LATEST ADDITIONS

Mark Fleischmann  |  Jan 26, 2007
Little speakers are looking up.

Pricewise, these Definitive Technology ProCinema speakers and this Pioneer Elite A/V receiver are a perfect match. Even visual cues unite them, with the receiver's shiny-black metal faceplate echoing the satellite enclosures' black-gloss curve. In other ways, they may seem like an odd couple (or septet, rather). Wouldn't that big receiver be too much for those little speakers? No, say the specs. With the satellites rated to handle as much as 200 watts per channel, the receiver's hefty rated 140 watts are well within the acceptable range, although the speakers' 90-decibel sensitivity suggests that they'll play fairly loudly, even with a lower-powered amp. Therefore, it is legal to marry these speakers to this receiver, at least in Massachusetts, Canada, Spain, and the Netherlands.

Steve Guttenberg  |  Jan 26, 2007
They want to take you higher.

The component that put NAD on the map in the mid 1970s—the 3020 integrated stereo amplifier—didn't look like a giant killer. Finished in an indeterminate shade of grayish-brown and devoid of gee-whiz features, the 3020 nevertheless became one of the best-selling audiophile amplifiers of all time—and not just because it sounded better than anything going for two or three times its humble MSRP. The 3020 had that special something that made it, well, lovable. Over the decades, the engineers squeezed a bit of the 3020's magic into every NAD product, but they've pulled out all the stops with the new Masters Series components. They had to, as the ultimate NADs are competing with the likes of Anthem, Arcam, B&K, and Rotel. They're playing with the big boys now.

Geoffrey Morrison  |  Jan 26, 2007
Reference unleashed. . .almost.

A little less than a year ago, a predecessor to this TV competed in one of our Face Offs with five other RPTVs. It didn't do well. Despite the fact that it posted some of the best measurements of the group (including the most accurate color points and the best contrast ratio), it came in fourth place out of six sets. The reason was a video processing "enhancement" called DNIe, which two-thirds of the reviewers flat-out hated. It couldn't be disabled. Just the fact that the same processing on this HL-S5679W is defeatable would make it worth a review. (In fact, you can't enable DNIe at all in some modes.) As it turns out, this isn't even the most interesting feature on this RPTV—not by a long shot.

Steve Guttenberg  |  Jan 26, 2007
A systematic approach to speaker design.

As consumer electronics technologies continue to morph into ever more complex forms, convergence is key. Elan Home Systems was founded in 1989 in Lexington, Kentucky, and convergence is their raison d'tre. In the past, they have brought together wholehouse automation and touchpanel control of music, phones, lighting, intercoms, and TV functions. More recently, they acquired a high-end home theater electronics company, Sunfire. Four years ago, Elan jumped into the speaker business with a line of highly regarded in-walls. This brings us to Elan's new line of converging speakers, the aptly named TheaterPoint series.

Chris Chiarella  |  Jan 26, 2007
Ready-made living-room multimedia.

We're down with entertainment PCs here at Home Theater. For those of you who are ready to share the joy, there are basically two ways to join the party. For the hands-on approach, we've written about specific best-of-the-best audio and video cards and other devices that you can plug into your own custom-built box. But, for some readers, personal success has brought with it the notion of luxury. Companies like HP are only too happy to remove the guesswork from the equation and pre-assemble a bundle for you, which you can purchase with one phone call or just a few clicks online. Their Pavilion Media Center TV m7580n HTPC is just such a system.

Mark Fleischmann  |  Jan 26, 2007
Analog TVs are obsolete. Yet, shockingly, most major retailers still carry them. Some folks in Congress would like to see archaic displays labeled this way: "This TV has only an analog broadcast tuner and will require a converter box after Feb. 17, 2009, to receive over-the-air broadcasts." If that seems reasonable, then you're in agreement with Reps. Joe Barton (R-TX), Dennis Hastert (R-IL), and Fred Upton (R-MI), who are brewing up legislation to require the warning. I would add something along the lines of "Aren't you a little embarrassed even to be looking at this thing?" but hey, I'm not an elected official. According to TV Week: "Besides the warning, the legislation would require cable and satellite service providers include information in bills notifying customers about the upcoming digital transition, would require broadcasters to file regular reports detailing their consumer education efforts and would require the Federal Communications Commission to create a consumer outreach effort and also file regular updates about how many consumers had redeemed coupons for converter boxes."
Chris Chiarella  |  Jan 26, 2007
Welcome to the age of Audistry.

My office—cubicle, actually—is in Manhattan, so I get it: Despite your love of movies and music, some readers either don't want or just can't deal with a full array of five loudspeakers plus a subwoofer. Rather than settle for simple stereo (and I mean no disrespect to John Atkinson and his Stereophile crew down the hall), some overachieving sub/sat systems add often proprietary processing techniques to simulate sprawling surround sound. But what if newly released signal-processing algorithms offered so much control over the listening experience that they could turn a budget home-theater-in-a-box into a sound lab of sorts, allowing you to experiment with a previously impossible milieu of realistic audio illusions?

Dana Whitaker  |  Jan 26, 2007
Now that you've bought an HDTV, make sure you hook it up correctly.

Ah, the golden age of television. The only thing I loved more than Lucy was the solitary input on the back of my TV. It was a simpler time. Now we must choose between 300 channels and only slightly fewer inputs. Add HDTV to the mix, with all of its inherent confusion, and it's a recipe for connection disaster.

Chris Chiarella  |  Jan 26, 2007
One of Hollywood's most successful directors, Richard Donner is also a damned nice guy.

After years in television—The Twilight Zone, Gilligan's Island—director Richard Donner went on to launch several major film franchises, starting with The Omen in 1976. Two years later, his Superman made Hollywood history. But few knew that he'd completed much of what wound up on screen for the sequel, Superman II, even though he would be abruptly replaced by director Richard Lester. Donner has finally returned by popular demand to complete his version, Superman II: The Richard Donner Cut (on DVD from Warner Brothers) and make every Superfan's dream come true.

Chris Chiarella  |  Jan 26, 2007
It's just so Buck Rogers. Or maybe Dick Tracy?

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