JVC's press conference was full of 3D projectorssix in all, though in typical JVC fashion, the company's pro and consumer divisions each offer the same projector with different model numbers, which means there are really three new 3D models, all of which use active-shutter glasses. Click the link for prices.
One clear trend at this year's NAB show is the proliferation of digital video cameras with a native resolution of at least 4K (roughly 4000x2000 pixels). Among the entries in this field is a prototype from JVC, which doesn't even have a model designation, much less a price or shipping date.
I was particularly impressed that JVC was displaying the camera's output on a 55-inch 4K flat panel, probably a Sharp, though the rep I spoke with couldn't say for sure. Unfortunately, the photo above, taken directly off the screen, does not do the razor-sharp image justice. Even more amazing was an IBM 4K monitor nearby measuring only 20 inches or so diagonallyI could get close enough so my eyeball was almost touching the screen, and I could barely see the pixels. These flat panels give me hope that 4K will migrate to consumer displays.
I get tons of e-mail asking if there are any Blu-ray recorders available in the US, and up to now, I've had to say no. But JVC changed my answer with the introduction of the SR-HD1500 and HD1250. They can't record over-the-air, cable, or satellite content, nor can they be used to duplicate copyrighted material. Instead, they are intended to record camcorder footage on recordable Blu-ray media. The camcorder can be connected via FireWire or USB, or a memory card can be inserted in the unit's card reader, and the footage is copied to an internal hard disk. It can then be edited and burned to BD-R or BD-RE with or without menus. The HD1250 has a 250GB hard disk and will list for $1995, while the HD1500 has a 500GB hard disk, can accept Final Cut Pro files, and will list for $2550; both will be available in October.
At last year's CEDIA, JVC showed its 4K projector intended for flight simulation and similar applications. Today, the company introduced a version for the ultra-high-end consumer market. With 4096x2400 resolution, the DLA-RS4000 uses a xenon lamp to output 3500 lumens and boasts a native contrast ratio of 10,000:1 with no dynamic iris. This THX- and ISF-certified monster will be available next month for $175,000 (including an outboard I/O box and your choice of lens). The main demo consisted of upconverted 1080p, and the black level wasn't as deep as I expected, even in the mostly darkened room, but some still photos at 4K, such as the screen shot shown here, looked spectacular.
I have an existing home theater that is 19.5x12x8.5 feet. It has two rows of raised seating, one at 11 feet from the screen and the other at 15 feet. The screen is 108 inches diagonal, 16:9, with no gain. The distance from the screen to projector ceiling mount is just over 16 feet. The windows have black-out drapes, so the ambient light is totally controlled. The walls and ceiling are white except for the window wall on the left, which has the black drapes.
I need a new projector. I would like to have 1080p and 3D. I was impressed with HT's review of the JVC DLA-X3, and now I see JVC just came out with the DLA-X30. The X3 was $4500, but now the X30 is $3500, and the same store is selling the X3 for $2500. I am not clear on the improvements of the X30 over the X3 and would appreciate your opinion if they are worth the extra $1000. More importantly, will these projectors be right for my room and seating dimensions?
JVC surprised me with the intro of a 3D-capable LCD TV. The 46-inch GD-463D10 uses circular polarization and passive polarized glasses to achieve the 3D effect, which uses alternate lines on the screen for each eye, effectively cutting the vertical resolution in half. It can also display 1080p at full resolution in 2D. The GD-463D10 is available now for $8995. I thought the demo looked pretty good, but not good enough to change my mind about preferring a good 2D image.
LCD TVs with a refresh rate of 120Hz are becoming quite common these days—all the high-end models now sport this feature, which is supposed to sharpen the image of objects in motion, a bugaboo of virtually all LCDs. JVC's 47-inch, 1080p LT-47X899 is no exception, providing 120Hz operation for a list price of $2600. Can it compete with the other TVs in its class? Only a good, hard look will tell...
New at CEDIA are two projectors from JVC that build on the success of its D-ILA (LCoS) technology. As in previous generations, both projectors are available through JVC's consumer and professional distribution channels. The DLA-HD350 (consumer) and DLA-RS10 (pro) use three 0.7" 1920x1080 D-ILA imagers and offer improved all-glass lenses with motorized zoom, focus, and lens cover as well as an HQV Reon-VX video processor from Silicon Optix. The native contrast ratio is 17,000:1 (no dynamic iris), and the list price is slated to be under $6000.
Aside from the DLS-RS4000 4K behemoth, no less than six new projectors were announced at JVC's press conference today—three in the Reference series from the company's professional division and three in the Procision line from the consumer group, all with HQV video processing. At the top of the heap are the DLA-HD990 and RS35, which feature hand-selected and -tuned optics, 70,000:1 native contrast ratio with no dynamic iris, inverse telecine back to 24fps with 96Hz refresh rate, and ISF and THX certification. Both will list for $10,000 and should be available this month. Stepping down the model ladder, we come to the HD950 and RS25, with 50,000:1 contrast and THX movie mode for $8000. The entry level is occupied by the HD550 ($5000) and RS15 ($5500) with 35,000:1 and 30,000:1 contrast, respectively. The demos looked quite good, especially because JVC always goes to great lengths to show its projectors in a darkened environment.
As an A/V enthusiast, you might well be familiar with <A href="http://www.kaleidescape.com">Kaleidescape</A>, a California-based maker of high-end movie servers. <I>UAV</I> hasn't covered its products lately because we are dedicated to high def, and they have been limited to serving DVDs—until now. The company today announced the introduction of full support for Blu-ray with its new M-Class architecture.