LATEST ADDITIONS

Chris Lewis  |  Oct 01, 2003  |  0 comments
The name says it all.

It's funny to me that so many people try to convince you that the high end is a relatively insignificant factor in the grand scheme of all things audio. Admittedly, if you put the sales figures of one large, mass-market manufacturer next to those of even several high-end manufacturers combined, the former will dwarf the latter every time. But when has audio ever been about sales figures? I certainly don't have space here to elaborate on everything that high-end audio companies do for the middle and lower ends, both tangibly and intangibly. However, one of those benefits is particularly relevant here: the issue of perception. It's hard to overstate the significance of high-end manufacturers getting into the receiver business. Certainly, high-end manufacturers have raised the receiver bar in terms of performance, the quality of internal componentry, and features, but they've also had a tremendous impact on the way that people look at receivers, legitimizing a form that many people consider to be inherently compromised for the sake of convenience and price.

Mike Wood  |  Oct 01, 2003  |  0 comments
You don't need no flippin' mirrors.

If there's one thing that reviewing TVs as a profession has taught me, it's that there's a tremendous amount of really bad TV on during normal business hours (i.e., the middle of the day). It makes me glad that I have a job. At least I can argue that my job requires me to watch this crap while I critique new displays.

Steven Stone  |  Oct 01, 2003  |  0 comments

From the early 1950s through the mid-'60s, almost every doctor, lawyer, and chief audio enthusiast had McIntosh products in their home-entertainment systems. Together with Marantz, McIntosh ruled the American high-end audio market.

 |  Oct 01, 2003  |  0 comments

<I>Adam Sandler, Emily Watson, Philip Seymour Hoffman, Luis Guzman, Hazel Mailloux. Directed by Paul Thomas Anderson. Aspect ratio: 2.35:1 (anamorphic). Dolby Digital 5.1 EX, Dolby Digital 2.0 (French), DTS 5.1 ES. Two discs. 95 minutes. 2003. Columbia TriStar Home Video 01333. R. $25.95.</I>

HT Staff  |  Sep 30, 2003  |  0 comments
Liquid Crystal on Silicon (LCoS) is the latest twist on venerable LCD technology, and the latest twist in rear projection televisions. Claimed by some home theater fans to be easier on the eyes for long-term viewing than plasma display panels, LCoS offers flicker-free high resolution images without a visible pixel grid.
HT Staff  |  Sep 30, 2003  |  0 comments
Walt Disney Company is making good on its promise to deliver movies-on-demand.
Barry Willis  |  Sep 29, 2003  |  0 comments

<A HREF="http://www.sim2.com">SIM2 USA, Inc.</A> has announced the addition of a second generation remote "DigiOptic" Image Processor (DOIP) to the new HT300 LINK DLP front projector to provide greater installation flexibility and a wider choice of inputs. The advanced technical solution is said to provide quality connections to video sources up to 1600 feet away.

Barry Willis  |  Sep 29, 2003  |  0 comments

Direct broadcast satellite services <A HREF="http://www.echostar.com">EchoStar</A> and <A HREF="http://www.directv.com">DirecTV</A> are expanding HDTV programming and hardware options for their subscribers. The news should help boost subscriber growth for both companies, whose combined viewers now total more than 20 million.

HT Staff  |  Sep 27, 2003  |  0 comments
DVD: Scarface Two-Disc Anniversary Edition—Universal
Video: 3
Audio: 2
Extras: 2
Don't be fooled by the silver packaging. Scarface is still five years shy of its quarter-century anniversary, but it remains one of the most unsettling crime dramas ever—the rise and fall of iconic tough guy Tony Montana, played with mucho gusto by Al Pacino.
HT Staff  |  Sep 27, 2003  |  0 comments
Dwin
We won't even begin to suggest that $10,500 is just pocket change that everyone has lying around. However, when you realize that Dwin's TransVision 3 projection system features both a projector and a video processor, the word value might come to mind. The company says that the separate-component design offers greater installation options and reduces double video-signal processing. The 720p DLP projector uses Texas Instruments' Mustang/HD2 DMD technology and Prism Free Optical light-path architecture for maximum picture contrast. The Carl-Zeiss zoom lens allows for a throw distance from 1.41 to 2.1 times the screen. Meanwhile, the digital video processor accepts 10 video inputs: two DVI with HDCP, two RGB, two S-video, two component, and two composite. It also delivers 720p DVI signals to match the projector's native resolution.
Dwin Electronics
(818) 239-1500
www.dwin.com

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