Subwoofer Reviews

Minx S325v2 Speaker System
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X300 Subwoofer
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Compact cube speakers are an intriguing subset of the satellite/subwoofer speaker genre. Though not invariably high performers, cubes have achieved iconic status, and some manufacturers have made a fortune marketing them to folks whose significant others look at the diminutive geometric forms and say, “Bingo. That’s what I want your speakers to look like. Now get those big tombstones out of our den.”

Cambridge Audio has tapped into the cube mystique with its Minx sat/sub sets. In fact, the Minx has done so well that it is now a separate division of the company. Part of the Minx suc- cess story is, believe it or not, performance. The first-generation Min 10 (single cube) and Min 20 (double cube) earned rave reviews all over the place, and the single- cube version found a coveted perch on our Top Picks list.

Aon 2 Speaker System
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ForceField 5 Subwoofer
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A review is more interesting when it tells a story. How should the story of the GoldenEar Aon 2 begin? There’s the technology angle: The Aon 2 is among the few speakers on the market with an unusual pleated tweeter design that uses a squeezing motion (as opposed to a piston motion) to generate the changes in air pressure that we hear as sound waves. Because the benefits—wide horizontal dispersion and vivid imaging—are easy to describe, that would be a good way to begin. And then there’s the human interest angle: GoldenEar is the third brand to be cofounded by Baltimore-based loudspeaker impresario Sandy Gross, whose genuine love for audio is balanced by his love for gourmet food, Expressionist canvases, and ancient statuary. The only thing wrong with these angles is that reviewers hither and yon have used them so often in the past. That leaves the musical angle. Here I believe I have a variant that might qualify as an exclusive.

Venere 2.5 Speaker System
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REL T-7 Subwoofer
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Could this sleek, lacquer-finished, curvaceous new Sonus faber Venere loudspeaker have originated anywhere other than in Italy? Well, no and yes. With its soothing, elegant curves and glossy finish, Venere whispers “Italy,” but the scant $2,498/pair price tag of this 43pound, 3.5-foot floorstander shouts “China.”

In fact, this new Sonus faber speaker is truly an international product. It was designed in-house at Sonus faber’s Arcugnano factory near Venice, Italy—a building as stylish as the designs emanating therefrom—using bespoke drivers designed by Sonus faber.

The midwoofer and woofer cone material is curv, a proprietary self-reinforcing 100-percent polypropylene composite manufactured by Germanybased Propex, while the dome tweeter is of silk over which is applied a multi-layered Sonus-spec’d coating manufactured by DKM in Germany. Final driver production is done in China.

CL-2 Speaker System
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CLS-10 Subwoofer
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Shape is destiny for Anthony Gallo Acoustics. The company is best known for its spherical and cylindrical speaker enclosures, made of metal and tough as tanks. But the Classico Series is the first Gallo product to use a plain rectan-gular box—for consumers, the company says, who prefer a more traditional look. Though not as curvaceous as other Gallo lines, the Classico is still available in a beautiful Cherry veneer finish, along with the more staid Black Ash veneer of our review samples. Note that the speakers are sold only through the Gallo Website: roundsound.com. The more conventional construction and factory-direct approach make the Classico models among the most affordable Gallo speakers ever.

SP-BS22-LR Speakers
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SW-8MK2 Subwoofer
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Looking for a great sounding set of home theater speakers but on a tight budget? Read on and find out why Pioneer's newest speakers might be just what the doctor ordered and learn how gifted designer Andrew Jones met the challenge of building a high-performance speaker ensemble that can be had for only $500. Even he can't believe it.

PSB Imagine T2 Speaker System
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PSB SubSeries 300 Subwoofer
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Paul Barton is a nutcase. Oh, sure, he’s soft-spoken, ultra-smart, and intensely passionate about sound. (In the late 1960s, 11-year-old Barton started building speakers with his dad in their workshop because other speakers “didn’t sound natural.”) But that’s just a cover. I don’t know how else to explain the fact that Mr. Barton (the “P” and “B” of PSB Speakers—with his wife, Sue, providing the “S”) has spent so much of his life locked away in the anechoic chamber and testing/listening labs of Canada’s federally funded National Research Council (NRC) in Ottawa, Ontario. In fact, according to PSB, although folks from other speaker companies (such as Paradigm, Energy, Mirage, Snell, and Aperion, to name a few) have traipsed through the NRC’s Acoustics and Signal Processing Department’s doors, since the late 1970s, Barton “has spent far longer in the chamber and lab than any other speaker designer.” So rather than skiing, hunting, fishing, playing hockey, and/or drinking beer all day like real Canadians do, Barton chose to play in an anechoic chamber. As I said, he’s a nutcase.