You know, with the Internet, you can blink and miss out on important stuff. While I was on vacation - seeing the premiere of The Flaming Lips' musical of Yoshimi Battles The Pink Robots, in fact - NEW news appears from the Lips camp. This came from their Facebook page:
McIntosh’s MC275 may be the most famous tube amplifier in the history of high fidelity. Designed and engineered by the company’s co-founder Sidney Corderman and the McIntosh engineering team, the MC275 (2 x 75 watts per channel) was the most powerful McIntosh stereo amplifier in its day. Some say it was the Harley-Davidson of American amps, and with the big chromed chassis and exposed Gold Lion KT88 power tubes, the MC275 certainly looked the part. The retail price was $444 when the amp was introduced in 1961, and the mono version, the MC75, debuted the same year.
Price: $99 (reduced from original price of $249; version 1.2: $149) At a Glance: Size of USB thumb drive • Up to 24/96 resolution • Minijack analog out
The AudioQuest DragonFly USB digital-to-analog converter ($249) and the B&W Society of Sound music download service ($59/year) arrived in my listening room at about the same time. They were made for each other: B&W’s 24-bit FLAC files gave the DAC a better chance to strut its stuff than any CD-quality or lossy audio file at my disposal. And the USB DAC enabled the high-resolution files to do an end run around the awful soundcard in my PC.
Audiences around the world are already purchasing tickets for the premiere of Peter Jackson’s vision of the predecessor to J.R.R. Tolkien’ the Lord of the Rings trilogy. In a departure from the single-volume original, The Hobbit: An Unexpected Journey will also be a trilogy, but perhaps more noteworthy is Jackson’s decision to shoot these films in 48 fps HFR (High Frame Rate) 3D. Specifically, Jackson is using high-resolution RED Epic cameras running at 48 frames per second with 5120-by-2700-pixel resolution. While Peter Jackson defends the format, critics worry that that instead of being a cinematic visual treat, the films will have the familiar look of a TV soap opera.
It's that time of year again when those of us who review stuff, rank said stuff in some order that says what stuff is better than what other stuff.
This year, instead, I figured I'd do something slightly different. Not too different, I definitely have a Game of the Year in mind (more on that in a few days).
Instead of giving out awards for this and that, I thought I'd talk about some of my favorite gaming moments of the year, why they were special, and why the games that caused those moments are worth your dollar (or in some cases, just the time to download them).
Register to win an Sonos Bridge and PLAY:3 system (MSRP $348) we are giving away.
Experience the Sonos Wireless HiFi System, this holiday season’s Ultimate Gift of Music – to give and to get. Unleash all the music on earth, in every room, wirelessly. Sonos is the only system that combines HiFi sound with high-performance wireless. Plus it’s simple to set-up, control and expand so you can easily fill your home with music.
Home Theater visits Men in Black producer/director Barry Sonnenfeld at home in Telluride, Colorado to check out his 600-square-foot screening room and it's crown jewel—the Sony VPL-VW1000ES, the world’s first consumer 4K projector, offering more than four times the resolution of HDTV and 3D capability.
At Home Theater, we’re all about the gear, but our systems would mean nothing without the memorable films we watch on them. Barry Sonnenfeld has had a hand in a good many of those. A 1978 alumnus of New York University Graduate Film School, Sonnenfeld broke into the biz as cinematographer for 1982’s Academy Award–nominated documentary In Our Water.