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Mark Fleischmann  |  Jun 13, 2006
The Pioneer Blu-ray player won't be arriving in June after all. In fact, it won't be out till autumn, according to a vague report in Reuters. Blu-ray's official software launch had already been delayed from May 23 to June 20 to coordinate with a delay in the launch of Samsung's player. If Samsung comes up with the goods on time, that probably won't change again. Pioneer's Blu-ray internal hard drive made its debut more or less on time last month, so presumably the player hitch is software—DRM?—as opposed to hardware related.
Mark Fleischmann  |  Nov 01, 2006
Looks like 2006 is not the year of Blu-ray after all. Pioneer has announced that its BDP-HD1 won't hit until December, having already been postponed from May to June to November. Sony had previously delayed its own BSP-S1 until December 4. The Panasonic DMP-BD10 has been out since September. And the Samsung BD-P1000 hit in July, though plagued by a problem with the video processing chip. Well, maybe 2007 will be the year of Blu-ray.
Mark Fleischmann  |  Jan 15, 2009
Announcing the death of a format can be tricky business. After all, a lot of them live on in our hearts, minds, racks, and libraries--and at least one "dead" format, the LP, never really died. But if the manufacture of hardware is a major criterion, then the laserdisc format has died. Pioneer has discontinued its last three laserdisc player models, according to a brief announcement in Akihabara News.
Mark Fleischmann  |  Jan 31, 2011
Pioneer has licensed its Elite brand to Sharp as a prelude to the joint marketing of Elite-branded LCD TVs.

Historically the brand has applied to all of Pioneer's higher-end products, including plasma TVs, audio/video receivers, Blu-ray players, and speakers. For instance, Pioneer maintains two receiver lines, called Pioneer and Pioneer Elite. The deal with Sharp covers only TVs, and will allow Sharp to introduce a line of high-end Elite-brand LCD TVs this year in North America.

Mark Fleischmann  |  Sep 12, 2013
Performance
Features
Ergonomics
Value
Price $699

At A Glance
Plus: USB DAC built in • AirPlay, optional Bluetooth
Minus: Small font on display • No headphone output

The Verdict
This is a great-sounding way to add network audio features, especially the crucial USB DAC, to an existing system.

Have you watched in dismay as new features have left your old surround receiver or stereo preamp in the dust? Would you like to hang on to your old buddy but give it a new coat of paint? The Pioneer Elite N-50 bids to do just that, bringing a USB DAC, optional wireless connectivity, and other computer audio-related features into a rack-size component. It brings your existing equipment up to date for the second decade of the 21st century.

Mark Fleischmann  |  Dec 06, 2010
Price: $2,200 At A Glance: THX Ultra2 Plus certification including Volume Plus • Energy-efficient ICEpower amplification • Cornucopia of listening modes

Listening a la Modes

Must...write...lead.... Knew I shouldn’t have left...this...for...last.... Overwhelmed with features.... All those listening modes (gasp).... Running out of space.... Help me.... Help me....

Mark Fleischmann  |  Jan 28, 2013

Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $1,100 At A Glance: 125 x 7 watts D³ power • Brawny, assured bass • Network audio cornucopia

Someday I will be able to review a Class D receiver without mentioning this up-and-coming amplifier technology in the lead. That day hasn’t come yet and probably won’t in the next few years. But I can see it shimmering on the horizon.

Class D has been steadily infiltrating Pioneer’s upper-crust Elite line since 2008 and now accounts for five of the line’s seven models. With the SC-61, reviewed here, the latest version of the technology—which Pioneer calls D3—has come down in price to as little as $1,100. That’s a far cry from the $7,000 Pioneer charged for its first-ever Class D model five years ago.

Mark Fleischmann  |  Oct 05, 2012

Audio Performance
Video Performance
Features
Ergonomics
Value
Price: $2,500 At A Glance: 32-bit asynchronous USB DAC • D3 Class D amplification • All the Apple trimmings

Like a parent who charts a child’s growth with colored pencil marks on the wall, I’ve been observing the growth of audio/video receivers since the beginning of the product category. The wall is covered with ascending marks: Here’s the first A/V receiver, with composite video switching and no surround processing. Here’s the first Dolby Surround model, the first Dolby Pro Logic model, the first Dolby Digital model—and the first with DTS, THX, lossless surround, room correction, satellite radio, HDMI, network audio, Apple everything.

Mark Fleischmann  |  Feb 19, 2014

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $1,000

AT A GLANCE
Plus
Efficient D3 amplification
AirPlay and iOS savvy
Dynamic, smooth, clean sound
Minus
Labyrinthine ergonomics
No multichannel ins or outs

THE VERDICT
Pioneer is the only AVR maker replacing Class AB amps with Class D on a large scale, and the results are excellent.

Add a feature, drop a feature—usually, that’s how the story goes for a new AV receiver. But features aren’t the whole story, or even the part of the story most readers want to hear. We found that out when we ran a poll at our website SoundandVision.com asking, “What’s your AVR deal-breaker?” The top two complaints were “not enough power” at 35 percent and “ineffective room correction” at 21 percent. “Too few features” and “too many features” got just seven points each, and trendy features like AirPlay, Bluetooth, and Wi-Fi scored in even lower single digits.

Mark Fleischmann  |  Feb 12, 2015

Audio Performance
Video Performance
Features
Ergonomics
Value
PRICE $3,000

AT A GLANCE
Plus
Dolby Atmos-capable
New Dolby Surround upmixer
D3 amplification
Minus
Confusing back-panel nomenclature
No HDCP 2.2 digital rights management

THE VERDICT
This Class D receiver is just the kind of nine-channel powerhouse needed for Dolby Atmos 5.2.4—and the built-in USB DAC is a cool bonus.

You probably know by now that Dolby Atmos is the next generation of surround sound in both theaters and home theaters. This object-oriented technology lets movie mixers place any sound, almost anywhere they want, in an immersive dome-like soundfield, with height effects that transcend the flat horizontal plane of 5.1- or 7.1-channel surround. With the first generation of Atmos gear now arriving, the technology has been covered in print evaluations of Denon and Definitive Technology products (by ace reviewer Daniel Kumin), on the Web (by editor-in-chief Rob Sabin, video editor Tom Norton, and columnists Ken Pohlmann and John Sciacca), and in my own Test Report in this issue on the Pioneer Elite SP-EBS73-LR Atmos-enabled speaker system.

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