Subwoofer Reviews

Here are two words I never thought I’d use together in a sentence: audiophile soundbar. Yet MartinLogan’s new Motion Vision model indisputably qualifies.

DX-1 HCP Speaker
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DX-1 subwoofer
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One of your best friends calls up to announce that she is about to wed someone rich and powerful. He owns a shipyard that manufactures exceptionally luxurious yachts. You’re happy for her, but you worry, too. Would living with such a strong personality, a guy with all that money and all that power, be good for her? Would it make her stronger or weaker? A few years later you run into her, and after a few hours of conversation, you conclude that she’s in great shape internally as well as externally. There’s a serenity beneath the tan. Her husband is affectionate and faithful, a child is on the way, and she’s never been happier.

PSB Imagine T2 Speaker System
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PSB SubSeries 300 Subwoofer
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Paul Barton is a nutcase. Oh, sure, he’s soft-spoken, ultra-smart, and intensely passionate about sound. (In the late 1960s, 11-year-old Barton started building speakers with his dad in their workshop because other speakers “didn’t sound natural.”) But that’s just a cover. I don’t know how else to explain the fact that Mr. Barton (the “P” and “B” of PSB Speakers—with his wife, Sue, providing the “S”) has spent so much of his life locked away in the anechoic chamber and testing/listening labs of Canada’s federally funded National Research Council (NRC) in Ottawa, Ontario. In fact, according to PSB, although folks from other speaker companies (such as Paradigm, Energy, Mirage, Snell, and Aperion, to name a few) have traipsed through the NRC’s Acoustics and Signal Processing Department’s doors, since the late 1970s, Barton “has spent far longer in the chamber and lab than any other speaker designer.” So rather than skiing, hunting, fishing, playing hockey, and/or drinking beer all day like real Canadians do, Barton chose to play in an anechoic chamber. As I said, he’s a nutcase.

Not long ago, FedEx deposited a 7.1channel HTIB from Aperion Audio outside my door. It’s not really fair to call it a home theater in a box because the system actually comes in seven boxes and sells for $3,499. But since it includes source switching and amplification, it technically qualifies as an HTIB, albeit a rather unusual one. Aperion Audio prefers the term preconfigured home theater system. Normally, setting up this sort of home theater package would entail speaker wires crisscrossing the floor accompanied by the requisite grumbling, stripping of wires, and fumbling with speaker terminals. In this case, though, the Aperion speakers—a pair of towers, a center channel, a subwoofer, and two pair of satellite speakers—come out of their boxes, get placed in their appropriate spots in the room, have each one’s power cord plugged into the nearest AC outlet…and that’s it.

For subwoofer designers, the laws of physics boil down to: Small box, low cost, high output — pick any two. You can always shrink the enclosure, but to get decent output from it, you’ll need a high-powered amp and a beefy driver. And if you shrink the box way down, as Sunfire did with its new Atmos subwoofer, you’ll need to go even more extreme.

Since my first lengthy experience with Sonos products, I've been recommending them as a simpler, lower-cost alternative to traditional multiroom audio systems. It's just so much easier. Plug in a Sonos component, go through a simple config, and you have great-sounding music and Internet radio in any room (or many rooms) in a matter of minutes, all controlled by your smartphone or computer.

But there's one thing a Sonos system doesn't deliver: bass. Now that's fixed.

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There are, and have been, lots of movements in the world: political (the Tea Party and Occupy Wall Street), social (abolition, women’s suffrage, and prohibition), artistic (Impressionism, Dadaism, and WTFism), and of course, bowel (but I digest…er, digress).

When it comes to subwoofers and speakers, air movement is of particular import. If you want loud, low bass, your woofers are going to have to compress a lot of air. For movies, it’s especially enjoyable when your subwoofer has enough spunk to cause the floor under your feet and the seat under your butt—and even your body’s chest cavity—to vibrate during those massive, over-the-top Hollywood explosions or through the low rumble of an earthquake. These are sensations that you feel more than hear.