Mark Fleischmann

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Mark Fleischmann  |  Jan 08, 2008
Totem Acoustic enters its third decade with a 20th anniversary version of the venerable model known as The One. The stand-mount monitor features a new crossover, platinum speaker terminals, and redesigned drivers. Exhibited with always-fabulous Naim electronics, this was the best sound I heard at the show, with an up-close laser-like focus that turned a guitar pick scraping steel strings into a revelation. Plenty of woody guitar-body midrange detail too. And the depth, oh, the depth. The price is $3595/pair, you can buy a surround configuration if you want, and act now because only 2000 pairs will be made.
Mark Fleischmann  |  Oct 05, 2012
As I wandered around the floor at the recent CEDIA Expo in Indianapolis, a theme emerged. By some remarkable coincidence, three different loudspeaker manufacturers were showing special models to celebrate multiple-decade anniversaries. The brands—Paradigm, KEF, and Wharfedale—continue to be formidable ones. They have been making some of the world's best speakers for a long time, and these anniversary products are worth celebrating. They all include monitors, which are right up my alley: My reference system is based on monitors. Unfortunately, most of these models (except KEF) will be made only in limited quantities. Moreover, they are sold only per pair, so if you want to use them in a 5.1 or other odd-numbered surround configuration, an extra speaker is going to languish in a closet. Therefore I won't be able to get them in for review. However, I'd like to celebrate them here and note their passage through the history of audio.

Mark Fleischmann  |  Jan 09, 2007
You are still loved.
Mark Fleischmann  |  Feb 17, 2009
Today is the originally scheduled date of the DTV transition. Some television stations will make the transition from antiquated analog to cool new digital broadcasting on this very date. Others will have to wait till June 12. Let's look at the current tally.
Mark Fleischmann  |  Oct 25, 2007
Looks like Harman International won't be making the transition from public to private company after all. The buyout is on the rocks.
Mark Fleischmann  |  Apr 27, 2007
One of the few major audio manufacturers to function as a public company will be taken private. Kohlbert Kravis Roberts and GS Capital Partners bought Harman International in a deal worth $8.3 billion.
Mark Fleischmann  |  Sep 05, 2008
The Harman Kardon AVR 7550HD ($2799) is the one of first surround receivers to feature Dolby Volume, one of the most sophisticated signal manipulation circuits to come along in years. It can take the edge off offensively toppy TV ads and intelligently reduce the dynamics of movie soundtracks, for late-night viewing, without losing intelligibility. Other attractions include 110 watts times seven, internet radio, and of course the full panoply of next-gen surround codecs via HDMI 1.3a.
Mark Fleischmann  |  Apr 01, 2013
Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $499 At A Glance: Switch-mode power supply • Full Apple functionality • Unique Media Manager app

If you don’t enjoy paradox, life is no more fun than a sack of dirt. Here’s a long-running paradox in the home theater sphere: Some folks are turned off by audio/video receivers because they are so complex and loaded with features. So how do the people who design AVRs make them more appealing? Add more features!

Mark Fleischmann  |  Dec 29, 2011
Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $999 At A Glance: High-quality amplification • Logic 7, Dolby Volume listening modes • Distinctive gray and black look

The home theater system’s beating heart is the audio/video receiver. It supports a heroic workload: routing video and audio signals from source components to display and speakers, gussying up the video, decoding audio formats, massaging audio signals with listening modes, cabalistically correcting room acoustics—and last but not least, performing the heavy lifting necessary to drive loudspeakers. The final item on that list is among the AVR’s most significant attributes. But in the race to jam in as many features as possible, amplification is in danger of becoming an afterthought. In Harman Kardon’s AVR 3650, the top model in its new receiver line, the manufacturer took the road less often traveled and acts more like a high-end boutique manufacturer than a mass marketer. It went the extra mile to make this AVR sound great and rigorously stripped it of back-panel clutter. The result offers comfort to the music lover who cares about the fundamentals of performance.

Mark Fleischmann  |  Aug 29, 2011
Performance
Features
Ergonomics
Value
Price: $799 At A Glance: A/V receiver with integrated Blu-ray player • Energy-efficient digital amplifier • Good build quality • No video inputs

My review sample of the Harman Kardon BDS 5 Blu-ray receiver arrived shortly after the death of Dr. Sidney Harman. Let’s take a moment to celebrate the life of one of the audio industry’s founding fathers. Harman and partner Bernard Kardon pioneered the A/V receiver category in 1954 with the Festival D1000, the first audio product to combine the functions of a mono power amp, preamp, and radio tuner. The stereo version, the Festival TA230, arrived shortly afterward. By the time Harman retired in 2008, A/V receivers were wearing his name. Harman International eventually became an audio empire, not only continuing the Harman Kardon brand, but also encompassing JBL, Infinity, Lexicon, Revel, Mark Levinson, and others. Harman was a renaissance man: an activist, philanthropist, professor, and public servant, the quintessential tough businessman with a heart of gold.

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