Mark Fleischmann

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Mark Fleischmann  |  Jan 08, 2010  |  2 comments
The BLX 200 is not only Anthem's first Blu-ray player but its first source component. Price $799. Also new were two LCOS projectors, the LTX 500V ($8499) and LTX 300V ($5799). The difference between them is that the step-up model has 120Hz refresh and ISF certification. Sister brand Paradigm is now shipping the products we saw four months ago at CEDIA.
Mark Fleischmann  |  Sep 23, 2010  |  2 comments
The Anthem 700 ($1999), 500 ($1499), and 300 ($999) receivers all have the company's proprietary ARC auto setup and room correction, Dolby Volume low-volume listening mode, Dolby Pro Logic IIz height listening mode, power rated with all channels driven, linear power supplies, and discrete output devices. The top two models have USB inputs that can support a large external drive, generating a full content list with ease. Not all competing USB-equipped receivers can support a large drive. Shipping in 30 days, except the 300, shipping in 60 days.
Mark Fleischmann  |  Jul 28, 2011  |  6 comments

Price: $999 At A Glance: Homegrown room correction and listening modes • Rated 60 watts into 8 ohms with five channels driven • 3D ready via software upgrade

An Anthem A/V receiver? AVRs were Anathema to anthem, I mean anathema to Anthem, until recently. This company’s heart has always been in surround separates—bleeding-edge surround processors, muscle amps that live on steak and steroids. The quintessential Anthem product—to digress from the main subject for a moment—would be the P5 five-channel amplifier, basically five 325-watt monoblocks in a single gut-busting enclosure.

Mark Fleischmann  |  Jul 29, 2014  |  42 comments

Audio Performance
Video Performance
PRICE $1,999

Advanced build quality
Subtle room correction
Crisp, dynamic sound
No wireless anything
A tad analytical

The top model among Anthem’s second-generation receivers omits needless features and splurges on performance.

“From Canada with love,” says weatherman Mr. G of WPIX New York every time a sinister polar vortex is about to sweep down from the frozen north. That cool Canadian breeze can be a trial in winter. In summer, however, it’s a breath of fresh air—and that’s also a good description of AV receivers from Ontario-based Anthem. They’re built like tanks, obsessively performance-oriented, and shorn of (what some might deem) frivolous features.

Mark Fleischmann  |  Sep 26, 2013  |  0 comments
Three new surround receivers from Anthem include the MRX 310, MRX 510 (shown), and MRX 710. The 310 has five channels while the 510 and 710 are seven-channel products. Power is 60, 75, and 90 watts times five (and kudos to Anthem for not merely quoting two-channel figures and calling it a day). Anthem has all the control angles covered including AMX, Bitwise, Control 4, Crestron, and Savant. The ARC 1M room correction has been improved, approaching the quality of that in Anthem's pre-pros, with more options and better filtering. The receivers boast the Dolby Volume low-volume listening mode to make movie sessions more painless. And 4K is supported for both pass-through and upscaling. Pricing is $1200, $1600, and $2000. The two upper models will ship this fall while the bottom model will ship in early 2014.
Mark Fleischmann  |  Jan 10, 2008  |  0 comments
The new room correction in Anthem's D2 and D1 pre-pros is billed as the only full commercial implementation of principles developed by Canada's National Research Council 15 years ago in Project Athena. Improved thermal design adds stability--in fact, the model we heard had a lamp sitting on its top vent holes, as you can see.
Mark Fleischmann  |  Jun 16, 2005  |  0 comments
From Portland's mouth to your ear.

Aperion makes a big deal out of selling direct. Frankly, this implied criticism of large chain stores has the fishy odor of opportunism. There are many worse places to buy speakers than a huge electronics store. You might, for instance, buy them from the back of a van in a parking lot, as our editors once did. Or you might leave a thick wad of bills on the sidewalk, using a rock as a paperweight, then come back the next day to see if anyone has left any speakers there. When you've exhausted all of those opportunities, call Aperion and say, "Help me, please. I'm not tough enough for the retail environment." You wouldn't be the first.

Mark Fleischmann  |  Jan 18, 2008  |  Published: Dec 18, 2007  |  0 comments
Dress your home in cherry and amber.

If I didn't know better, I'd suspect some kind of hands-across-the-water design coordination in this month's Spotlight System. When the people at Aperion Audio hit upon the handsome cherry veneer finish that graces the Intimus 533 Cinema HD speaker system, the last thing on their mind was the amber display, a longstanding traditional trait, incidentally, of Yamaha receivers. Nonetheless, a harmony did arise between the two golden hues. Of course, the speakers also come in a high-gloss, piano-black finish, but then, the receiver has a black chassis. This merely proves my point, doesn't it?

Mark Fleischmann  |  Mar 25, 2011  |  0 comments
Apple's AirPlay wireless audio streaming technology is finding its way into an increasing number and variety of products. What next? Possibly video streaming.

An unconfirmed report in the business press says Apple is in talks to license AirPlay to consumer electronics manufacturers for video streaming. AirPlay is already capable of video streaming but so far has been licensed only for audio streaming.

Mark Fleischmann  |  Jan 16, 2008  |  0 comments
The Blu-ray folks who have been guzzling champagne for the past week might want to put the cork back in the bottle and put it in the fridge. Yesterday's raft of Apple announcements included the company's entry into high-def movie downloads and deals with several major studios.