Projector Reviews

In the past few years, DLP technology has come a long way in terms of both picture quality and affordability. Not long ago, an entry-level one-chip 800-by-600 projector cost about $10,000. With the advent of the higher-resolution (1,024 by 768 and now 1,280 by 720) one-chip projectors, the front-projection world has become accessible to many more people. As the technology is rapidly becoming one of the hottest of the new fixed-pixel-display alternatives for both rear- and front-projection applications, new companies are constantly joining the DLP fold. InFocus—a company that, until now, concentrated solely on the professional business market—has entered the home market. The company's first offering is the ScreenPlay 110, a dual-mode one-chip DLP front projector with a resolution of 800 by 600 in the 4:3 mode and 853 by 480 in the enhanced-widescreen or anamorphic mode.

When Madrigal Audio Labs decided to get into the video-projector business, it was no surprise that they aimed right for the top. With its Mark Levinson, Proceed, and Revel lines, Madrigal is not exactly known for budget products, and the MP-9 makes an immediate statement that the company is as serious about high-end video as it is about high-end audio. Not so incidentally, the addition of a video line, Madrigal Imaging, now makes Madrigal dealers one-stop shops for state-of-the-art home theater.

In terms of video performance, DLP-projection technology for home theater applications has just taken a major leap forward. Sharp's new XV-Z9000U is the first DLP projector based on Texas Instruments' new native 16:9, 1,280-by-720-resolution chip. This projector promises to radically change the front-projector market, as it offers unprecedented picture quality in its product category at a very reasonable price. At a list price of $10,995, the XV-Z9000U comes close to delivering the same picture quality as 7- and 8-inch CRT-based front projectors that range in price from $15,000 to $30,000. The XV-Z9000U is one of those rare products in the home theater industry that elevates its category to a performance level that many of us previously thought was unachievable.

For years, the only game in town for those wanting a home-theater video projector was the cathode-ray tube, or CRT. Many buyers are put off by the bulky size, setup sensitivity, need for constant tweaking, and limited brightness of these devices, but there's no denying that, when combined with a screen of sensible size for the typical living room, a CRT provided overall home-theater performance second to none.

Monty Python's take on the plague in the Middle Ages could just as easily be applied to the CRT-based front-projector market. Pundits have long proclaimed that CRT technology, at least 30 to 40 years old and an admitted setup and maintenance hassle, is dead, or at least in its last years of life. Upstarts like DLP and D-ILA and adolescents like LCD are ready to take CRT's place in the front-projector market. Then, as other consumer-projector manufacturers close their doors, a new CRT company pops up.

Ever since the days of David and Goliath, the world has rooted for the little guy. In the underdog we invest our imagination and our collective hope: we want him to win—or at least put up a good fight. And every once in a while, the little dog gets to choose weapons that can skew the results in his favor. Such is the case with the newest entry in the residential CRT market, the Theater Automation Wow HD-800 CRT projector.