Power Amplifier Reviews

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<LI>Price: $8,000</LI>
<LI>Channels/Power: Five channels; 200-Watts per channel into 8 ohms/370-Watts into 4 ohms </LI>
<LI>Inputs: Single-ended and balanced</LI>
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<LI>Price: $5,990</LI>
<LI>Channels/Power: Five channels; 350-Watts per channel into 4 ohms </LI>
<LI>Inputs: Single-ended and balanced</LI>
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<LI>Price: $15,800/pr.</LI>
<LI>Channels/Power: Monoblock; 400-Watts per channel into 8 ohms/650-Watts into 4 ohms</LI>
<LI>Inputs: Single-ended and balanced</LI>
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The audio industry seems about to leap off a cliff. Permit me to suggest that this may be a rash decision. True, component audio sales have diminished, but that's no excuse for the industry to abandon its principles and give up on sound quality. What consumers are rebelling against is not good sound but bad design. They've had enough of big, dumb, room-hogging speakers. "It doesn't suit the room, but it sounds good" doesn't cut it anymore. "It looks as good as it sounds" is the winning combination.

There's a compelling magic that has kept my butt on the sofa— it's the enthralling And Starring Pancho Villa as Himself. It was for no small reason that this HBO film earned an Emmy for sound editing. The width and depth of the soundscape, the detailed sound bits, the way the dialogue comes through, and the score's ability to underscore the power and poignancy of scene after scene are remarkable. Each of these turns a made-for-TV movie into a film that transcends the limitations of the home venue for which it was created. And the system I've been using—an Epos M Series 5.1 speaker setup powered by the Butler Audio TDB 5150 vacuum-tube power amplifier—reveals such wonderful nuances in Pancho Villa that I have been completely glued to the couch.

A few years and a publication ago, I reviewed Arcam's FMJ AV8 controller and was frankly bowled over. At $5k I thought the AV8's detailed and dynamic sound made more expensive controllers a much harder bargain than before, and I recommended and continue to recommend that controller to anyone shopping in that price range. Enter Moore's law.

Earthquake is not a bad moniker to have attached to an amplifier that can crank out some 300 watts across each of its seven channels. That kind of power, with the right speakers in front of it, can certainly set your listening room to rolling and rumbling. The name also applies well to the minor seismic event that will result when you drop this 122-pound behemoth into your equipment rack—assuming that you have an equipment rack that can hold it. But, as endearing as weight and power are in an amplifier, they don't tell the whole story of an amplifier's potential. Finesse and athleticism are just as important in a big, bulky amplifier as they are in a big, bulky linebacker.