Every year more than a million people take in the Radio City Christmas Spectacular in New York City, a holiday tradition featuring the iconic Rockettes that has been staged annually since 1933. If you haven’t seen the show, it is a spectacle bursting with talent, riveting choreography, live music, pyrotechnics, electronic wizardry, and larger-than-life visuals.
For certain musicians, creativity is sometimes fueled by a deep desire to impress their peers. That was certainly the case with Brian Wilson of The Beach Boys and Paul McCartney of The Beatles, two members of an exclusive cross-continent mutual-admiration society who made adventurous music for the masses with an additional “can you top this” flair.
Fourteen years is a very long time when talking about technology. So much has changed since then, yet some things remain oddly the same. Fourteen years ago, Ken Pohlmann and I wrote an article for Sound + Vision magazine comparing Sirius and XM. You would think that they have changed immensely since then, but some things haven’t. Back then, there were two companies. Was there a difference in sound quality? We definitely had a strong opinion then, but since the companies merged in 2008, could there still be a difference?
Elite Prime Vision (PV), the custom install division of Elite Screens, has announced a new flagship projection screen that it says represents the “pinnacle of ambient light rejecting screen technology.”
Perry Rosen has always been fascinated by the intricacies of vintage jukeboxes—from the intricate record handling and motor assemblies to the vacuum tubes and turntable.
Dan Harmon, the beautifully deranged mind behind Community and Rick and Morty (the best written show on TV, by far), has unleashed his mad genius on… live role playing games?
I’ve always wondered about Charlie Brown’s crush on the Little Red-Haired Girl. He’s of an age where girls are little more than a nuisance. But no matter: The Peanuts Movie’s plot centers on Charlie Brown’s stumbling attempts to convince her, and himself, that he’s something and not nothing.
Two bounty hunters, a sheriff, and a prisoner walk into a haberdashery store… Such is the rambling setup of this old-dark-house-in-a-storm whodunit shaggy-dog story that writer-director Quentin Tarantino has turned into his meta-Western, The Hateful Eight. The colorful, gabby characters have been thrown together on a stagecoach heading for Red Rock, Wyoming, but are forced to take refuge from a raging blizzard in a log-cabin abode, stuck waiting it out with a rogue’s gallery of grizzled ragamuffins trustworthy as far as you can spit.
My job is to write audio equipment reviews and news briefs for our magazine. My hobby is to write this blog. Writing for a print medium means writing tight because there's only so much space to go around. That means routinely eliminating material. The temptation I face most often is to lard hardware reviews with music criticism. I'm a lapsed music critic and like to blur the boundary between tech criticism and music criticism as long as it doesn't disserve the tech-oriented reader. Recently I faced a similar temptation when reviewing a Sony Walkman and earbuds. It required a trip out of the office. Some impressions of the trip ended up on the cutting room floor. They weren't strictly necessary for the review, but they haunted me. I'll blog them here instead.