Lawrence E. Ullman

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Lawrence E. Ullman  |  Jun 26, 2005  |  0 comments

Americans tend to prefer quantity over quality. Given the opportunity, we build McMansions. We drive Hummers. We wash down our Whoppers with Big Gulps. And we always buy the biggest AV receiver we can, because you can't be too rich, too thin, or have too many watts. More is <I>better</I>.

Lawrence E. Ullman  |  May 30, 2012  |  0 comments
Performance
Features
Ergonomics
Value
Price: $350 At a Glance: Disappointing sound quality • Minimal feature set • Awkward wall-mounting provisions

AudioSource might not be a household name, but anyone who has been involved in the world of custom A/V installation for any length of time will be familiar with the Oregon-based manufacturer's extensive line of in-wall speakers and multi-room audio-distribution electronics. Given AudioSource's expertise with compact speakers and amplifiers, combining the two in the form of a soundbar seems like a smart move for the company.

The S3D60 under review here is a single-piece, 2-channel soundbar, which means it must rely on virtual surround technology to impart a surround-sound experience. In this case, AudioSource is using a third-party solution called Sonic Emotion Absolute 3D. Given the S3D60's relatively hefty 5-inch cabinet depth (6 inches if wall mounted) and width of 38 inches, this soundbar is scaled to match TVs measuring roughly 46 inches and up.

Lawrence E. Ullman  |  Feb 13, 2005  |  Published: Feb 14, 2005  |  0 comments

For a company that recently celebrated its 50th anniversary, Harman Kardon looks maahvelous. Consider the sleek industrial design of the company's new AVR-series receivers. With minimalist gloss-black front panels and distinctive, ring-shaped, blue-illuminated volume controls, these components look both strikingly modern and a tad retro&mdash;an appropriate synthesis coming from the company that introduced the world's first receiver back in 1954.

Lawrence E. Ullman  |  May 21, 2008  |  0 comments

Introduced as LG's flagship line of 1080p LCD TVs just last summer, the Korean giant's LBX series began shipping to dealers in the forth quarter of 2007. The LBX TVs seemed promising, albeit relatively light in features compared to some similarly priced competitors.

Lawrence E. Ullman  |  Feb 05, 2006  |  0 comments

The Mitsubishi WD-52628 is one of the best-looking RPTVs I've seen, with a bright, detailed, three-dimensional picture, deep blacks, and vivid yet natural colors. It also happens to be one of a new crop DLP rear-projection TVs on the market that use TI's new 1080p DLP chip.

Lawrence E. Ullman  |  Jan 15, 2006  |  0 comments

Remarkable. That's the word that best describes the THX Select2 approved Pioneer Elite VSX-74TXVi AV receiver ($1500). This gloss-black beauty is remarkably sophisticated, remarkably flexible, and remarkably easy to setup, thanks to an amazing auto calibration function called Advanced MCACC. The feature set is remarkably deep and includes HDMI switching/processing, a built-in XM satellite radio tuner, a dedicated iPod input with fully integrated controls, and a full suite of THX functions. Even the unit's designation is remarkably long, so I'm going to refer to the VSX-74TXVi as the "74" for the duration of this review.

Lawrence E. Ullman  |  Nov 17, 2008  |  1 comments

Samsung's LN55A950 seems destined to generate controversy among the videophile community. Some will insist that it's the best-looking LCD TV on the market; others will say, well, otherwise. Both arguments are likely to revolve around the LED-backlighting technology that differentiates this high-end model from nearly all other currently available LCD TVs.

Lawrence E. Ullman  |  Jul 07, 2008  |  0 comments

The Samsung PN50A550 is my favorite kind of product. This 50-inch, 1080p plasma TV sits one notch below the company's flagship model (the PN50A650), which means it has all the most important high-end features without a high-end price tag.

Lawrence E. Ullman  |  Dec 15, 2004  |  0 comments

Back in the misty days when 2-channel stereo was still an exciting new format and tubes ruled the land, Sherwood was a brand name to be reckoned with. Together with such companies as Harman/Kardon, Fisher, Marantz, and McIntosh, Sherwood was instrumental in launching the American hi-fi industry on a path that would culminate in today's high-end audio gear&mdash;grist for our sister publication, <I>Stereophile</I>.

Lawrence E. Ullman  |  Oct 23, 2005  |  0 comments

Sony's new, $2000 STR-DA7100ES AV receiver carries forward the shiny silver hewn-from-solid-block look of previous ES-series receivers, such as the <A href="http://www.ultimateavmag.com/avreceivers/1204sony/">STR-DA9000ES</A> ($4500) recently reviewed by TJN. Although the front panel looks like solid aluminum, it is actually a 2mm-thick formed sheet. Most of the controls are hidden behind a drop-down panel, leaving a clean front panel with just volume and input-selector knobs, half a dozen little buttons, and the display. The various knobs and controls have great tactile appeal, operating with a solid, positive feel and silky smooth action.

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