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Ask S&V
2.35 Movies on a 2.35 Screen
Scott Wilkinson  |  Feb 17, 2012
I have received an estimate for a basement home theater utilizing an Epson PowerLite Pro Cinema 6010 projector and a Dragonfly 2.35:1 screen. The installer recommends a Panamorph FVX200 anamorphic-lens system to convert movies to match the aspect ratio of the screen, but I question the value of this $3000 add-on to improve the home-theater experience.

Gregg Berkowitz

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Tech2
Get in the Hatchback: The Ford Mobile Studio Unveiled
Geoffrey Morrison  |  Feb 17, 2012

Ford has built a mobile recording studio into a 2012 Focus with the help of legendary producer Don Was, engineer Krish Sharma, and car customizer “Mad” Mike Martin.

At the LA unveiling, I got to see the studio in action: recording a band and playing back the mix. As an added bonus I got to talk to Was and Sharma about how dynamic range compression/limiting is ruining modern music.

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The Big Picture
Star Wars 3D Falls Flat
Scott Wilkinson  |  Feb 16, 2012
Last night, I saw Star Wars Episode I: The Phantom Menace in 3D—RealD, not Imax, which was showing Journey 2: The Mysterious Island instead. That Dwayne Johnson vehicle looks pretty bad from the trailers I've seen, but I bet the 3D is better than it is in the new Star Wars release.
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Ask S&V
Physical Media vs. Online Distribution
Scott Wilkinson  |  Feb 15, 2012
I've been seeing announcements from the pop-music industry about the discontinuation of physical media in favor of online content. What will this mean for home theater, considering the increasing bitrates for video and 7- and 11-channel audio? If we are moving toward 4K, won't we need physical media for a long time to come?

Michael Johnston

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Signals
Digital Crossroads
Ken C. Pohlmann  |  Feb 15, 2012

The Wall Street Journal is reporting this week on the future plans of two corporations. As with any corporate news, there is a certain dry and brittle quality to it; most WSJ readers really only care how news will affect share prices. But there's also high drama playing out. Right before our eyes, one company is withering away, while the other soars higher and higher.

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Grace Notes
TiVo and DirecTV: Reunited, and it Feels so Good
Leslie Shapiro  |  Feb 15, 2012

Tristan and Isolde, Romeo and Juliet, Rachel and Ross, Brad and Angelina, Mac and Cheese. All great couples. Each individual may be fine on their own, but together - well, they're magic. Okay, so a few end up dead, but if it's written in the stars, then so be it.

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Music Reviews
Review: Sibelius' Symphonies Nos. 2 and 5 on SACD
Robert Ripps  |  Feb 15, 2012

After becoming music director of the Minnesota Orchestra in 2003 Osmo Vänskä began recording an excellent multi-channel SACD set of Beethoven symphonies with his new group. The Finnish conductor has since returned to the work of his countryman Jean Sibelius (1865-1957), recording this multi-channel SACD of the composer's most popular symphonies, Nos. 2 & 5.

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Tech2
Crossovers: A Show and Tell
Brent Butterworth  |  Feb 15, 2012

One of the best weekends of my life involved a train trip to visit a new, out-of-state girlfriend. I barely remember my time with her, but I vividly remember what I read on the way: Vance Dickason’s Loudspeaker Design Cookbook.

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Home Theater Geeks Podcast
Podcast 99: Jason Hartlove
Scott Wilkinson  |  Feb 14, 2012
Jason Hartlove, CEO of Nanosys, Inc., explains his company's new backlight technology for LCD TVs called quantum-dot enhancement film, or QDEF, which uses nanoparticles that emit light of different colors when exposed to blue light. The emitted colors can be tightly controlled in the manufacturing process, resulting in just about any desired RGB color gamut, including the original gamut captured and intended by movie producers. A very geeky episode!

Run Time: 1:02:53

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AV Receiver Reviews
Arcam AVR360 A/V Receiver
Mark Fleischmann  |  Feb 14, 2012

Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $1,799 At A Glance: Strong texture, imaging, dynamics • Dolby Volume for low-volume listening • Relatively affordable price • Subpar video processing

The Good Ship Arcam steers a different course than most manufacturers of audio/video receivers. That means the prospective buyer has to read spec sheets in a different way. At 75 watts per channel, this $1,799 receiver shares a power spec with much, much cheaper competitors. But that doesn’t mean it performs the same. For one thing, Arcam specifies power output with five channels driven (1 kilohertz )—a hurdle most manufacturers don’t even try to clear. The figure rises to 80 watts (20 hertz-20 kHz) or 90 watts (1 kHz) with two channels driven. This leads to what might be called the Arcam Paradox: If you’re willing to step down in the specified number of watts per channel, you can optimize a product, especially its power supply, so that it will drive five reasonably efficient speakers to high levels without hardening the top end or collapsing the soundfield.

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