CEDIA 2014

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Darryl Wilkinson  |  Sep 10, 2014  |  First Published: Sep 11, 2014  |  0 comments
Custom integrators that sell Control4 systems got a boost today when Control4 announced the immediate release of Composer Express, “a powerful mobile configuration tool that enables Control4 Dealers to dramatically simplify and accelerate the set-up process for home automation systems.” According to Control4, even basic-level installation technicians should be able to use Composer Express on a tablet or smartphone in order to “configure most one-room home theaters in very short order, or set up hundreds of devices in the most complex whole-home installations in a few hours…”
Darryl Wilkinson  |  Sep 15, 2014  |  0 comments
There’s a good chance that you’ve never hear of Core Brands. On the other hand, there’s an even better chance that you know of at least one - if not most - of the brands that are part of the Core Brands group: SpeakerCraft, ELAN, Furman, Panamax, Xantech, Sunfire, and Niles. Although the press conference began almost 25 minutes late and it was difficult to hear the presentation due to all of the commotion on the show floor, several interesting announcements were made...
John Sciacca  |  Sep 15, 2014  |  0 comments
Controlling an automation system with an iPhone/Android device is great, but can become a little more tricky as you move about in a large home. The way systems are typically programmed, a home/project is divided into rooms or areas, and then you need to select which room you are in to control it. As you walk around, however, you might find yourself needing to scroll through lists of rooms trying to find the right one to control. This can become a real issue in large homes with many room. Crestron’s new PinPoint proximity detection beacon will simply solve this problem, making sure that your device opens up ready to control the room you’re in!

Mark Fleischmann  |  Sep 12, 2014  |  0 comments
One question about Dolby Atmos that we haven't seen raised before: What effect would it have on auto setup and room correction systems in receivers and pre-pros? D+M's Atmos demo provided the answer: Audyssey has updated its technology to handle Atmos related concerns. The D+M demo used vaguely specified products including a Marantz pre-pro, Marantz multichannel amp, and Snell speakers. It used the same Dolby Labs clip disc as every other Atmos demo at CEDIA, but because it wasn't abusively loud, we enjoyed it more than most of the others.
John Sciacca  |  Sep 15, 2014  |  1 comments
Starting this November, the new Home Entertainment Motion Controller (HEMC) from D-BOX will bring the company’s advanced motion coding experience to far more than just movies on Blu-ray and DVD disc. D-BOX will now be delivering its proprietary excitement of the fourth dimension of motion from any source, including movies streamed from services like Netflix, Vudu, and Apple TV and even from movies viewed on cable and satellite.

Bob Ankosko  |  Sep 11, 2014  |  First Published: Sep 10, 2014  |  0 comments
DarbeeVision introduced a follow-up to its popular Darblet video enhancer at a Media Preview gathering on the eve of the CEDIA Expo 2014.

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Mark Fleischmann  |  Sep 11, 2014  |  0 comments
Definitive Technology's Dolby Atmos demo sounded excellent, with the A60 elevation speaker ($499/pair) plugged into the top of the BP8060ST powered tower ($1998/pair). The height effects were good, the midrange was well dialed in, and the powered tower's bass was awesome. Why, then, are we running a picture of The Borg? It's actually part of Def Tech's new line of products built on the DTS Play-Fi wireless platform. You're looking at the W7 powered speaker ($399). It joins the W8 powered speaker ($699), the rack-mountable W Adapt ($399), the W Amp ($499), and the W Studio soundbar ($1299). The beauty of Play-Fi is that it's not limited, Apple-style, to a single manufacturer. There will be more Play-Fi products from the likes of Polk, McIntosh, Paradigm, and MartinLogan. Oh, and Def Tech plans to provide 24-7 tech support for its Play-Fi products. Play-Fi is going to be huge. Resistance is futile.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
The NC 900C 2K, 3-chip DLP shown here is offered by Digital Projection in cooperation with NEC, at around $50,000. It offers the D-Cinema color space, and is said to be one of the smallest pro-cinema certified projectors. The NC 900C is also the projector used for the JBL Atmos demo, which shows that it can hold its own in a high-end home theater setting. Finally, it doesn't use a Xenon lamp, making lamp replacement less expensive.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
For VERY high end home theaters, Digital Projection offers the Insight 4K projector. It has the professional 4K resolution of 4096 x 2160, and is available with either LED or laser illumination. In the latter form, it's specified for an output of 12,000 Lumens, a laser lifetime of 20,000 hours, and a color gamut beyond Rec. 709. Yours for $120,000.

With LED illumination the output drops to a still considerable 3000 Lumens, the claimed LED lifetime increases to 60,000 hours, and the price rises to $150,000. In LED form it's also claimed to be the first projector capable of the Rec.2020 color gamut. In a darkened room demonstration, however, the LED version had heavily oversaturated colors, suggesting not that there was anything wrong with the projector, but rather that the playback gamut didn't match the gamut of the source material--a guarantee of inaccurate color. The laser version was being demonstrated in the open area of the booth, and its color looked excellent.

Darryl Wilkinson  |  Sep 11, 2014  |  0 comments
After pointing out that it was only two years ago when DISH first introduced the Hopper whole-home HD DVR, Vivek Khemka, DISH senior vice president of product management, announced the expansion of DISH’s program to further the integration of the Hopper with a number of additional home automation systems. “We are allowing unprecedented access to the DISH API,” Kemka explained. With access to the API, third-party automation system programmers will be able to provide seamless control of the Hopper within the confines of the smart home’s controller rather than forcing the homeowner to use two remote controls or apps, often with two dramatically different user interfaces.

The list of new automation partners announced by DISH includes...

Bob Ankosko  |  Sep 11, 2014  |  2 comments
Left to right: AVS Forum’s Scott Wilkinson moderated a panel discussion with Greg Russell, re-recording mixer who worked on Transformers: Age of Extinction, Onkyo’s Paul Wasek, Jeff Cowan of Denon/Marantz, Pioneer’s Andrew Jones, Definitive Technology’s Joel Sietsema, and Dolby’s Brett Crockett.

At a pre-show press conference, Dolby rallied the AV/home entertainment industry around the new Dolby Atmos surround-sound platform, calling it the most significant advancement in home theater in 20 years.

Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Video Processor maker DVDO is to be commended for spending all of its press conference discussing Ultra HD in general, instead of flacking its own products. Shown here is a summary of what is at present the "roadmap" to full Ultra HD. As you can see, there's much work to be done (and not universal agreement on everything, particularly Rec.2020 as the color gamut of choice). While we'll see more and more Ultra HD material in the coming 18 months or so, initially its major benefit will be 4K resolution. The color enhancements we ultimately hope to see will take longer.
Mark Fleischmann  |  Sep 11, 2014  |  0 comments
Dynaudio's Xeo 6 provided some of the best sound we've heard at CEDIA 2014. The smallish powered three-way tower, triamplified with 50 watts per driver, has a wireless hub built into it that transmits lossless audio up to 53 meters. It handled well recorded vocals in a highly naturalistic manner. But it really showed its true colors with "Uranus" from Holst's The Planets, delivering vivid orchestral textures in a way only a truly great speaker can. It sells for $4300/pair. Dynaudio's Platinum tower ($17,500/pair) was operating in the nearby Wolf Cinema booth and also sounded great.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Elite Screens introduced its DarkStar ambient light rejecting screen. It claims a good balance between gain, contrast, and viewing angle. Available only in fixed frame form, its price was not specified, only that it would be a fraction of the cost of the current market leaders in such screens.
Thomas J. Norton  |  Sep 12, 2014  |  0 comments
Epson introduced two new projectors that not only use laser illumination (no lamp to replace) but also reflective LCD technology (Liquid Crystal on Quartz, in contrast to reflective LCDs from Sony and JVC that use Liquid Crystal on Silicon). While both of them employ 2K chips, the top model can accept 4K inputs and reproduce them using technology similar to that found in JVC's upscale projectors. (We call it wobulation in homage to early DLP rear-projection sets that employed a similar idea but to different purposes (they weren't 4K, of course), but JVC and, we presume, Epson, would likely take exception to this characterization!)

The LS10,000, which is expected to sell for under $8000, is rated at

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