“I personally like to be surrounded and ambushed by music. I want it to surprise me, and I want it to come from surprising places,” says Steve Hackett, echoing the sentiments of scores of audiophiles the world over. The progressive-minded guitarist has been enjoying accolades for the depth, compositional excellence, and overall live sound quality evident on his Genesis Revisited II 2013/2014 tour — so much so that a number of additional legs, dubbed Genesis Extended, have been added to his touring palette through next spring, at which time he’ll focus his energies on a new solo album release. Of that forthcoming new music, he says, “I like to think about it as a rock album with a difference. It’s very much like having scenes from a film for the ear rather than the eye.” Hackett, 64, and I got on the line a few days before he headed back out on the road for the next leg of the Genesis Extended tour to discuss how to create “inhabitable” music, his personal favorite Genesis surround mixes, and his view of the ongoing viability of the album format. Hadn’t you heard? He’s a supersonic scientist.
Movie time has been in short supply at chez TJN recently. My home theater system is packed up for a pending long distance move. I’m down to a modest two-channel setup (Onkyo AVR, Revel Concerta M20 bookshelf speakers, no sub, flat screen HDTV) in my much smaller family room. Potential buyers can now see the former home theater as the living/dining space it’s supposed to be.
Peter Parker’s a recent high school graduate with an awesome girlfriend and—thanks to a bite from an experimental spider—has become the super-powered guardian angel of New York City, and quite the folk hero. But Pete’s good fortune seldom lasts, and the return of his boyhood chum Harry Osborn quickly takes a dark turn—or is that just the new villain Electro sucking all the juice out of the Big Apple?
Desperate to reverse declining movie attendance, the AMC theater chain plans to install reclining seats in 1,800 of its 5,000 theaters. The seats are so big that they had to remove up to two-thirds of seating capacity, leaving some theaters with as few as 70 seats. But attendance has shot up 80 percent in the renovated moviehouses, with box-office revenue rising 60 percent, and that may save theaters that were already losing money.
Q I plan to buy a KEF R300 surround speaker system and an Anthem MRX 310 AV receiver and use the system almost exclusively for watching movies. I’m getting older, and movie dialogue sometimes gets lost. (My wife says I don’t listen sometimes, but that is another subject.) What are your thoughts and recommendations here? —Michael Wood / via e-mail
Forget the slippers, ties, socks, and countless other predictably boring gifts. Be a holiday hero and shower your loved ones with entertainment and technology. Here we present a dozen amazing gifts for your consideration. At prices ranging from $30 to $400, we hope you’ll be able to find a match or two for the special folks on your holiday shopping list. Worst case, you’ll come up with a few ideas for yourself.
Home theater fashion comes and goes, with almost as much regularity as hemline heights and tie widths. Years ago, massive speaker arrays were in vogue, then tiny little home-theater-in-a-box cubes, and more recently, skinny little soundbars. The problem with soundbars was two-fold. First, they blocked the lower portion of some TV sets. Second, and more importantly, they tended to sound as thin as they looked—requiring a separate subwoofer to get any type of bass response. JBL has an elegant solution with the Cinema Base Soundbar with built-in subwoofer, Bluetooth, HDMI and optical inputs.
I am not a luddite. I love buttons that make things happen. I love touch screens, I love customization, I love the newest thing. So it would only seem natural that I would love the newest addition to the Parrot family, the Zik 2.0 headphones. They are a tinkerer’s headphone. Touchpad earcups, customizable sound, active noise cancellation, Bluetooth… if there’s a headphone feature available, the Zik 2.0 have it. And yet, despite all of these wonderful features, I can’t recommend them. And it breaks my heart.
This year’s CEDIA Expo in Denver could have been dubbed “Dolby Atmos Expo,” with no fewer than a dozen active demos at the show including Dolby’s own. It makes sense that CEDIA would be the Atmos coming-out party. As compelling as Atmos can be (check out Dan Kumin’s impressions of our first Atmos system), I’m of the mind that the customer shopping for a soundbar isn’t about to toss that idea in favor of a discrete component system just because he’s heard Atmos. On the other hand, custom integrators building media and theater rooms are in good position to bump what would have been a conventional 5.1-channel or 7.1-channel system to a 5.1.4- or 7.1.4-channel Atmos system. They, along with enthusiasts like you and me who map our own upgrade paths, will drive this market.