I had not heard of Swedish speaker maker <A href="http://www.perfect8.com">Perfect8 Technologies</A> until reader Joe G. posted a comment in my blog about <A href="http://blog.ultimateavmag.com/ultimate-gear/glass_ear/">Hario's glass speakers</A>. Like Hario, Perfect8 uses glass as a primary building material, but not in the driver diaphragms as Hario does. Instead, the cabinets and some support structures are made of glass, creating elegant sculptures that are said to sound as good as they look.
Scott Wilkinson | Nov 02, 2009 | First Published: Nov 03, 2009
What do you get if you cross Japanese audio acumen with daring Italian design? The Squeezophone 360, that's what. Born out of a collaboration between <A href="http://www.kenwooddesign.com">Kenwood Design</A> and <A href="http://www.colucci-design.com">Claudio Colucci Design</A>, this concept speaker cuts a dashing figure as it pumps sound all around the room.
Audiophiles know the name Mark Levinson well. After his eponymous first enterprise was purchased by Harman International—which means he can no longer use his own name on audio products—Levinson went on to found several other highly regarded audio companies, including Cello and Red Rose Music. Now, in a story exclusive to <I>UAV</I>, the audio designer, recording engineer, and professional musician is launching his latest venture from his adopted home country of Switzerland, calling it <A href="http://www.danielhertz.com">Daniel Hertz, S.A.</A>—"Daniel" after his father and "Hertz" after his mother's great-uncle Heinrich Hertz, whose name is now used as the universal unit of measurement of frequency.
The materials used to make speaker diaphragms are well established—polypropylene, paper, Kevlar, aluminum, titanium, beryllium, silk, and even diamond, to name a few. So I was surprised to find a speaker system with diaphragms made of glass. Developed over nearly four years by a Japanese glass company called <A href="http://www.harioglass.com">Hario</A> (Japanese for "king of glass"), the Harion system is certainly intriguing, though the English-language website linked here has nothing about it, and the company did not supply much info, even after repeated requests.
Live music is quite different from the visual arts. For example, every time a musician plays a given song, it is unique, with inevitable variations from one performance to the next. As Joni Mitchell once noted, no one ever asked Van Gogh to paint <I>The Starry Night</I> again. But many musicians are expected to play certain songs at every concert, and these songs sound different every time. On the other hand, recorded music is more like a painting—once it's in the can, it sounds exactly the same every time it's played.
Transducers—devices that convert one form of energy into another—are among the most mature technologies in the audio world. The most common musical transducers are microphones, which convert the mechanical energy of acoustic sound waves into electrical signals, and speakers, which do exactly the opposite. Both have been around for a century or so, and despite a few innovations and variations, they haven't changed much in all that time.
I normally consider LP turntables to be squarely in <I>Stereophile</I>'s bailiwick, but I couldn't pass up the opportunity to profile these gorgeous vinyl spinners from <A href="http://audiowood.com">Audiowood</A>. The wood foundation of each one is handcrafted and unique, though designs such as the Barky pictured above can be replicated with relative ease since it's based on a slice from a log.
As I was looking for products to profile in this blog, I came across something astonishing—a tube-based monoblock power amp that costs $350,000/pair! Hand-built by Japanese boutique maker <A href="http://www.wavac-audio.jp/">Wavac Audio Lab</A>, the SH-833 isn't new—it was <A href="http://www.stereophile.com/tubepoweramps/704wavac/">reviewed in Stereophile</A> in 2004—but when I saw that price tag, I knew I had to include it here.
I've always had a certain fondness for <A href="http://www.linn.co.uk">Linn</A>, a high-end audio company based in Glasgow, Scotland. Perhaps it's because the company is located in my namesake country, or maybe it's the clever, Ikea-like product names. More likely, it's because Linn has been making exceptional audiophile products for over 35 years, starting in 1972 with the Sondek LP12 turntable, which is now the longest-lived hi-fi component still in production. Of more recent vintage is the flagship Klimax speaker system presented here.
Danish speaker maker <A href="http://www.dynaudio.com">Dynaudio</A> has earned a stellar reputation among audiophiles since its founding in 1977. The current flagship line, known as Evidence, is not new—the Master model was selected as one of <I>Stereophile</I>'s products of the year in 2000—but that doesn't mean it can't still kick some serious butt. I wanted to see what the ultimate Evidence home-theater system would consist of—and how much it would cost.
I'm on a quest to find the most expensive audio cables in the world—not to buy, mind you, but just to see what the market will bear. From what I've learned so far, the leading candidates come from <A href="http://transparentcable.com">Transparent Audio</A>, whose Opus MM2 cables cost more than most automobiles, especially if you're buying enough to outfit an entire multichannel system.
Normally in this blog, I profile a specific product or product line that can be considered "ultimate" in one way or another. But when it comes to a California company called <A href="http://www.catmbx.com">CAT MBX</A>, this approach doesn't work so well. An offshoot of California Audio Technology, CAT MBX designs and builds ultimate home theaters from scratch, customizing the speakers, electronics, and projection system for each venue. The company's "product" is the entire theater, which is unique for each client.
In most high-quality A/V products, form follows function, but in the case of the Gramophone speaker from Swedish maker <A href="http://www.aesthesis.se">Aesthesis</A>, form and function are intertwined, arising together during four years of development. Standing nearly four feet tall, this hand-made, carbon-fiber speaker makes a bold design statement while offering impressive specs.
Who doesn't love <I>The Wizard of Oz</I>? No one I know. Rated as one of the best films ever made, this timeless classic has been released on various home-video formats no less than 16 times since 1980. Now, 70 years after its theatrical debut, <I>Oz</I> is getting its first high-def treatment on Blu-ray for the 17th iteration. I was fortunate to be invited to a press event celebrating this milestone at Warner Brothers' Burbank studio, and I learned a lot about what went into making this ultimate version.
I've always loved <A href="http://www.tannoy.com">Tannoy</A> speakers—in fact, I've used a pair of NFM-8 near-field monitors in my home recording studio for many years. And I'm not alone—many pro studios, especially in England, use Tannoys as reference monitors. But the company also makes exceptional consumer speakers, including the new Definition line.