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I took a mini-vacation a few weeks ago to Venice, Florida. My Dad had rented a house for a month and, figuring I could use a few days off, I went to visit. Now first of all, I was the youngest person in the zipcode by half. I've never seen such a concentration of gray hairs.

While there, I was volunteered to do some pro bono work helping diagnose a home theater system that had never worked properly, despite "professional" installation.

What I discovered seriously pissed me off.

THERE WERE countless headphone exhibitors at CES 2012: familiar names showing incremental upgrades to longstanding models, Chinese OEMs showcasing suspiciously familiar designs under house brands, upstart firms testing the waters with hybrid driver designs and innovative fit systems, automotive and furniture firms muscling their way into the latest hot retail category.

IT’S CLEAR THAT since the dawn of the iPod era, listeners and manufacturers alike have been struggling to figure out what kind of gear makes the most sense for a musical universe dominated by iTunes, and the rise of Apple rivals and music-streaming services has made matters even more confusing.

In the last couple of years, I’ve heard several speaker manufacturers predict that the increasingly good-sounding $300 products from the likes of Panasonic, Samsung, and Vizio would soon push all the traditional audio companies out of the soundbar biz. But it hasn’t happened. This year’s CES saw the introduction of several new soundbars from respected brands.