Audio Performance Video Performance Features Ergonomics Value
Price: $650 At A Glance: AirPlay and direct iDevice link • Expansive Audyssey suite • Browser control, network audio features
In A/V receivers, there are two prevailing philosophies when it comes to certain must-have features—room correction and dynamic volume modes being good examples. Some manufacturers prefer to develop their own in-house versions. This gives them the ultimate control over what they sell to consumers, sometimes offering greater versatility or an unusual spin. Others are content to license features from other companies. The advantage of resisting the “not invented here” philosophy is that technology licensors such as Audyssey devote all of their attention to making their stuff work and are constantly improving it.
Price: $899 At A Glance: 3D and HDMI 1.4a • Audyssey MultEQ, Dynamic EQ, Dynamic Volume • DPLIIz height enhancement with seven channels • Built-in digital HD Radio tuner
Installer’s Pet
It’s not every day that I get to review a product from a 100-year-old brand name. But Denon is indeed celebrating its centenary in 2010.
Audio Performance Video Performance Features Ergonomics Value
Price: $1,100 At A Glance: Discrete amplifier circuitry, 125-watt channels • CI customintegrator features • Full Apple and Audyssey suites
Denon has long been among the most nimble of the major manufacturers of audio/video receivers. If a feature of any significance raises its head above the parapet, Denon nails it faster than just about anyone—and often spreads it among many models. You might quibble over the value of, say, the company’s quick and near-universal inclusion of multiple height-channel surround enhancements. But as one of Denon’s CI-series models, the AVR-3312CI also has a substantial array of features designed to make life easier for custom integrators and their clients. It sure doesn’t hurt that the receiver is Apple-hip.
This feature-laden receiver conceals its gifts behind a basic black exterior. There's nothing unusual about the plain white fluorescent display, volume and jog dials, or flip-down panel that conceals most of the buttons. Denon's one original touch is a set of navigation controls behind the hinged panel that follow the same layout as those on the remote (up/down/left/right, with the enter button in the center).
Price: $1,999 At A Glance: First receiver with Audyssey DSX width and height channels • Anchor Bay video processing • Napster, Rhapsody, and numerous other streaming features
Should You Go Wide?
Surround sound is fully half of the home theater equation. Like any technology, it presents certain complexities, and mastering at least a few of them will reward the patient listener. However, surround almost makes a fetish of complexity. It turns a lot of people off, which inhibits its household penetration. It also puts a technology critic like me on the spot when I take keyboard in hand to tell you about the Denon AVR-4310CI A/V receiver, with Audyssey’s DSX, which introduces a new complexity: width channels.
Audio Performance Video Performance Features Ergonomics Value
PRICE $2,499
AT A GLANCE Plus
Top-drawer room correction
Strong dynamics
Bounteous custom features
Minus
Bluetooth requires accessory
THE VERDICT
The Denon AVR-4520CI and Audyssey MultEQ XT32 room correction combine to produce a close to perfect-sounding receiver.
Denon and its sister brand Marantz are among the most popular A/V receiver makers. The AVR-4520CI is Denon’s top-of-the-line model, the brand’s best shot at building every feature worth having into a nine-channel powerhouse. It does not attempt to be all things to all people (Bluetooth users, for instance). But it does offer a feature set that is strong in custom integrator features; hence the CI designation in the model number. And, as I discovered in this review—you won’t mind if I give away the ending, will you?—it also offers the best implementation of Audyssey room correction I’ve ever heard. Room correction has always seemed like a great idea, but the results have been hit or miss. Here it consistently produced great sound.
Price: $2,999 At A Glance: First Denon A/V receiver with nine channels of amplification • Networked audio features include Wi-Fi • Strong audio fundamentals
Need Supersizing?
Has the concept of supersizing peaked? The McMansion-driven housing boom is a bust. Some SUV owners are trading in their gas-guzzlers for more efficient hybrids of the same size, while others are opting for more efficient hybrid sedans. Fast food addicts are counting the calories in their Happy Meals.
Audio Performance Video Performance Features Ergonomics Value
PRICE $599
AT A GLANCE Plus
AirPlay
Streamlined interface
New binding posts
Minus
No Bluetooth
THE VERDICT
Denon has successfully rethought the budget receiver, a real achievement, and produced an all-around good performer at a reasonable price.
The Denon AVR-E400 reminded me that I’m a guy who gets excited about speaker terminals. Make of that what you will.
The receiver had been out of its box for only a few seconds before I noticed something different on the back panel. There I found speaker terminals of a type I’d never seen before on a receiver. Press in on Denon’s new spring-loaded binding posts, and a hole opens at the side to accept the cable tip or banana plug. This is a different arrangement than the collared binding posts on most receivers—which accept cable tips through a hole on the collar, or banana plugs through a second hole in the center of the plastic nut, before you tighten the nut to secure the cable. The new posts are an upsized version of those used on some satellite speakers. The practical result is that the terminals grip the cables so tightly that it’s nearly impossible for them to fall out without your permission.
Audio Performance Video Performance Features Ergonomics Value
PRICE $650
AT A GLANCE Plus
Wi-Fi, AirPlay, Bluetooth
HDMI 2.0
Cool cardboard mike stand included
Minus
Slow DLNA media access
No MHL for phone
streaming
THE VERDICT
The Denon AVR-S900W offers high value at a
crowded price point, with superb performance, a competitive feature set, and a supplied stand for the room-correction mike.
You can’t set up room correction without a microphone, and you can’t use the mike without bringing it to ear-level elevation. But few A/V receiver makers include a mike stand. Along with Anthem, Denon is now one of the happy exceptions. No, the stand packed with the AVR-S900W isn’t a metal photography tripod with all the mechanical trimmings. But it is an effective platform for the mike used to set up Audyssey room correction. Constructed entirely of black card stock, it consists of a four-finned base, two plain column pieces, and a third column piece with sawtooth holes for height adjustment. Piece it all together, top it off with the customary Hershey’s Kiss–shaped mike, and you have something that looks like a rocket. Run Audyssey’s auto setup and room correction program—in this case, the MultEQ version, which measures from six seating positions—and your home theater system is ready for liftoff.
AT A GLANCE Plus
Dolby Atmos and DTS:X on board
HDMI 2.0a with HDR video
Audyssey MultEQ XT room correction
Minus
Like other seven-channel AVRs, just two Atmos height channels
Remote volume keys undernourished
THE VERDICT
Triple wireless connectivity and excellent room correction may lure more listeners to this top-performing budget receiver than its limited 5.1.2 Dolby Atmos and DTS:X capabilities will.
The Denon AVR-X1200W is among a growing trickle of receivers that name-check DTS:X surround sound. By the time you read this, it might even be operational.
For every one of Dolby’s home surround standards, there has been
a DTS equivalent. The competition began in the mid 1990s, when Dolby Digital and DTS first went head to head on laserdisc, with DVD following soon after. Dolby then added back-surround channels for Dolby Digital EX; DTS responded with DTS-ES. Dolby upgraded to lossless encoding with Dolby TrueHD; DTS shot back with DTS-HD Master Audio. Object-oriented surround—which uses metadata to map objects in a dome-shaped soundfield—is no different. In response to Dolby Atmos, which has just begun infiltrating surround receivers, DTS offers DTS:X. This is a transitional time, and you’ll find some models supporting Atmos without supporting DTS’s answer. Others are “DTS:X ready,” but not yet functional as they await the release of new firmware.