Blu-ray Movie Reviews

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Corey Gunnestad  |  May 14, 2014  | 
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For dedicated, respected, and talented actors, it’s still and will always be about the work—and taking it wherever you can find it. A Single Shot is a well-made, low-budget indie film that touts a superlative cast featuring Sam Rockwell, Jeffrey Wright, Kelly Reilly, Jason Isaacs, Ted Levine, and William H. Macy. With a pedigree like that, you’d think this film might have received a bigger push at the box office, but it was easily overlooked amidst the whirl of mainstream Hollywood entertainment.
David Vaughn  |  Jun 29, 2010  | 
An alcoholic movie star (James Mason) stumbles on stage when a young singer (Judy Garland) is performing. The kindness she shows him after the incident makes an impression on him and he convinces her to leave her band and take a shot to be a movie star. The two eventually marry and when her star shines brighter than his there's bound to be problems.

For the record, I generally like musicals but for some reason I couldn't get into this film. The dramatic elements are great, but just when things start to get interesting Garland will burst into an overlong and unmemorable song. At nearly three hours, the films pacing is severely challenged and I can see why Warner shortened it over 30 minutes for its theatrical run in 1954. The restored cut includes some still shots since the original footage was destroyed, but the studio found the original full-length audio tracks to make thing coherent.

Fred Kaplan  |  Aug 14, 2012  | 
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There are few more enduring classics of American theater than Tennessee Williams’ A Streetcar Named Desire, an over-the-top, sweaty steam bath of a play that straddles Greek tragedy and Gothic camp yet still commands attention, even astonishes, 65 years after its creation. The show ran on Broadway for two years; the film adaptation was shot two years after that; both were directed by Elia Kazan and starred Marlon Brando. This was only Brando’s second film. He was 27 years old. And despite all the subsequent parodies of his sultry pout and his mumblecore rage (“Stella! Stel-l-l-laaa!”), he was a blazing-hot actor. It’s a natural heat that he radiates, and he modulates it seamlessly, from simmer to boil and all shades in between. Brando’s amazing to watch: The acting is all there on the surface, yet he’s so immersed in his character, it seems completely uncontrived. You see the moves and attitude that countless actors later copied, but none of them ever matched this. (That said, his performance in Kazan’s On the Waterfront three years later was even better, subtler.)
Robert Ripps  |  Jun 20, 2011  | 

Robert Ripps: From your perspective, how has Keeping Score evolved since its 2004 premiere, both artistically and technologically?

David Vaughn  |  Apr 08, 2011  | 
In the future, the polar ice caps have melted, the sea waters have flooded coastal cities, and you must obtain a license to have a child. Science has evolved to the point of creating artificial beings, called mechas, to serve humans and preserve precious natural resources. One such mecha, David (Haley Joel Osment), is the first of its kind; an artificial kid that can give and receive unconditional love to his adoptive parents.

Of all of Spielberg's films, this is probably my least favorite. Its pacing is horrendous, it runs much too long at 145 minutes, and its last 40 minutes are a bizarre waste of time. While the acting and special effects are very good they can't overcome the boring second act and the horrendous ending(s).

David Vaughn  |  Mar 25, 2014  | 
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Lil (Naomi Watts) and Roz (Robin Wright) have been inseparable from a young age, growing up in a quaint coastal Australian community. When Lil’s husband passes away, the two grow even closer, and their two young boys, Ian and Tom, develop a similar close relationship. Roz’s husband takes a job in Sydney, and with him away, the quartet starts to spend even more time together going to the beach, eating dinner, and drinking heavily with each other. After a night of partying, Ian (Lil’s son) professes his secret love for Roz, she succumbs to his advances, and they wind up sleeping together. Unbeknownst to either of them, Tom spies his mom leaving Ian’s room and decides two can play that game and makes a move on Lil. This opens up Pandora’s box, and the lines between family, friendship, and morality all become blurred.
David Vaughn  |  Aug 25, 2009  | 

<IMG SRC="/images/archivesart/adventureland.jpg" WIDTH=200 BORDER=0 ALIGN=RIGHT>Recent college graduate James Brennan (Jesse Eisenberg) has his European summer vacation canceled when his parents tell him they can't afford to help him with grad school. Instead, he's forced take a job at Adventureland, a local Pennsylvania amusement park. His co-workers are an eclectic bunch and include Em (Kristen Stewart), a beautiful yet reclusive co-ed who catches his eye. And despite the "help" of the park handyman (Ryan Reynolds), James may yet get the girl.

Thomas J. Norton  |  Jul 10, 2013  | 
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Kai, a young falcon, yearns to spread his wings and explore the world, more specifically an avian community called Zambezia. There he hopes to join the Hurricanes, the skilled and brave flying corps that defends the city. But his father is unalterably opposed to his leaving their safe but boring life for reasons Kai does not at first understand. Kai leaves the nest on his own anyway, joining a flock of geese headed to the fabled bird city. Once there, he finds the city in danger from a terrifying enemy.
David Vaughn  |  Oct 14, 2011  | 
Deep in the heart of the African savanna, a rivalry between two lion prides takes place while a cheetah family tries to stick together. Mara is an endearing lion cub who strives to grow up with her mother's strength, spirit, and wisdom, but an accident threatens to make her an orphan. Then there's Sita, a fearless cheetah and single mother of five newborns who must try and keep her cubs alive until they can fend for themselves. Finally, there's Fang, the leader of the pride who must defend his family from a rival lion clan that is looking to take over his land.

This is the first Disneynature production I've had a chance to see, and while the narrative is geared toward younger audiences, I still enjoyed it. The young cheetah and lion cubs are adorable, and I kept wondering how the filmmakers were able to get such close-up images. The story can turn a tad dark at times, but Disney provides a great vehicle to introduce kids to the African savanna.

Thomas J. Norton  |  Mar 11, 2016  | 
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Aladdin was released theatrically in 1992, during a renaissance in Disney’s hand-drawn animation that also gave us Beauty and the Beast and The Lion King. But its release on DVD didn’t happen until 2004, and this is its first time on Blu-ray. It’s been too long a wait.

You know the story. Street rat Aladdin finds a magic lamp, he rubs it, and a genie appears to grant his new master three wishes. It’s a tale of redemption, growth, love, treachery, and—oh, forget all that. Its Boy meets Genie, Boy loses Genie, Boy gets Genie.

Corey Gunnestad  |  Oct 01, 2014  | 
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To commemorate the 10th anniversary of its release, Oliver Stone returns once again to his much maligned and misunderstood epic. This is officially the fourth cut of the film, but before you grouse, hear me out. The progression follows thus: The original Theatrical Cut was Stone’s epic vision pared down to a marketable length to appease the studio executives; the Director’s Cut was the result of Stone yielding to pressure to appease the masses and their aversion to the film’s blatant homo-eroticism; and the Revisited Final Cut was a tenacious filmmaker getting the chance to finally realize his passion-project in the version that he originally intended audiences to see. What’s curious, though, about this new Ultimate Cut is that it differs only slightly from the Revisited Final Cut and runs just eight minutes shorter.
David Vaughn  |  Jan 31, 2011  | 
While dozing off, young Alice dreams about falling down a rabbit hole that is populated by a peculiar series of misadventures. The always sensible Alice whirls through a world of contradictions, imagination, and surprises where she encounters amazing creatures including a pocket watch-toting White Rabbit, the imperious Queen of Hearts and her army of playing cards, and a Cheshire Cat with a lingering smile.

Walt Disney was one of the most influential movie makers of the 20th Century and had considered adapting Lewis Carroll's famous story in 1933, but shelved the idea after Paramount released its version. He later had artist David Hall create some concept art for the project, but WWII intervened and his animated version didn't hit the screen until 1951. On a recent visit to the Walt Disney Museum in San Francisco, I discovered that Walt wasn't too keen on the results of the film and complained that it had no "heart." I tend to agree with him and as a kid this was one of my least favorite Disney productions.

David Vaughn  |  Oct 27, 2010  | 
On its return trip to Earth, the Nostromo intercepts a distress call from a distant planet. The crew is awakened from cryo-sleep by the ship's computer and goes to the planet to investigate. It turns out the signal wasn't a call for help; it was a warning to stay clear. When one of the crew is attacked by an Alien lifeform, the other crew members have no idea what they've unleashed upon themselves by letting the man back on the ship.

In the excellent sequel Aliens, we catch up with Ripley (Sigourney Weaver) after her harrowing escape in the first movie. Fifty-seven years have past when she's found floating in space in cryo-sleep and no one from "the company" believes her horrific tale of survival until all contact is lost with the colonists from planet LV-426, which is introduced in the first movie. Soon she finds herself headed back to the dreaded planet with a team of Marines to investigate.

Thomas J. Norton  |  Apr 11, 2004  | 

<I><B>Alien: Director's Cut</B></I>
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<I>Tom Skerritt, Sigourney Weaver, Veronica Cartwright, Harry Dean Stanton, John Hurt, Ian Holm, Yaphet Kotto. Directed by Ridley Scott. Aspect ratio: 2.35:1 (anamorphic). 5.1 Dolby Digital, DTS (English), Mono (Spanish). 116 minutes. 1979.</I>
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Film ****

Shane Buettner  |  Feb 03, 2007  | 

OK, <I>AVP's</I> concept, such as it is, of pitting two of cinema's most known monsters against each other in mortal combat (not <I>Mortal Kombat</I>) began back in the day as a graphic novel. A graphic novel is a comic book of allegedly higher aesthetic and narrative value not necessarily aimed at little kids. However, even a comic book would be embarrassed at the setup here in which these two cinematic make-up and effects legends duke it out. Any teenager who reads Fangoria magazine could have dreamed this one up. And hell, who cares what he excuses are, we just want to see the Aliens and Predators run amok, which they do.

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