Projector Reviews

Epson's entrance into the home-theater projector arena has long been anticipated. For years, Epson has had the best color-management system of any maker of LCD projectors, and their ability to tame the uneven spectral output of short-arc metal-halide lamps has been impressive.

In the November 2000 <I>SGHT</I> I reviewed the HD800, an 8-inch CRT video projector from a Florida Internet startup called Theater Automation Wow!, or TAW. Phil Tuttobene and his crew promised then to "change the way America buys home theater." Since then we've seen the term Internet startup lose more than its sparkle, but TAW is still shining. They've succeeded in a tough marketplace&mdash;a high percentage of new companies fail in their first year of operation&mdash;but that same market has changed the way they do business. At first, TAW sold products directly to consumers; now, they work through a traditional dealer network, with 43 U.S. dealers. Not a bad start in less than 24 months.

When a video product is arguably the best of its kind, it's hard to find the right words to describe it without blubbering. "The Next Best Thing to Being There" sounds vaguely familiar. "The Real Thing" might perk up your thirst, but doesn't quite gel. And "Must See TV" is only two-thirds right. With the Reference Imaging CinePro 9x Elite CRT projector and Teranex HDX Cinema MX video processor, we're definitely not in TV-land anymore.

If you call Runco's company headquarters and get put on hold, you'll hear about Roger Ebert's love for the film and Runco products, as well as his opinion that the latter makes home theater look much like the former. As my wife and I recently watched Panic Room in a real movie theater, I couldn't help but wonder if Ebert's comment was much of an endorsement. The picture quality was good. We just realized that, among other things, film has a lousy black level. Dark scenes were dark enough, but the blackout drapes along the sides of the screen were much darker. I've often used to the black level of CRT-based home theater projectors; I've been spoiled. I wondered, if film isn't the panacea of imaging, what is?

Imagine that General Motors or Ford or DaimlerChrysler held a patent on the internal-combustion engine, of which only one model was available to vehicle manufacturers worldwide. That's similar to the situation faced by projector manufacturers who wish to use that most wondrous of Texas Instruments technologies, Digital Light Processing (DLP), which packs more than a million micromirrors onto a Digital Micromirror Device (DMD) chip approximately the size of a 35mm slide. (If you're unfamiliar with DMD, be sure to read "From Cathode Ray to Digital Micromirror: A History of Electronic Projection Display," at <A HREF="http://www.dlp.com/dlp/resources/whitepapers/pdf/titj03.pdf">www.dlp.com....)

�SIM2 enters the one-chip-DLP arena.

SIM2 is a large Italian projector manufacturer that has been making inroads into the U.S. video market for the last several years. The company is squarely behind DLP technology and has introduced a high-resolution 1,280-by-720 one-chip DLP projector as the most recent addition to their Grand Cinema line. The HT300 is one of only a few of these new one-chip wonders on the market and is the most attractive DLP projector currently available, with a design that reflects all of the heritage and flair of its Italian creators. It's housed in an attractive dark-gray case with a metallic high-gloss finish called gunmetal gray, which is the only color this handsome projector comes in. The HT300 is extremely compact, measuring 13.7 by 7.2 by 12.5 inches (L/H/D) and weighing a mere 12.1 pounds.

A new player in the home theater arena.

In the past few years, DLP technology has come a long way in terms of both picture quality and affordability. Not long ago, an entry-level one-chip 800-by-600 projector cost about $10,000. With the advent of the higher-resolution (1,024 by 768 and now 1,280 by 720) one-chip projectors, the front-projection world has become accessible to many more people. As the technology is rapidly becoming one of the hottest of the new fixed-pixel-display alternatives for both rear- and front-projection applications, new companies are constantly joining the DLP fold. InFocus—a company that, until now, concentrated solely on the professional business market—has entered the home market. The company's first offering is the ScreenPlay 110, a dual-mode one-chip DLP front projector with a resolution of 800 by 600 in the 4:3 mode and 853 by 480 in the enhanced-widescreen or anamorphic mode.