Power Amplifier Reviews

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David Vaughn  |  Sep 03, 2014  |  8 comments

Performance
Features
Ergonomics
Value
PRICE $6,395

AT A GLANCE
Plus
Outstanding dynamics and headroom
Equal power to all channels
Seven-year transferable warranty
Minus
Very, very heavy
Recommended for two independent 20-Ampere power outlets

THE VERDICT
This amp never broke a sweat driving my 4-ohm speakers at insanely loud levels.

There are quite a few people in the audio world who have become household names, at least among audiophiles. I’m talking about legends like Paul Klipsch, Amar Bose, Saul Marantz, Henry Kloss, Bob Carver. But these aren’t the only influential contributors to the business and history of hi-fi. Among the lesser-known audio icons is Morris Kessler, the founder of ATI.

David Vaughn  |  Jan 02, 2014  |  11 comments

CX-A5000 Surround Processor
Audio Performance
Video Performance
Features
Ergonomics
Value
MX-A5000 Amplifier
Performance
Features
Ergonomics
Value
PRICE CX-A5000, $3,000; MX-A5000, $3,000

AT A GLANCE
Plus
Audiophile pre/pro sound quality
Impeccable build quality
Apple AirPlay support
Minus
Amp performance merely competent
Limited network interface

THE VERDICT
Yamaha’s new pre/pro is a surefire contender, though its matching 11-channel amplifier wasn’t quite the same caliber.

If you’re in the market for a new AVR, you can spend countless hours researching all of the various manufacturers’ Websites and, when all is said and done, still have 20 or more models to choose from that have all the bells and whistles you want. The same can’t be said for the surround processor market, which is extremely limited by comparison.

Most companies offer only one model—if that—and it’s generally a reconstruction of their flagship AVR minus the amp section. Don’t expect a discounted price, though; with such a limited audience for pre/pros, you can expect to pay top dollar even when the amps are absent. That said, this isn’t such a bad deal because you can then choose an amplifier that mates well with your particular speakers. Furthermore, by having the electronically noisy amps in a separate enclosure, energized by their own dedicated power supply, you can theoretically enjoy improved audio quality. Of course, you also get an increased footprint in your rack with additional black boxes. The quest for audio nirvana certainly isn’t easy.

Kris Deering  |  Mar 20, 2013  |  4 comments
PT-7030 Surround Processor
Audio Performance
Video Performance
Features
Ergonomics
Value
 
PA 7-350 Amplifier
Performance
Features
Ergonomics
Value
Price: PT-7030, $1,799; PA 7-350, $2,799 At A Glance: Audiophile focus • Great dynamics • Lacks some bells and whistles

We’ve all heard the old saying, “less is more”, but that doesn’t always translate well to audio surround processors. While audiophile processors of yesteryear concentrated more on core components for the best possible sound quality and less on crazy surround modes and other digital processing, today’s market seems to demand these features.

David Vaughn  |  Feb 20, 2013  |  16 comments

AV8801 Surround Processor
Audio Performance
Video Performance
Features
Ergonomics
Value
 
MM8077 Amplifier
Performance
Features
Ergonomics
Value
Price: AV8801, $3,599; MM8077, $2,399 At a Glance: Up to 11.2-channel playback with Audyssey DSX and DTS Neo:X Audyssey MultEQ XT32 and Sub EQ HT Apple AirPlay support

As A/V enthusiasts, we are constantly on the lookout for the best audio and video we can find, and when we reach that state of nirvana, we enjoy our equipment until the next CES or CEDIA when we then hear about something new and begin to worry that our system will soon be second best. Writing for Home Theater makes me an unwilling accomplice in this never-ending cycle of upgrade-itis, but truth be told, I’m just as affected by this as the rest of you. Thankfully, I’m able to get my fix by having lots of equipment moving through my rack, but every now and then, I fall in love with a piece and don’t want it to leave my possession.

Fred Manteghian  |  Jan 06, 2013  |  1 comments

SP3 Surround Processor
Audio Performance
Video Performance
Features
Ergonomics
Value
 
9B SST² Amplifier
Performance
Features
Ergonomics
Value
Price: $17,595 At A Glance: No-compromise musicality in a home theater • Clean and powerful • No-frills design

If you’ve ever spent an afternoon at a big-box store courting eye strain and knee pain comparing the lineup of AVRs, then you’ve doubtless discovered that, superficially at least, the offerings have more in common than not. Sure, the more you spend, the more buzzwords are silk-screened across the front panel, the more HDMI connections you find around back, and, when it comes to power, the more exaggeration you get. One thing about Bryston and power—it’s not within theirs to lie. My first audiophile speakers, Magnepan MG-IIIa speakers, didn’t turn amazing until they met a Bryston 4B amp. If current is what your speakers crave, a Bryston amp could be their best friend.

Michael Fremer  |  Nov 02, 2012  |  6 comments
Performance
Features
Ergonomics
Value
Price: $3,500 At A Glance: Enormous power output • Remarkably compact • Class D

Class D amplification has a narcotic-like hold on the audio electronics industry. These switching-mode designs mesmerize with a dazzling array of advantages: high efficiency, high power output, low weight, compact dimensions, and depending on implementation, enormous cost savings.

Kris Deering  |  May 31, 2012  |  4 comments

Halo P 7 Multichannel Preamplifier
Performance
Features
Ergonomics
Value
 
A 51 Multichannel Amplifier
Performance
Features
Ergonomics
Value
 
JC 1 Single-Channel Amplifier
Performance
Features
Ergonomics
Value
Price: P 7: $2,000, A 51: $4,500, JC 1: $4,500 At A Glance: Analog-audio-only preamp supports up to seven channels • Flexible hookup options • Halo amps deliver staggering performance

One of the few lessons that was ingrained into me during my time in the Navy was, “Keep it simple.” I admit it wasn’t phrased quite so politically correctly, but the point is still the same. It’s a motto I apply to just about everything I do in my daily life, and when I received the Parasound Halo P 7 multichannel preamplifier ($2,000) for review, it appeared that Parasound sticks to the same philosophy. The strictly analog preamp shrugs off digitaldecoding duties to your source components, shunning any dirty digital processing while providing a high-end, multichannel, analog preamp stage to feed into your amps. With the right front-end source components, this makes for a spectacular two-channel and multichannel listening experience.

Michael Fremer  |  May 18, 2012  |  18 comments
Do you dream in surround sound? Since you’re reading this magazine, the answer is probably yes. Psychiatrists say dreaming is good for you. Thumb through any issue of Home Theater and you’re more likely than not to encounter components, systems, and lavish, dedicated rooms equipped with the latest 4K projectors and high-powered, surround-sound systems that most of us can only dream about.
Fred Manteghian  |  Jan 27, 2012  |  3 comments

Cinema 12 Surround Processor
Audio Performance
Video Performance
Features
Ergonomics
Value
 
Model 7.125 Amplifier
Performance
Features
Ergonomics
Value
Price: $8,990 At A Glance: Excellent detail and resolution • Music jumps alive • No video processing

Over a decade ago, while writing for a now-defunct audio magazine, my editor shipped me a pair of monoblock Cary tube amps he’d never gotten around to reviewing. Something must have shook loose during transit, because instead of music, all I got when I powered them up was a wisp of smoke as one monoblock sadly committed hara-kiri! The Cary Cinema 12 and Model 7.125 are an eternity of light years away from those fragile forays into bottle socketry. They exude an air of quality and reliability that physically and musically justify their significant price.

Call me weird, but I get excited when I see XLR connectors on my audio gear. Time spent in my fledgling home studio has taught me why pros prefer them. The Cinema 12 offers both single-ended RCA and true, differentially balanced XLR outputs, an arrangement and circuit design mirrored on the Model 7.125 amplifier. The Cinema 12 even offers a pair of stereo analog XLR inputs and a single balanced digital input beyond the roster of seven single-ended analog input pairs. Audio purists will appreciate the fact that you can bypass all digital conversions for your analog sources, including the 7.1 analog input you might use with an SACD player.

Kris Deering  |  Dec 29, 2011  |  4 comments

DHC-80.3 Surround Processor
Audio Performance
Video Performance
Features
Ergonomics
Value
 
DTA-70.1 Amplifier
Performance
Features
Ergonomics
Value
Price: $4,400 At A Glance: 4K scaling • Reference-quality video processing • Audyssey MultEQ XT32 ups the ante for room EQ • Nine channels of THX Ultra2 amplification

I don’t know what’s more impressive, the fact that Integra can produce a new state-of-the-art surround processor each year, or that the company can find new audio/video processing modes to add to its already ridiculous list of features. The Integra DHC-80.3 is the latest home run from Integra, with some of the most future-proofing features the company’s delivered yet. I can’t imagine adding much more to a surround processor, but I’m sure Integra will pull some new surprises out of the bag next year.

I’ve reviewed several of the past incarnations of Integra’s A/V processor, but this time up, Integra also sent out its nine-channel THX Ultra2–certified amp, the DTA-70.1. This monster delivers 150 watts per channel and sports balanced inputs and a gorgeous solid-aluminum front panel that matches the DHC-80.3 perfectly.

Michael Fremer  |  Apr 04, 2011  |  10 comments

Performance
Features
Ergonomics
Value
Price: $2,700 At A Glance: Receiver priced, separates performance and power • Next-gen Internet connectivity and versatility • Sophisticated sonics, simplified setup

Everybody’s Been Burned

Are you weighed down by a boat anchor of an expensive, powerful, but obsolete A/V receiver that doesn’t have HDMI inputs or processing for the latest lossless audio formats? You’re not alone. Everybody’s been burned by fast-moving technological change. You could unload your boat anchor for a few hundred dollars on eBay or AudiogoN and start over. But should you? Consider that today’s cost-conscious race-to-the-bottom A/V receivers and even some separates seem to be getting cheaper but worse sounding, not better. But if Marantz’s AV7005 surround processor and MM7055 amplifier are as good as the hype suggests, this could be the way to go. And in case of future obsolescence, at least now you’re into separates, which makes upgrades a less pricey proposition.

Michael Fremer  |  Oct 20, 2010  |  2 comments
Price: $4,998 At A Glance: Superior surround processor sonics • Excellent ergonomics • Cool-running ICEpower amp lacks definition

The Ladder to the High End

You’ve got to have sympathy for sound- and build-quality-oriented A/V electronics manufacturers like Rotel. You can go online, and for four hundred bucks and change buy a “630-watt” 7.1-channel AVR from a big-name manufacturer with all the latest lossless audio decoding from Dolby and DTS, video processing, 1080p HDMI switching, upconversion, and more. Since many people these days don’t care about good sound and because they’ve never actually heard it, they think, “Everything sounds the same.” And they think they should get it all for a pittance.

Fred Manteghian  |  Sep 21, 2010  |  1 comments

Performance
Features
Ergonomics
Value
Price: $18,000 At A Glance: Audio is smooth yet highly detailed • Amp has power to drive cattle • Great ergonomics • Spartan video

HT editor Shane Buettner laughed at me when I told him I spent two months strength training before the Revel Salon2 speakers arrived at my home last year.

Michael Fremer  |  Apr 12, 2010  |  0 comments

Cinema 11a Surround Processor
Performance
Features
Ergonomics
Value
 
Model 7.125 Amplifier
Performance
Features
Ergonomics
Value
Price: $8,000 At A Glance: Minimal video-switching capabilities • Maximum sound quality • Amplifier made in America

Core Audiophile Values

During the last decade or so, specialty audio manufacturers have seen the marriage of home theater and high-performance audio become contentious at best and life threatening at worst. These days, companies have fewer financial resources and longer R&D lead times. Relatively small audiophile-oriented companies that sought the A/V path have been overwhelmed. Sometimes, fast-moving, shelf-life-shortening developments­—such as the adaptation of new audio and video formats—have burned these companies outright.

Kris Deering  |  Jul 27, 2009  |  0 comments

Performance
Features
Ergonomics
Value
Price: $15,000 At A Glance: State-of-the-art video and audio performance • Customizable amplifier • Sets the bar for connectivity • Tedious GUI and remote

Both Guns Blazing

The separates market has long been the pinnacle of audio performance for high-end home theater setups. But you’ve always had to pay a price for that performance: the lack of bleeding-edge features. While standalone processors typically set the bar for pure audio performance, many of them lack the latest features that A/V receivers offer. I’ve been guilty of envious glances at the latest high-end receiver designs, wishing that those cutting-edge features would find their way into a reference-level surround processor. But unfortunately that hasn’t been the reality—until now, that is.

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