I received an e-mail recently from reader Francesco Tenti in Huntington, NY, politely complaining about the speed with which AV technology seems to be progressing...
As I reflect back on our annual pilgrimage to CES last month in LasVegas, the most exciting news for home theater buffs was around Ultra HD (UHD), both the launch of the first HDR (high dynamic range) UHD televisions and the announcement of details on forthcoming UHD Blu-ray Discs.
We’ve just posted our annual Top Picks of the Year list of the best products from among all those we tested in 2014, culled from all the Top Picks named throughout the year in consultation with our staff of reviewers. Even from among this list, though, there are a few that really stand out for me, not just because of their performance but because of what I think they represent in the evolution of our hobby and the AV marketplace. Here are some of my personal highlights...
Last summer, Sound & Vision was invited to visit retired Yankee relief pitcher Mariano Rivera to profile a renovation that had been done, with JBL’s help, to his private home theater. Baseball fans know Rivera as the Major League’s all-time leader in saves, and undoubtedly a future Hall of Famer. As a New Yorker, I knew him as a fixture in my city for the nearly two decades he played here, when, on any given day from April through September (and frequently, October), he might be the figure gracing the back-cover sports page of the New York Daily News or Post. The very nature of Rivera’s work as a closer—to be trotted out in the late innings to hold a slim lead or demoralize the competition and give his team a chance at the tying or walk-off run—made him an exciting figure.
This year’s CEDIA Expo in Denver could have been dubbed “Dolby Atmos Expo,” with no fewer than a dozen active demos at the show including Dolby’s own. It makes sense that CEDIA would be the Atmos coming-out party. As compelling as Atmos can be (check out Dan Kumin’s impressions of our first Atmos system), I’m of the mind that the customer shopping for a soundbar isn’t about to toss that idea in favor of a discrete component system just because he’s heard Atmos. On the other hand, custom integrators building media and theater rooms are in good position to bump what would have been a conventional 5.1-channel or 7.1-channel system to a 5.1.4- or 7.1.4-channel Atmos system. They, along with enthusiasts like you and me who map our own upgrade paths, will drive this market.
I got a good belly laugh as I was proofreading our Perfect Focus section for the November print issue. I’d just finished putting together our Letters section, in which I’d responded to a reader inquiry about Dolby Atmos with one of my usual geeky diatribes. Then I turned to Perfect Focus and saw...
Panasonic’s Departure from the Plasma Market is Heartbreaking, and Inevitable
There is both irony and tragedy in the fact that this year’s much-deserved prize for our Top Pick product for all of 2013 goes to TC-P65ZT60, whose short life and lineage will begin and end with the 2013 model year...
With speakers strategically positioned all the way around The House That Ruth Built — a.k.a. Yankee Stadium — and buttressed by a multimedia visual presentation second to none, Roger Waters and his ace band tore through Pink Floyd’s seminal 1979 masterpiece The Wall in full on July 7 in the Bronx.
It may only be the middle of July, but it already feels like Christmastime ’round the hallowed S+V office halls. How come? Well, the evidence is right there before your eyes — to wit: the all-new, all-awesome Sound + Vision Web site!
Sound+Vision is honored to present an exclusive 10-minute interview clip with Storm Corrosion, the explosive new collaboration between Opeth's Mikael Åkerfeldt and Porcupine Tree's Steven Wilson. SC's self-titled debut comes out next Tuesday, May 8, in a variety of S+V-friendly formats.
That was how a musician friend responded shortly after I told him via iPhone chatter that it was 10 minutes before Bruce Springsteen & the E Street Band hit the stage last night in the first of two dates at the Izod Center in East Rutherford, New Jersey.
The Dark Side of the Moon has long been considered to be the audiophile benchmark. It's been remastered and reissued a number of times over the years since it was initially released March 1, 1973 and proceeded to spend a record 741 weeks (that's 14.25 years!) on the album charts.
How does he do it? How does Steven Wilson continue to create original, envelope-pushing, mind-blowing, mind-expanding music for the surround sound arena?