Projector Reviews

I first saw the Samsung SP-H700AE almost two years ago at the Video Software Dealers Association (VSDA) convention in Las Vegas. The company had hired video guru Joe Kane to help them design a single-chip DLP projector that would meet his exacting standards, and he invited me to come see the result (admittedly, in prototype form).

Sharp's XV-Z2000 front DLP projector raised more than a few eyebrows when it first appeared at CEDIA Expo 2004. Was this indeed the first 1280x720 HD2+ DLP projector for less than $5000? If so, it would represent a seismic but long overdue change in DLP projector pricing, which has typically kept the MSRPs of 720p models above $7000—and, by extension, non-competitive with 720p LCD projectors that retail for half of that price or less.

Take a minute to look at the measurement box. Keep in mind that this is an LCD-based product. At 0.003 foot-lamberts, the VPL-HS51 is only 0.001 ft-L higher than the Yamaha DLP projector that's also in this issue. Not bad for a projector that's less than a third of the Yamaha's price. And did I mention it's an LCD? Impressive.

While plasma and LCD flat-panel TVs get all of the media attention these days as "must-have" products, they're still rather high on the dollars-per-square-foot scale. Mitsubishi's HC900 blows the glass guys out of the water in terms of visual area capability per dollar spent and shows that the transition from the boardroom-presentation-projector market to the home theater venue can have significant benefits for the savvy home-cinema shopper.

Panasonic's PT-AE500U made waves in fall 2003 with its low price and improved color rendering over previous Panasonic LCD projectors. Plenty of them were sold, and the model made many reviewers' "Best Of" lists for the year.

As the first three-chip DLP projector to pass through my studio, the InFocus ScreenPlay 777 generated more than a little excitement. Apart from its futuristic, streamlined appearance, its size and weight—not to mention its price—immediately set it apart from the one-chip designs that have come to dominate the home-theater projection market.

Mitsubishi has been a market leader for some time in the business and professional world, offering a wide variety of LCD and DLP projectors. Regular readers of <I>Stereophile Ultimate AV</I> know Mitsubishi as a major player in rear-projection and plasma and LCD TVs, but probably haven't seen that name on a home-theater projector before.