SURROUND PROCESSOR REVIEWS

Halo P 7 Multichannel Preamplifier
Performance
Features
Ergonomics
Value
 
A 51 Multichannel Amplifier
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JC 1 Single-Channel Amplifier
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One of the few lessons that was ingrained into me during my time in the Navy was, “Keep it simple.” I admit it wasn’t phrased quite so politically correctly, but the point is still the same. It’s a motto I apply to just about everything I do in my daily life, and when I received the Parasound Halo P 7 multichannel preamplifier ($2,000) for review, it appeared that Parasound sticks to the same philosophy. The strictly analog preamp shrugs off digitaldecoding duties to your source components, shunning any dirty digital processing while providing a high-end, multichannel, analog preamp stage to feed into your amps. With the right front-end source components, this makes for a spectacular two-channel and multichannel listening experience.

It’s a fact of modern life. The higher you climb in the high end of anything, the less, at least in one sense, you will get. You will find, I believe, few gargoyles on buildings designed by I.M. Pei, and even fewer rear-seat DVD screens in Paganis.

Cinema 12 Surround Processor
Audio Performance
Video Performance
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Model 7.125 Amplifier
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Over a decade ago, while writing for a now-defunct audio magazine, my editor shipped me a pair of monoblock Cary tube amps he’d never gotten around to reviewing. Something must have shook loose during transit, because instead of music, all I got when I powered them up was a wisp of smoke as one monoblock sadly committed hara-kiri! The Cary Cinema 12 and Model 7.125 are an eternity of light years away from those fragile forays into bottle socketry. They exude an air of quality and reliability that physically and musically justify their significant price.

Call me weird, but I get excited when I see XLR connectors on my audio gear. Time spent in my fledgling home studio has taught me why pros prefer them. The Cinema 12 offers both single-ended RCA and true, differentially balanced XLR outputs, an arrangement and circuit design mirrored on the Model 7.125 amplifier. The Cinema 12 even offers a pair of stereo analog XLR inputs and a single balanced digital input beyond the roster of seven single-ended analog input pairs. Audio purists will appreciate the fact that you can bypass all digital conversions for your analog sources, including the 7.1 analog input you might use with an SACD player.

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Four years ago, Integra rocked the A/V world when it released its well-reviewed DTC-9.8 surround processor (HT, May 2008) for an unprecedented price of $1,600. It boasted a bevy of cutting-edge features and was one of the first processors on the market that could decode Dolby TrueHD and DTS-HD Master Audio. Since that time, the company hasn’t rested on its laurels. It’s offered yearly upgrades with the DHC-9.9 (HT, July 2009) for $2,000 and DHC-80.1 (HT, May 2010) for $2,300. Each subsequent year, the processor has offered additional improvements to justify the price increase. However, those seeking out separates on a budget were being left behind.

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HT editor Shane Buettner laughed at me when I told him I spent two months strength training before the Revel Salon2 speakers arrived at my home last year.

Cinema 11a Surround Processor
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Model 7.125 Amplifier
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Core Audiophile Values

During the last decade or so, specialty audio manufacturers have seen the marriage of home theater and high-performance audio become contentious at best and life threatening at worst. These days, companies have fewer financial resources and longer R&D lead times. Relatively small audiophile-oriented companies that sought the A/V path have been overwhelmed. Sometimes, fast-moving, shelf-life-shortening developments­—such as the adaptation of new audio and video formats—have burned these companies outright.