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Scott Wilkinson  |  May 22, 2009
Living Legacy
Why is it that most A/V receivers still have 2-channel RCA inputs? Why doesn't a company make a receiver that has only HDMI, maybe with a few component-video and digital-audio ins and outs? Why the need to include legacy stuff?
Scott Wilkinson  |  Oct 01, 2010
On the last day of CEDIA, I happened upon this incredible wall sculpture in Leon Speakers' booth. It turns out to hide five of Leon's new Profile 631 in-wall speakers, each with two 6-inch woofers, two 3-inch midranges, and a silk-dome tweeter, all powered by McIntosh amps. The entire package also includes four of Leon's Aaros ultra-thin subwoofers with 10-inch aluminum cone drivers, which were sitting on the floor, powered by the two of the company's L3-1K 1000W amps. The dragon itself is cut from a 16-foot sheet of solid ¼-inch billet aluminum using a giant water-cutting machine, and it includes 800 strands of fiber-optic cable and DMX-controlled LED lights.

When I asked about the price, I was told it's "seven pounds of gold." Really? Yes, really. I know that gold is popular in a troubled economy, but using it as actual currency is pretty unusual. Of course, the company would also take cash, which comes to almost $146,000 at gold's current price of about $1300/oz.

Scott Wilkinson  |  Jan 27, 2008

To quote Professor Farnsworth on <I>Futurama</I>, "Good news, everyone!" I figured out how to answer reader questions in my blog (not that it was all that difficult). Now that my company e-mail account is up and running, you can simply send your questions to me at:

Scott Wilkinson  |  Oct 23, 2009

Transducers&#151;devices that convert one form of energy into another&#151;are among the most mature technologies in the audio world. The most common musical transducers are microphones, which convert the mechanical energy of acoustic sound waves into electrical signals, and speakers, which do exactly the opposite. Both have been around for a century or so, and despite a few innovations and variations, they haven't changed much in all that time.

Scott Wilkinson  |  Jun 29, 2009

Last year, I started hearing about front projectors that use LEDs for illumination instead of conventional lamps&#151;in fact, there were a couple of prototypes being demonstrated in back rooms and hotel suites at the 2008 CEDIA Expo. Then, at CES 2009, I saw another such a projector from Taiwan-based <A href="http://www.vivitekcorp.com">Vivitek</A>. Six months later, the H9080FD is almost ready to become the world's first commercially available, LED-illuminated home-theater projector.

Scott Wilkinson  |  Sep 03, 2009

Lexicon has entered the growing field of truly universal Blu-ray players with the BD-30, which can read SACD and DVD-Audio in addition to Blu-ray, DVD, and CD as well as all recordable disc formats. It conforms to Profile 2.0, which means it can access BD-Live content online, and it provides a USB port that lets users access A/V material on a USB storage device. Video processing is performed by Anchor Bay's well-regarded VRS chipset, and the player can decode all current audio formats to PCM via HDMI, though the press release seems to imply that it has no multichannel analog output, which is odd considering the $3500 price tag.

Scott Wilkinson  |  Sep 12, 2009

I already blogged about the Lexicon BD-30 universal Blu-ray player, but no one outside the company knew before the show that it has received THX certification. At the Lexicon booth, I also learned that it can decode DVD-Audio and SACD and send multichannel PCM via HDMI, a great feature in this $3500 player. The BD-30 is pictured here with the MC-12HD pre/pro, which just received a firmware update that lets it accept a 7.1-channel PCM bitstream from Blu-rays that offer it&#151;the previous version was limited to 5.1 PCM.

Scott Wilkinson  |  May 17, 2011
I am thinking about possibly replacing my Lexicon MC-12 preamp/processor, which has version 3 software. The unit is getting a bit buggy (the onscreen display has stopped working), and not having HDMI is somewhat annoying. I hear rumors that a replacement for the MC-12 may be coming out some day, but with all the technological advances in the last five years, I suspect I can get equivalent or better performance for a lot less money. For example, I've been considering the Marantz AV7005. The rest of my system includes an Oppo BDP-83 Blu-ray player, Aragon amps, Energy Veritas speakers, Triad Gold subs, and a Vizio 42-inch LCD TV.

Larry Solomonson

Scott Wilkinson  |  Jan 05, 2011
LG holds the coveted position as the first official press conference of CES, which is great for the company, but murder on journalists, who must get to the Venetian before 8:00 AM if they want a seat in the huge ballroom. (Apparently, 3D-glasses maker Xpand had an unofficial press conference at 7:00 AM, but I sure wasn't going to make that!)

As expected, LG's TV lineup for 2011 includes more 3D models and more network connectivity, which is quickly turning out to be the TV story at the show. Out of 31 new LCD TVs, 10 are 3D-capable, and all but five are what LG calls Smart TVs; of the 12 new plasmas, eight are 3D and four are Smart TVs. In both cases, many models include both feature sets. Also, two-thirds of the LCD TVs use LED edgelighting or backlighting.

There are two big tech stories here. First, the LED-edgelit 3D models use passive-polarized glasses instead of active-shutter glasses, a technology LG calls Film-Pattern Retarder (FPR), which I'll discuss in more detail in a following post. Second, the top three LCD TVs—which reach up to 72 inches diagonally—are LED-backlit with local dimming using a technology LG calls Nano Full LED, in which the LEDs are smaller than usual and deliver brighter, cleaner, smoother local dimming in a cabinet less then one inch thick.

Scott Wilkinson  |  Oct 06, 2008

A few months ago, a product manager and engineer from LG visited Grayscale Studio to demonstrate the company's new LG60 line of LCD TVs. They were most proud of the effort they had put into the grayscale controls, which let a trained technician calibrate this critical aspect of a TV's performance.

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