SURROUND PROCESSOR REVIEWS

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Chris Lewis  |  Dec 19, 2002  |  First Published: Dec 20, 2002  |  0 comments
A flagship pre/pro, Arcam's way.

If there's one thing I know about Arcam, it's that they like to do things their own way. Yes, this is a high-end company and, as such, is relatively small—which usually means that they wouldn't have the resources to do major product overhauls or built-from-scratch developments very often. This being Arcam, though, it didn't surprise me when I heard that they were spending gobs of time and money developing a new statement pre/pro for their top-shelf FMJ line. Back in February, I spent some time with their DV27 DVD player—another built-from-the-ground-up effort—and was sincerely impressed, so I was curious to see what these fellows across the pond could accomplish when they set their sights on the world of flagship pre/pros.

Chris Lewis  |  Nov 04, 2002  |  First Published: Nov 05, 2002  |  0 comments
With the Showcase pre/pro-and-amp combo, Krell hits a new low—price point, that is.

Much is made of the intense competition that goes on in the receiver game, and understandably so. For the most part, these are companies that have piles of money to spend on advertising, have the resources and inclination to bring out new models every year, and have hordes of accountants and marketing types to keep watch on things likemarket placement, pricing, competitor activity, and so on. But what about the healthy (and growing) competition in the separates arena, especially at the lower (all things being relative) price points? It may not draw the receiver war's headlines, involve a fraction of the corporate expenditure and model turnover, or feature dueling laser shows from multilevel booths at industry trade shows. But, make no mistake, the competition here is no less intense, no less important to the industry as a whole, and no less beneficial to its particular crop of potential buyers.

Joel Brinkley  |  Dec 07, 2001  |  0 comments
For years now, Lexicon has been a darling of home-theater owners, particularly those who care most about their components' performance and least about cosmetics. The home-theater preamp-processors that Lexicon has made in the last five years—the DC-1, DC-2, and MC-1—have been among the best-performing products of their type. But their plain-Jane appearances do not make them stand out for comment when uninformed friends come over to have a look at your equipment.
Chris Lewis  |  Nov 07, 2001  |  First Published: Nov 08, 2001  |  0 comments
Lexicon's long-awaited flagship pre/pro finally hits the shelves.

The rumors about Lexicon's new pre/pro have been swirling about for what seems like an eternity. It can do this. It will have that. It may pour you a straight bourbon if you set it up properly. So, it's with no small amount of anticipation that many await their first glimpse of this new megaprocessor, which has been touted (by the grapevine more than Lexicon) as having all of the performance of the highly respected MC-1 with a few more tricks up its sleeve. While the MC-12's goal is certainly to supplant the MC-1 at the top of the Lexicon line, it's undoubtedly aware of the debt of gratitude it owes its predecessor and ancestors like the DC-1, which laid the foundation for the respect and subsequent anticipation that this model enjoyed long before it ever hit the shelves.

Daniel Kumin  |  Dec 25, 2012  |  0 comments

As home theater has become ever more digitally sophisticated, A/V separate components, specifically preamp-processors, have become thinner on the ground as many smaller, separates-oriented manufacturers drop away. While A/V receivers today steal much of the limelight (and dollars), separates soldier on, mostly from the major-brand makers, each of which offers a flagship pre-pro. So too do a handful of low-volume, high-end makers offering very expensive models.

Rotel is one of a very few to occupy the middle ground with a separates line dedicated to both performance and value, and priced for people who might still have to think about it. The RSP-1572, the firm’s most recent pre-pro, is the company’s marquee A/V component.

Daniel Kumin  |  Mar 25, 2013  |  0 comments

Emotiva. The name sounds like the latest cure-all marketed by Big Pharma on the evening news programs. (Remember “restless leg?”) It is, in fact the consumer-audio brand of Tennessee’s Jade Designs. And Jade Designs, in turn, is the direct-to-consumer brand founded by a longtime veteran of the rough-and-tumble electronics OEM (original equipment manufacturing) world.

Daniel Kumin  |  Jan 30, 2012  |  1 comments

How long have Integra’s A/V preamplifier/processors been around? Long enough to become a bit of an institution among home theater insiders. If you were assembling a serious system and demanded legitimately audio/videophile performance in every aspect but were unable or unwilling to pay the sometimes absurd prices asked for “seriously high-end” gear, an Integra pre/pro is what you bought.

Daniel Kumin  |  May 24, 2013  |  1 comments

You can’t get much plainer than Outlaw’s new Model 975 preamp/processor. With its unadorned black chassis and fascia and plain white lettering, the 975’s un-cosmetics speak of a component conceived to do a job, completely and effectively, and to otherwise stay the hell out of the way.

Daniel Kumin  |  Mar 22, 2012  |  0 comments

It’s a fact of modern life. The higher you climb in the high end of anything, the less, at least in one sense, you will get. You will find, I believe, few gargoyles on buildings designed by I.M. Pei, and even fewer rear-seat DVD screens in Paganis.

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