Tower Speaker Reviews

The Vandersteen 3A is a higher-end variation on the theme established by the company's first loudspeaker, the 2C. The latter is still available, though much updated into the current, highly popular 2Ce. A four-way design, the 3A has separate sub-enclosures for each drive unit; the whole affair is covered with a knit grille-cloth "sock" with wood trim end pieces. A rear-mounted metal brace allows the user to vary the tiltback—an important consideration for best performance with this loudspeaker.

Price: $11,250 At A Glance: Silky-smooth sonics • Refined, furniture-grade cabinetry • Depth-charge deep bass

Videophile Ready

Show Vienna Acoustics’ living-room-friendly Beethoven Baby Grand system to your hesitant significant other, and you might get the long-awaited nod you’ve been looking for. This is a speaker system an interior-design-conscious, non–audio enthusiast can make peace with.

Price: $58,390 At A Glance: Huge dynamics • Enormous, transparent soundstage • Foundation shaking, boom-free, tuneful bass • Exquisite musical delicacy

Painting Pictures With Sound

To produce room-filling sound, a speaker has to move a lot of air—even in a relatively small room. Moving a lot of air, particularly in a big room, necessitates a large woofer placed in an even larger box. Refrigerator-sized speakers were commonplace in audiophiles’ living rooms back in the 1950s. When stereo arrived and required two large expanses of wood-framed grille cloth, significant others objected. Downsizing began, aided in part by Edgar Villchur’s invention of the sealed-box acoustic-suspension woofer.

Vienna Acoustics likes to name their speakers after composers and classical musical forms. So far, they've covered Bach, Beethoven, Berg, Brahms, Haydn, Mahler, Mozart, Schoenberg, and Waltz. The Strauss, Oratorio, and Waltz are Vienna's three most recent additions to this distinguished list, and they form the heart of a new home-theater and surround-music system designed for folks who demand great sound without completely gutting their 401(k)s. Batons ready? And ah-one and ah-two . . .

Real speakers have curves.

I remember when Ferraris and Maseratis topped out around 400 ponies, but, nowadays, that much oomph is available in Ford Mustangs. Blisteringly fast rides have never been cheaper, and, over in the consumer electronics world, the speed with which technology migrates from bleeding-edge surround processors to $500 A/V receivers demonstrates the benefits of trickle-down engineering. But the quality gap between high-end and affordable speakers hasn't appreciably narrowed, until now. Wharfedale's real-world-priced Pacific Evolution Series speakers are engineered like far more expensive speakers.

Sound design.

A few weeks before I started on this review, I went to a press event in New York City for the premiere of a "re-performance" of Glenn Gould's legendary 1955 recording of Bach's Goldberg Variations. No, they didn't play a new CD or even the original master tape; we heard Mr. Gould, who passed away in 1982, virtually playing a Yamaha Disklavier Pro concert grand piano. And it was no scam. Zemph Studios (a music technology company based in Raleigh, North Carolina) converted the original recording to high-resolution MIDI files and played them back over this very special Yamaha piano. The concert thrilled everyone, especially those in attendance who were lucky enough to have heard the flesh-and-blood Gould perform back in the day. The event organizers gave each of us a copy of the new Sony/ BMG Masterworks SACD of the re-performance.