Fred Manteghian

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Fred Manteghian  |  May 13, 2007

Krell employees, three of them, and practically in unison, insisted that the iPod's dock attachment offers balanced outputs. That's why they, Krell, king of balanced amplification, are offering the new Krell iPod Dock later this year. If you can't tell from the picture, there are separate bass, treble and volume controls on the front. I glimpsed out back and the KID offers both balanced (XLR) and single ended (RCA) outputs. Oh, yeah, it's expensive at $1,200, but if you're in love with your iPod as much as I am (and if you're transferring music from your CDs down at AAC's max 320 kbps rate you should be), this KID may be your ticket to better music.

Fred Manteghian  |  May 13, 2007

There were a lot of great sounding systems at the show, there always are, but some rooms just hit you right. For me, it was the Dynaudio / Simaudio room. In this small room, Simaudio Moon W7M monoblocks ($16,000/pr, 500 watt@8 ohm) drove the small Dynaudio Confidence C1 ($6,500/pr or $7,000/pr in black lacquer, stands were an extra $450/pair and bolted to the bottom of the C1). The system front end was from Sim Audio's Moon line as well, The Andromeda CD player ($12,000) and P-8 Controller and Preamp ($11,500) completed the front end. A seriously priced system, no doubt, but the sound was commensurate. From the overplayed "Somewhere Over the Rainbow" by Israel Kamakawiwo'ole that greeted me when I entered, to Sarah McLachlan's "Eyes of an Angel," to a Bruce Coburn / Lucinda Williams piece (this guy is seriously nihilistic – nobody sell him a rocket launcher, please!), the system sounded relaxed and totally involving. It had an uncanny ability to paint unique perspectives for each recording. I could have stayed even longer, but the show was calling. With a new found respect for Sim Audio electronics and an even stronger desire to get a Dynaudio Confidence system in for review, I begrudgingly walked away.

Fred Manteghian  |  May 13, 2007

I counted almost twenty questions in the one hour ask the editors session on HDTV. That's Geoff, Tom and Shane up there looking like Sadam's jury. The questions dealt with high definition TV, as expected, and overflowed to the high def format war, also unavoidable. Attempts to close us down before our full hour was up were, shall we say, unsuccessful.

Fred Manteghian  |  May 12, 2007

I spent some time in the Lipinski / JVC room. Lukas Lipinski showed us a more stylized version of the L-707 speakers on custom stands that include stereo amps (either bridged and biwired or not-bridged and biamped – we're still a little confused). Tom Norton goes into more detail in his coverage below, so I won't repeat it here. Suffice to say, the sound from these speakers was, once again, very good, if a bit too loud.

Fred Manteghian  |  May 12, 2007

The distributor for a new (to the USA) Swedish speaker resorted to the dirtiest of tricks to get us into their room – free Swedish food. I didn't know Edamame and asparagus were Swedish, but I guess the meatballs were all gone. I grabbed a few veggies and sat down to listen. The $1,850 GURU QM10 loudspeakers from Sjfn HiFi were pumping out a lot of bass heavy music without the assist of a subwoofer. Unfortunately, the first cut was something that sounded like Yello meets the Greater Wagnerian Society of Skinheads.

Fred Manteghian  |  May 11, 2007

I remember my first audio / video trade show. Chicago, June 1995, the last official summer CES. I arrived at O'Hare mid-afternoon and made my way to the Palmer House, a grand old hotel where the show would take place. The lobby was huge, enormous and, as I would come to find, the place where journalists, manufacturers and their PR firms would come together each evening to conspire over cigars and cognac, with the manufacturers or their agents, naturally, picking up the tab.

Fred Manteghian  |  May 11, 2007

I've got to hand it to <a href="http://www.nicollpr.com/" target="new">Nicoll Public Relations</a>. Not only do they represent a lot of our favorite manufacturers, like Meridian, B&W, and Silicon Optix, they're also responsible for supporting the press during our Home Entertainment shows, and YES, that basically means feeding us.

Fred Manteghian  |  May 11, 2007

Murphy's got this law, see? When you only have one working prototype of your new product, but you go ahead and set yourself to be the first press event for a room full of just fed journalists who are eager to hear or see something exciting, well then, you can rest assured knowing your prototype will crap out. That's what happened at 10 AM when the ZVOX 450 ZBIT the ZDUST just before the press arrived. Someone said it was a Bill Gates moment.

Fred Manteghian  |  May 11, 2007

Outlaw has a new LCR speaker in development. Using the ubiquitous two-woof one-tweet arrangement found on many affordable designs, this new LCR comes with a twist. There are two crossovers in the box, one optimized for a vertical left / right stance, the other for a center channel stance. The latter minimizes comb filtering, the bane of horizontal arrayed two way center channels. The switch to "switch" between the two crossover is on the back.

Fred Manteghian  |  May 11, 2007

The soothing sounds of Frank Sinatra singing "What's New" (CD, originally a Capitol Records recording) were a welcome treat in the BAT / Wilson room. A pair of Watt Puppy 8 speakers sounded as smooth and inviting as the pair I heard in Denver last September, telling me the new, kindler, gentler Wilson wasn't a figment of my imagination. The BAT Rex preamp uses 18 tubes and fed dual 150SE tube monoblocks. Jeff Pour of Balanced Audio Technology turned off the house lights so we couldn't leave.

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