications include digital music retailers, mobile providers, search engines, music portals, and of course music players and servers. The prospect of seeing the words to a song scrolling down your MP3 player screen is an appealing and timely one. Once listeners could read lyrics in giant LP gatefolds or CD booklets. But even in the heyday of those formats, that wasn't always a given, and in the age of downloads, lyrics have been relegated to unauthorized websites (which may soon see a crackdown). So Gracenote's move is progress. But in a music industry where artists don't always get their fair share, how much can a songwriter expect to get paid if her lyrics are licensed as a new product? Emails on this subject to Gracenote and Gracenote's publicist went unanswered.
2016 was a brutal year for rock fans and especially for progressive-rock fans. We didn't lose just Prince and Bowie. We lost Keith Emerson's keyboards, and in the final month of the year, the extraordinary voice, not to mention the bass and guitar, of Greg Lake. The year before we lost Chris Squire's Rickenbacker bass. If you recall my ELP in 5.1 review and Keith Emerson tribute, you might be a little tired of hearing about the keyboard-based power trio that was one of my boyhood heroes. But I can't let Greg Lake's death at age 69 pass unremarked.
If you thought your PC security problems began and ended with those Sony rootkit CDs, think again. The watchdog organization stopbadware.org has issued a warning about the file-sharing service Kazaa: "We find that Kazaa is badware because it misleadingly advertises itself as spywarefree, does not completely remove all components during the uninstall process, interferes with computer use, and makes undisclosed modifications to other software." The group issued similar warnings about MediaPipe, a movie download program; Waterfalls 3, a screen saver; and even SpyAxe, which ironically enough bills itself as an anti-spyware program. Stopbadware.org is led by heavy hitters from the Harvard Law School and the Oxford Internet Institute with support from Google, Lenovo, and Sun Microsystems.
Most receivers have seven amp channels. I've just reviewed several of them in a row: the Onkyo TX-NR545, Pioneer VSX-1130, and Sony STR-DN1060. Our October issue will collect them in a roundup, with a review of the Denon AVR-X1200W following in November. All list for $600 and include Dolby Atmos height-enriched surround in a 5.1.2-channel configuration. That is a couple of height channels short of the 5.1.4 configuration Dolby Labs recommends for Atmos in the home. And that in turn prompts an uncomfortable question: Is the seven-channel receiver obsolete?
The maker of the world's coolest LCD TVs is now offering high-def-capable versions in screen sizes up to 42 inches. My favorite of the eight new design series is the 32-inch HANNSvibe ($1299), pictured here with its detachable speakers. HANNspree is also moving into plasma with the 50-inch HANNSskate ($4199). All big-screen models have ATSC and QAM tuners for reception of over-the-air and unencrypted cable channels. Also new from HANNspree are the G IT line of computer monitors from 15 to 23 inches, the seven-inch car-mount HANNSMobi with built-in DVD player, and the HANNSvidilink, a wireless 802.11a video transmitter and receiver that works at distances up to 300 feet. And the company is adding four Warner Bros. cartoon designs (including Bugs) to its Disney, NBA, and MLB series. The only thing the company isn't marketing is a TV based on my image and I expect to see that any day now.
Thank you, Custom Electronic Design & Installation Association, for fostering the growth of an important industry, for staging an annual milestone in audio/video consciousness, and for encouraging a/v excellence in general.