Instead of formally exhibiting at the CES this year, Harman International set up shop in a large ballroom at the Hard Rock hotel. When we were there, the place was jumping, despite the relatively remote vernue.
It's been suggested that the next manufacturers to break into the HDTV market will be Chinese. That's not surprising as many current sets branded by manufacturers from Japan and Korea are often subcontracted, in whole or in part, to Chinese factories.
While curved HDTVs appeared to be the order of the week at CES, particularly among Korean giants LG and Samsung (see above), Sharp stuck with flat screens for its impressively wide 2014 lineup of both Ultra HD and standard 1080p HD (the operative industry word for the latter now appears to be “Full HD”).
Samsung has redesigned its smart remote for 2014. It offers voice, motion, and direct control as before, but with enhanced usability. The Smart Hub feature it controls now will let you surf the web as you watch TV and multitask in a split screen mode. Manufacturers have determined that most TV viewers are surfing the web on their computers and/or using their smart phones to talk, text, or surf as they watch TV. The show was alive with redesigned Internet TV features to satisfy this increasingly ADD social trend.
Samsung’s new Auto Depth Enhancer, on its 9000 and S9 Ultra HD sets, analyzes different areas of the screen and adjusts their contrast separately to provide a greater illusion of depth with 2D sources. In a side-by-side comparison with one of Samsung’s 2013 sets, it definitely worked. There was a bit of the cardboard cutout 3D look, but since the depth enhancement, while appealing, was subtle, this wasn’t bothersome.
I tried to get a glimpse of Samsung’s curved 105-inch 2.35:1 widescreen TV on the show floor, but in the Samsung booth was packed and the area around the set inaccessible. But I got a later look at a closed-room Samsung demo. On the left here, to provide a size perspective, is Samsung’s Mike Wooda one-time regular at Home Theater who has now forsaken balmy Southern California for the cold, windswept snowdrifts of the Garden State, where Samsung has its U.S. headquarters. On the right is current Sound & Vision editor in chief Rob Sabin.
No information was offered on this Ultra HD set, which appeared to be a show special and not a commercial product, but it’s clear that showing a BIG, big screen set was the in thing to do this year. Unlike the ginormous Samsung and LG sets, however, this Toshiba was flat and not curved.
Toshiba never really went anywhere, but they’ve kept a low profile for the past couple of years. No longer. The company’s Ultra HD 4K models, scheduled to roll out this summer, are a step back into the game.
For 2014, Sony is extending its Ultra HD offerings to include nine new models, ranging from 49- to 85-inches. They’re all LCD/LED designs—no sign of commercial OLEDs from Sony as yet. All of these new 4K sets employ Sony’s new X-tended Dynamic Range PRO technology, which sounds a lot like a new High Dynamic Range technology being promoted by Dolby, which we expect to see later at the show. In any case, this is said to increase the contrast ratio for greater image punch.
The Holy Grail of 3D has long been 3D without glassestechnically known as autostereoscopic 3D. But past CES demos of this technology have been notable duds.
The only way to do 3D without glasses is to process the image so that the images to each eye are isolated. But this has a side effect. You can see the 3D when viewed straight on. Move off center by a few degrees and the 3D disappears, taking some image quality with it. Move a bit further off-axis and the 3D returns. And so onand off. The result is you get 3D only in a limited range of viewing zones, and poor image quality in others.