Actually, I do have bananas. A whole bunch of them, in fact. Not the edible variety, but rather banana plugs, those handy little devices for connecting your speakers to you’re A/V receiver or amplifier(s).
Come December 25, Santa will be slipping new Blu-ray players and discs under many a Christmas tree. But will those Blu-ray discs actually look better to you?
The Blu-ray format may be four years old, but I still see comments on various websitesnot to mention in the mainstream (non-enthusiast) pressto the effect that those Blu-rays don't look any better than upconverted DVDs. When you read these comments, you need to ask a few questions about the commenter, questions to clarify the circumstances surrounding the observation. These questions may even relate to your own experiences…
3D at home can be fun, but in my reviews of 3D displays from most major manufacturers (Sony, Samsung, LG, Toshiba, and Panasonic), I've come across a problem that has been little noted. This problem is not with the displays themselves, all of which do a good job with the 3D effect, apart from occasional ghosting or crosstalk (double images when one eye sees the image meant for the other eye).
At long last, we come to the final chapter of the ongoing Blu-ray player saga. It has been a journey too-often interrupted by the need to adjust to new system components coming in and out for their own reviews. Nothing is more disruptive than having to adjust to the sound of new speakers.
But enough with that. First, a brief summary of what this entire effort has been about....
Movie studios don't miss a thing when it comes to keeping a tight watch on the effectiveness of Blu-ray copy protection. Recently, in an apparent attempt to close an assumed (I assume) breach, 20th Century Fox updated its BD+ copy codes in an effort to keep the door firmly locked. The first disc I noted a problem with was (surprise!) <I>Avatar</I>, which was so firmly locked it would not play. After an inordinately long loading cycle it decided it couldn't get along with an Oppo BDP-83 player, which I've admittedly been lax in updating. The same proved to be the case on another current but not updated model, the Pioneer BDP-320. Same long wait, same lack of a payoff. Or at least not a welcome one. All I got was a bright red screen telling me to update my player.
The final installments of my Blu-ray players saga are coming soon to a computer monitor near you. They will cover the analog outputs of the Oppo BDP-83 Special Edition and the Pioneer BDP-320. Also coming is a listen to all of the players from their digital outputs.
With the analog audio section of this multi-part tome largely out of the way (though a listen to the audio from the Special Edition Oppo BDP-83 is still to come), I turned to video. All of the testing was done with duplicate copies of high quality Blu-ray discs. The players were compared directly, two at a time, with the disc in one of the players running roughly 12 seconds behind the other. Making allowances for a switching delay of about 5 seconds (which the players needed to re-sync with the display following the switch) this staggered cueing let me watch the same few seconds of program material first on one player and then on the other.
Finally we get to the meat of the subject. In this installment I'll give my impressions of the sound quality of the players under test, as heard from their analog outputs with 2-channel CDs.
I could argue that the opening salvo of this report was delayed because I wanted the entire piece, which will appear in periodic postings over the next few weeks, to appear in 2010. Or that I figured no one would be watching during the holidays, tied up as they were with festooning the house with LEDs, pondering whether to send real cards or new e-cards (when you care enough to e-mail the very best), or spending hours lined up for <I>Avatar</I>.
Last week the History HD channel broadcast the multi-part documentary </I>World War II in HD<I>. Most of the footage was in color, dredged in an exhaustive two-year search from private collections or the back shelves of dusty museum storerooms. (Rumors to the contrary, it was not found in an Area 51 warehouse next to a crate with an ark in it.)
It all started when I wondered what kind of audio I'd hear from the Blu-ray players I had on hand if I used them from their analog outputs. Most Blu-ray player reviews treat audio playback as a given. But is it?
The 2009 Rocky Mountain Audio Fest was held earlier this month in Denver, Colorado, as it has for several years now. While my main beat these days is home theater, both for <I>Ultimate AV</I> and, increasingly, for <I>Home Theater </I> magazine, once an audiophile always an audiophile, so I was anxious to find out what was happening in the world of hair-shirt Hi-Fi.
The Hegel room was one of the first good-sounding rooms I heard, and remained one of the most affordable. Hegel? It's a Norwegian company that has been doing business almost everywhere in the world for about 20 years, but this is their first serious foray into the U.S. market. A tough time to start, but they come well equipped. The demo featured the H200 integrated amp ($4400), which at 200W per channel is one of the more powerful integrateds around, the CDP2A mk II CD player ($2650), and the new HD10A D/A converter ($1200) featuring USB and SPDIF digital inputs. The speakers that completed the system were the Dali Helicon 400s.