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Scott Wilkinson  |  Jan 14, 2011

Sensio announced three new 3D technologies as explained by VP of Marketing and Communications Louis Rousseau.

Scott Wilkinson  |  Nov 07, 2004

Ever since they first appeared, I've been a big fan of DVD recorders. You can jump to any point almost instantly, and the discs take up much less shelf space than VHS tapes. The only problem is the limited amount of material that will fit on one disc: At the highest-quality setting, you can record only one hour on a single-layer DVD.

Scott Wilkinson  |  Jul 08, 2009

A friend of mine is a correspondent for KCET, the Los Angeles PBS station. A few days ago, he told me that he had been assigned to cover the Michael Jackson memorial held yesterday at Staples Center and that he was not looking forward to it at all. Aside from the logistical nightmare of getting through the traffic jams and police barricades, he didn't get what all the fuss is about. "Sure, Jackson was a good entertainer," he said, "but was he really important enough for all this?" He also wondered why so many people can become so active over Jackson's death—showing up at the gates of Neverland Ranch and the Jackson family home, signing up for tickets to the memorial—but not over much more important issues such as health care.

Scott Wilkinson  |  Jan 07, 2010

I profiled this tube-based integrated amp with iPod dock <A href="http://blog.ultimateavmag.com/ultimate-gear/the_ultimate_ipod_accessory/..., but I got to hear it at the Venetian. The amp was driving Gershman Acoustics speakers, and the iPod was playing Ella Fitzgerald in uncompressed WAV files, which sounded fantastic.

Scott Wilkinson  |  Aug 06, 2009

<I>I purchased an SPL meter to level the speakers in my 5.1 surround system. I read an article in </I>Home Theater<I> magazine about how to use this device, but I'm still not sure how to do it. For example, I'm not sure where to put the dial&#151;do I start at 80 or 120?

Scott Wilkinson  |  Sep 28, 2011
I have a Marantz SR8500 A/V receiver with B&W speakers across the front, and I would like to upgrade to take advantage of the new high-rez audio formats. I'm considering the Marantz AV7005 and Cary Audio Cinema 11a preamp/processor. For amplification, I plan to use my Lexicon 512 amp or the amp section of the SR8500. Considering the equipment I have, would the extra cost for the Cinema 11a give me that much improvement in sound over the AV7005? Should I use the Lexicon amp or the 8500's amp, or would the Marantz MM7055 5-channel amp be the way to go? I'm willing to spend the money for whatever is going to sound best.

Jack Woodruff

Scott Wilkinson  |  Jul 11, 2011
I am planning to replace my preamp/processor, and I've been looking at the Marantz AV7005 and the Integra DHC-40.2. I've read both reviews on HomeTheater.com (linked here), but I would like your opinion about these two units, especially the differences in sound quality and video processing.

Eliot Marin

Scott Wilkinson  |  Sep 04, 2008  |  Published: Sep 05, 2008

New from Marantz is the BD7003 Blu-ray player, shown here atop the SR6003 AVR. At $800, it quite pricey for a Profile 1.1 player, though it does play all recordable formats, which many BD players don't. Notice the gently curving facia on both units, an elegant design statement.

Scott Wilkinson  |  Jul 27, 2010

D&M Holdings is the corporate umbrella under which both Denon and Marantz live, so it's no surprise that the flagship Denon DVD-A1UDCI (reviewed by Shane Buettner for Home Theater) and Marantz UD9004 universal disc players are both based on a common platform. So why is the Marantz $1500 more than the already very-expensive Denon?

Scott Wilkinson  |  Sep 03, 2009

New at CEDIA from Mark Levinson is the No.500H series of power amps, including the No.531H (mono, 300W, $6500), No.532H (two channels, 300Wpc, $8000), and No. 533H (three channels, 300Wpc, $10,000), and No.535H (five channels, 200Wpc, $12,000), all with a frequency response from 10Hz to 20kHz and THD less than 0.5%. A new circuit design emphasizes current-mode operation, which is said to be much faster than conventional voltage-mode operation. Independent power-supply components for each channel maximize isolation and improve imaging, and all models provide both single-ended and balanced inputs.

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