POWER AMPLIFIER REVIEWS

Performance
Features
Ergonomics
Value

HT editor Shane Buettner laughed at me when I told him I spent two months strength training before the Revel Salon2 speakers arrived at my home last year.

Performance
Features
Ergonomics
Value

Both Guns Blazing

The separates market has long been the pinnacle of audio performance for high-end home theater setups. But you’ve always had to pay a price for that performance: the lack of bleeding-edge features. While standalone processors typically set the bar for pure audio performance, many of them lack the latest features that A/V receivers offer. I’ve been guilty of envious glances at the latest high-end receiver designs, wishing that those cutting-edge features would find their way into a reference-level surround processor. But unfortunately that hasn’t been the reality—until now, that is.

Back in the days when CRT front projectors roamed the earth, any serious home theater required a separate surround processor and amplifier. In fact, it wasn’t uncommon to find a Tri-Amplisauri from Parasound, Proceed, and others covering those three all-important front channels. Of course, technology has advanced significantly in the past decade. These days, unless you have some very special needs, you can’t go wrong with today’s powerful and reasonably priced one-piece receivers. Many have more amplified channels than Hillary Clinton has pant suits. Rotel makes a number of A/V receivers. I even reviewed one for UltimateAVmag.com a few years ago. But the separates I reviewed here are not simply a case of cutting the baby in half. This here is a new species.

In the world of cars, any make and model will get you where you need to go. Some will get you there faster, and others will get you there in style. However, only a select few exude an air of sophistication and grace.

Founded in early 1972 by Ivor Tiefenbrun, Scottish manufacturer Linn Products has consistently been on the cutting edge of audio development and delivered products that have enamored many audiophiles. Just think of the Linn Sondek LP12 turntable, the Sondek CD12 compact-disc player, or even the Komponent speaker system that Michael Trei reviewed in these pages (in the March 2006 issue). Linn has routinely pushed the boundaries and treaded ahead of the manufacturing pack. Case in point: the Chakra range of amplifiers, which rely on switch-mode power supplies, plus other proprietary developments on the audio-circuit side.

On the battlefield of speaker design, I am the triage nurse. I walk into speaker demo rooms at trade shows, my badge sometimes inadvertently turned inward, listen for a moment, and quietly mutter to myself, "This one's a keeper," or, "He's dead, Jim." Or occasionally just, "Hmmm," because good speakers may sound iffy under bad conditions, and I respect the potential buried within an ambiguous first take. But, if my instincts tell me to pursue a review, I whip out a business card and start making arrangements on the spot.