A/V Veteran

YG Acoustics claims to make the best speakers in the world. While there are plenty of challengers for that throne, they certainly are some of the most expensive. The big
YG Acoustics Anat Reference II Professional loudspeakers ($107,000/pair) were as imposing physically as their price might you to believe in two rooms at the show. But they didn't quite do it for me in either room, considering their cost. I was much more impressed by the smaller Kipod Studios (shown in black in the photo) at a mere $38,000/pair, though the room they shared with their big brother was too big and too lively. Throw in three of the Kipod modules (the two-way that sits on top of the pyramidal subwoofer) for $8500 each and you have a full surround package for $63,500—plus your choice of subwoofer, of course. The calling card of both YG speakers, apart from quality drivers and crossovers, is their solid aluminum cabinets, said to virtually eliminate unwanted resonances.

If the Vivid Giyas make you think of the B&W Nautilus speakers, that's because the same cabinet designer was involved. The Giyas will set you back $58,000/pair, not including, of course, the Luxman electronics and source driving them here, and the Synergistic actively shielded cables (don't ask) tying it all together.

You may not have heard of Bamberg Audio, out of Fishers, Indiana, but you might in the future. The company's Series 5 TMW offers a lot of value in this intriguing and fine-sounding $8300 package. The top modules are available separately, making them more or less suitable for surround and center channel duties.

If I had to give a prize for the best sound at the show, it would be a toss-up between the Wilson Sasha W/Ps tied to Ayre electronics, discussed earlier, and the PMC MB2XBDi speakers (shown here) driven by Bryston electronics. Apart from room bass mode issues that all manufacturers had to deal with, the PMCs were superb. They were far too big for the space, designed as they are for professional applications. But the top modules of the towers are available separately (known as the MB2i), offering a more domesticated appearance for $21,000/pair. I didn't catch the price of the add-on bottom subwoofer modules, but am reasonably certain that for home use a duet (or, for home theater, a quintet) of MB2is will be a better fit—supplemented by a more conventional and inconspicuous subwoofer or two positioned where they minimize room interactions (co-locating the subwoofers with the main speakers almost never gives the best results).

So went RMAF 2009. The show also offered a wide selection of interesting and informative seminars, with presenters from the two major high-end, mainly two-channel audio print publications, <I>Stereophile</I> and <I>The Absolute Sound</I>, and others as well. If you missed the show this year, a 2010 edition is currently planned for next fall.

Here's another DIY speaker from a clearly dedicated and talented enthusiast. As before, of course, we have no way of knowing how this intriguing design sounds. But the driovers here are among the most well-respected. I don't know the woofer, but the midrange is a 3" dome from ATC and the tweeter a ring radiator from Scan Speak, used in a number of very expensive speakers. Building this, in this configuration, would clearly be beyond the capability of most of us. But if it were a commercial design it would easily command high in the five figure range .

We have a gaggle of national holidays, but only a few aren't moved around to fall on a Monday so we can all enjoy a three-day weekend. The fixed dates of Thanksgiving, Christmas, and New Years come to mind. No matter how much some might want to change them, New Years always falls on January 1, Thanksgiving wouldn't be Thanksgiving without Black Friday following it, and Christmas is a religious holiday (don't remind the wrong crowd of that) whose date was set in stone centuries before the U.S. of A. was the U.S. of A.

In the past, I've never actually tried using an ordinary wall as a screen for a video projector. Never really had to. Conventional wisdom states that a good screen is an equal partner with the projector in producing a great image. Or nearly equal, that is, if you're a projector manufacturer and not a screen maker!