I’m a huge fan of the movie Oblivion. But is it a Guilty Pleasure or a Hidden Treasure? It received a mixed critical reception when it hit theaters in 2013, and many sci-fi fans and film critics found it derivative.
But who is really surprised when a film borrows ideas and plot tropes from past films and literature...
It’s not exactly a secret that Sony Pictures produced a fabulously successful trilogy of Spider-man films from 2002 to 2007. All three were directed by Sam Raimi and starred Tobey Maguire as the resident arachnid. Though the last of the three laid something of a critical egg, it was nevertheless a golden one at the box office. The Amazing Spider-Man is not a sequel but instead a complete reboot, origin story and all. Clearly, Sony was hoping to re-invigorate the franchise. Judging from its commercial success, I’d say it succeeded.
In olden times, folks dressed up when they went to the movies. They often did so twice a week since there were no screens in their houses (television or computer) to keep them home. Radio was ubiquitous, but its pictures were hard to see. Those movie visits were almost invariably double featurestwo for the price of one. Usually, of course, it was a pairing such as an “A” picture like The Fountainhead and a throw-away “B” movie like Ma and Pa Kettle on the Farm.
Ma and Pa Kettle are now on the farm’s back 40, and few B pictures are made today (though some might argue that superhero films are B pictures with A budgets). Today, a visit to the multiplex is a one-shot affair. If two movies are playing that you want to see on the same day, you have to plan carefully to fit them in (and, of course, pay double). You also have to decide which to see first. That’s not a trivial consideration. Recently I was unable combine, on the same day, two movies I wanted to see. But perhaps that was for the best. For those like me, with a wide taste in movies, would you want to view Life (an obvious Alien knock off) before or after Beauty and the Beast?!
But with our home theaters and the selection of discs available we can now create our own double features. They can be related in some way, as in the photosometimes they’re sequels, or perhaps they have a common theme, like sports. But it’s more fun to link them up in less obvious or even bizarre ways…
We lost two greats in the field of high-end audio this past year: Arnie Nudell (co-founder of both Infinity Systems and Genesis Advanced Technologies), and Charley Hanson (co-founder of Avalon Acoustics and more recently of Ayre Acoustics). While neither will be as widely known as those whose name is attached to the companies they helped found (Bose, Marantz, Polk, and others) both left a lasting impact on the audio landscape.
But as the old-wives-tale suggests about things hitting in threes, we also lost a third...
A recent article on the <I>Electronic House</I> website offered three reasons to avoid jumping onto the Blu-ray bandwagon—at least for now. One of the arguments—that Blu-ray quality is still inconsistent—read as follows:
Blu is a companion to Linda, and the two are inseparable. But when Brazilian ornithologist Tulio shows up, Linda learns that Blu is the only male blue macaw in existence and must mate to save the species. Linda reluctantly agrees, and she, Blu, and Tulio set off to Rio de Janeiro. This leads to events Linda never dreamed of back home in Moose Lake, Minnesocold. And when birdnappers, together with a particularly nasty jailbird, enter Blu’s world, his adventures parallel hers.
Produced by Blue Sky Studios, the computer animation house behind the successful Ice Age franchise, Rio’s story line doesn’t feel all that promising at first. But it grows on you. While 2011 hasn’t yet equaled 2010 for potential entries in the animation hall of fame, a chameleon, a panda, and now a macaw are more than enough to keep the current golden age of computer animation firing on all cylinders.
When boogeyman Pitch Black schemes to plant fearsome nightmares into the minds and hearts of children throughout the world, it falls on the Guardians to derail his plans. When they attempt to convince Jack Frost, a free-spirit prankster, to join them, he agrees only when things turn truly grim.
YG Acoustics claims to make the best speakers in the world. While there are plenty of challengers for that throne, they certainly are some of the most expensive. The big
YG Acoustics Anat Reference II Professional loudspeakers ($107,000/pair) were as imposing physically as their price might you to believe in two rooms at the show. But they didn't quite do it for me in either room, considering their cost. I was much more impressed by the smaller Kipod Studios (shown in black in the photo) at a mere $38,000/pair, though the room they shared with their big brother was too big and too lively. Throw in three of the Kipod modules (the two-way that sits on top of the pyramidal subwoofer) for $8500 each and you have a full surround package for $63,500—plus your choice of subwoofer, of course. The calling card of both YG speakers, apart from quality drivers and crossovers, is their solid aluminum cabinets, said to virtually eliminate unwanted resonances.
At the opposite extreme are the Sony SS-AR1 speakers, shown in the middle of the photo (the larger speaker on the left is a JBL). The SS-AR1s are not yet available in the U.S., but likely to cost $20,000/pair if and when they are brought in. They sounded excellent in the Kimber Kable room, where Roy Kimber was playing his impressive IsoMike multichannel recordings (the only multichannel music to be heard at the show). The brochure on the speakers talks a lot about using the wood from maple trees grown in the cold northern Japanese island of Hokkaido, harvested in November when the grain is tightest. Combine that with the birch plywood from Finland and you get a "reverberation with a beautiful northern-European ambience." OK. In any event, the midrange and tweeter also appear to be of Scandinavian origin—likely made by the same Scan-speak that energizes the YG Acoustics speakers.
If I had to give a prize for the best sound at the show, it would be a toss-up between the Wilson Sasha W/Ps tied to Ayre electronics, discussed earlier, and the PMC MB2XBDi speakers (shown here) driven by Bryston electronics. Apart from room bass mode issues that all manufacturers had to deal with, the PMCs were superb. They were far too big for the space, designed as they are for professional applications. But the top modules of the towers are available separately (known as the MB2i), offering a more domesticated appearance for $21,000/pair. I didn't catch the price of the add-on bottom subwoofer modules, but am reasonably certain that for home use a duet (or, for home theater, a quintet) of MB2is will be a better fit—supplemented by a more conventional and inconspicuous subwoofer or two positioned where they minimize room interactions (co-locating the subwoofers with the main speakers almost never gives the best results).
So went RMAF 2009. The show also offered a wide selection of interesting and informative seminars, with presenters from the two major high-end, mainly two-channel audio print publications, <I>Stereophile</I> and <I>The Absolute Sound</I>, and others as well. If you missed the show this year, a 2010 edition is currently planned for next fall.