The iPod has a way of erasing all boundaries between itself and the rest of your life. Why shouldn't you be able to listen to it through your home theater system? After all, some people do use their iPods more than their whirring disc players--though as an audio snob, I'm obligated to point out that uncompressed CDs sound better than compressed file formats (and SACDs can sound better than CDs). To test the product, I found another use for it. Still, the iPod has become the way many people organize their music consumption, and the people's voice must be heard. That's why some surround receivers have optional iPod docks. And for those that don't, there's a veritable army of docking devices like DLO's Homedock Deluxe.
Who can forget <I>Seven Years in Tibet</I>? In the early days of DVD, almost ten years ago, it was one of the first great releases. It offered stunning picture quality with video imagery that took full advantage of the top-of-the-line production values. The move is "panoramic." It shows vast Tibetan vistas, as well as exotic and colorful religious dress of the era – the late 1930s and early 1940s. Eventually, Sony even put out a "SuperBit" version, which was said to have even better picture quality.
What a long, strange trip it's been. I've reviewed hundreds of speakers—big towers, tiny satellites, high-end flagships, and a long run of budget models—but Sunfire's new XT Series Cinema Ribbon speaker is something different. I couldn't get over how this little thing, standing just 8.25 inches tall, can play bloody loud and project the sort of huge and still highly focused imaging I've only heard from exotic, big-bucks speakers. On well-recorded concert DVDs, like Pixies: Live at the Paradise in Boston, the Cinema Ribbons let me hear around each musician. It was as if the band had materialized, fully formed, in front of me. If I had any doubts about the pint-sized speakers' ability to handle gobs of power, rocking out with the Led Zeppelin two-disc DVD set convinced me. John Bonham's hand drumming on "Moby Dick" had the sort of tactile, palpable presence you hear in real life. With the volume cranked, I felt—and I mean felt—each whack on the floor toms. The Cinema Ribbons (with the assistance of Sunfire's True Subwoofer EQ) sounded like a set of tower speakers.
Two up-and-coming DTV makers are in the doghouse. The Federal Communications Commission has fined them for failing to build digital tuners into their flat-panel sets
This is a momentous time for Energy Speaker Systems. Until recently, Energy was one of several brands owned and operated by Audio Products International of Toronto, Canada. (The others included Mirage, Athena, and Spherex.) Now the API brands have been merged into Klipsch of Indianapolis, Indiana, creating a new fusion of Canadian design and American ownership. Energy has also moved their manufacturing to China, where they will have more control over parts, while achieving greater cost-effectiveness. John Tchilinguirian, the longtime lead designer for the brand, has moved on to independent consulting. That makes the Energy RC-70 towers, RC-LCR (serving as center), and RC-R surrounds partly a chapter from a previous tome and partly the first chapter in a new story.
Want to test video displays like the pros? Then get your hands on the HD HQV Benchmark test disc. Our buddies at UltimateAV will help you buy it for five bucks off the regular price.
Watching three-chip 1080p front projection become something of a commodity is just weird. The inexorable march of progress has made this inevitable, of course. While I've been at the home theater game long enough to go into cautionary tale about how many tens of thousands of dollars even decent front projection used to cost back in the day, I'm only going back three years to put this thing in perspective.
Omnidirectional speakers have an uneven history in the audio marketplace. They've always been few in number, but persist because a few designers believe in their unique capabilities. Whether or not you accept the validity of their theory of operation, they do offer a perspective on reproduced sound different than that provided by conventional, forward-radiating designs. Among other things, they almost invariably sound bigger and more spacious than their physical size suggests. For more on the background of omni speakers, go <A HREF=" http://www.ultimateavmag.com/images/newsletter/206uav.html ">here</A>.