Tower Speaker Reviews

So far, we may have given you the false impression that the pages of this new column were going to be dedicated almost exclusively to the rarified air of the high end. After all, there has only been one installment so far that rang in under five figures, and last month's MiCon Audio system seriously blew the curve with a price tag roughly equivalent to that of a decent house in some parts of the country. Little did you know it was all part of an ingenious plan to build momentum for the column with flashy, big-ticket systems before settling in to the meat and potatoes of the A/V world—i.e., the systems the rest of us can afford. This month's Klipsch/ Yamaha combo is just such a system. Sure, it's not something you'll be able to buy with the change you find in your sofa, but it is certainly more attainable to a broader range of people than the MiCon Audios of the world are.

Krell's new Resolution Series speakers are all about pure hedonistic pleasure. Think of them as the speaker equivalent of a fire-breathing, 500-horsepower Dodge Viper SRT/10. But hold on a sec: The Resolutions are more than an exercise in brute force engineering. Their manifest also includes incredible precision, hyperclarity, and ultra-low distortion. Forget the Viper; the Resolutions are closer to a Porsche 911 GT3.

I've always been a sucker for simplicity. Whether it's the functional beauty of a Mies van der Rohe building or a diesel-engine Mercedes-Benz with a manual-shift transmission, the "less is more" concept has always made sense to me. Unnecessary complexity often does little more than dilute a design's original functionality. This way of thinking has also been used in high-end hi-fi design, with some designers on the tweakier fringe embracing concepts like ultra-simple single-ended tube amplifiers and single-driver loudspeakers. Simple designs like these often have a straightforward clarity to their sound; each time you introduce new elements in order to make something play louder, higher, or deeper, you risk losing some of that clarity in the process.

In the summer of 1996, <I>SGHT</I> editor Lawrence Ullman made me an offer I couldn't refuse: "Wes," he asked, "how would you like to review M&K's new THX speaker package?"

If Magnepan has a company motto, it might be something along the lines of, "If it ain't broke, don't fix it." For more than 30 years, this Minnesota company has been busy making its Magneplanar loudspeakers for those audiophiles who care more about great sound than they do about owning the latest candidate for loudspeaker of the month. Magnepan rarely introduces a new model; when they do, it's generally just another evolutionary step in their continual refinement of the planar magnetic approach that they use in all of their products. This conservatism breeds long-term customer loyalty, and Magnepan invariably trumps other high-end manufacturers in the areas of customer satisfaction and repeat business.

ElectroMotion ESL X Speaker System
Performance
Build Quality
Value

Dynamo 1500X Subwoofer
Performance
Features
Build Quality
Value

AT A GLANCE
Plus
Excellent performance with music and movies
Perfect Bass Kit for sub eases setup
Compact electrostatic center speaker
Minus
Some timbral shift between center channel and towers
Towers and center require AC power

THE VERDICT
MartinLogan’s ESL X tower speakers deliver delicacy and detail—along with serious dynamics when paired with the Dynamo 1500X subwoofer. A new, more compact electrostatic center speaker sweetens the deal.

As a member of Generation X, I sometimes get paranoid about being target-marketed when I see a product name appended with an “X”—for instance, MartinLogan’s new ElectroMotion ESL X speaker. I, for one, would be an easy target: An eX-MartinLogan owner, I’m very familiar with the detailed, almost eerily present sound that the company’s hybrid electrostatic speakers deliver. Consider me a fan.