For standard DVD, Warner has collected five Stanley Kubrick classics in a Directors Series box - but on Blu-ray Disc and HD DVD, they're only available individually. Full Metal Jacket was released in high-def previously, so I'll stick to the four debuts.
As a kid in England in the late 1970s, I loathed director Mike Leigh's BBC TV dramas about what seemed like the drab lives of dull, ordinary people because they lacked the glamour and drive of Hollywood classics. Years later, I became enthralled with the pathos of universal pain and struggle shown in Leigh's Secrets & Lies, a microcosm of real relationships and feelings that is as moving and massively encompassing as any film I've seen.
This indie revelation explores sexuality, relationships, and the way that both interact with technology. Therapy doesn’t seem to be opening uptight housewife Ann to her feelings; it takes videotaped erotic confessions for her to overcome her inhibitions. Meanwhile, Ann’s sister and husband are deceiving her with a steamy affair and endless lies. Eventually, a candid, oddball drifter comes to visit and uses his video project to untangle the tape tying up this dysfunctional family.
Writer/director Alex Cox wrote a script for a fictional rockumentary about highly original and articulate Johnny Rotten, writer/lead singer of The Sex Pistols. It might have been an extremely rewarding movie. Instead, he made Sid & Nancy, which focuses on two talentless, star-crossed, star-struck dope heads. Yet the film manages to capture the era’s excitement, disrespectful mockery, and aggressive antisocial attacks on mainstream consumer beliefs.
"What are we doing here?" "I don't know." Stranger Than Paradise, the delightful deadbeat breakout film by writer/director Jim Jarmusch with its whack-character studies, unactorly acting, absurdist deadpan humor, and minimalist style brilliantly captured the mood of its time. It also established him as an instant auteur of the $100,000-budget, low-production-value indie-film scene and inspired many others to do likewise.
From the get-go in this hugely provocative and highly challenging essay on violence, there’s a disconcerting, menacing montage of images that tilts you off balance. The setting is a small, insular, isolated, Wicker Man–ish Cornish community where Deliverance-like locals sit and wait.