Brent Butterworth

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Brent Butterworth  |  Nov 12, 2012

We’ve learned one thing from our past investigations into the new wave of headphones made by speaker companies: Headphone engineering has little in common with speaker engineering. Because the physics of headphones are so different from the physics of speakers — and because few, if any, speaker companies actually build their own headphones — it’s rare for a company’s headphones to mirror the sonic character of its speakers.

Tougher still for MartinLogan, which built its brand on 5-foot-tall electrostatic speakers.

Brent Butterworth  |  Nov 14, 2012

When I attend trade shows, I’m always reluctant to ask for a review sample of a new product. ’Cause who knows if I’ll see something cooler around the corner? But when I saw the Custom One Pro at the recent Rocky Mountain Audio Fest in Denver, I asked Beyerdynamic’s Pete Carini to send me a sample ASAP. After a quick listen to the Custom One Pro, I knew there was no way I’d find a more interesting headphone that weekend.

Brent Butterworth  |  Nov 20, 2012

The dirty little secret about on-wall speakers is that many aren’t tuned for on-wall use. Most come with a foot that allows them to be used atop a table or stand.

Brent Butterworth  |  Nov 21, 2012

When B&W launched the Zeppelin back in 2007, it created a whole new category: the high-end lifestyle audio system. The Zeppelin cost a whopping $599, but it sounded much better than the other iPod docks of its time, it looked like no other audio product in history, and it sold like crazy.

Brent Butterworth  |  Nov 25, 2012

I bet your average dude on the street can’t name a single audio company that’s not in the headphone biz now. For an audiophile, it’s easier. As I look around my listening room, I see lots of them: AudioControl, Canare, Hsu Research, Krell, Rotel, Sunfire, and Sonus Faber, none of which have (yet) entered the personal audio field. But that’s changing. The Pro-Ject RM-1.3 turntable sitting atop my audio rack now shares its brand with two headphones, the $129 Hear It One and the $79 Hear It Two.

Brent Butterworth  |  Nov 28, 2012

A couple of days ago, we listened to the $129 Pro-Ject Hear It One, the larger of two new headphones from the budget turntable specialists. Now we’ll listen to the Hear It Two, a $79 on-ear model that, frankly, looks more like something you’d buy at Target than something you’d buy at Needle Doctor.

Brent Butterworth  |  Nov 30, 2012

I sure didn’t expect to be at the L.A. Auto Show today. And I even surer didn’t expect that I’d be going there to listen to the first car with a Krell audio system: the 2014 RLX, the new flagship model from Acura.

Brent Butterworth  |  Dec 05, 2012

In the context of headphones from women’s fashion brands and toy companies, the launch of a new headphone li

Brent Butterworth  |  Dec 25, 2012

Audiophiles know Sonus Faber as the creator of beautiful speakers handcrafted in Italy. The very name is Latin for “artisanal sound.” But as anyone who has ever visited Whole Foods Market knows, “artisanal” usually means “expensive” — and indeed, Sonus Faber speakers have always been expensive. Until now.

Brent Butterworth  |  Dec 19, 2012

From mixing boards to Blu-ray players to soundbars to saxophones, Yamaha makes just about everything audio. Which is why it’s surprising that in the one field that practically every audio company has piled into—headphones—Yamaha hasn’t done much in the last few years. The Pro 500 represents a re-entry of sorts, a flashy blue bombshell designed to attract both audiophiles and fashion-oriented “listeners.”

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