Among four new receivers from Marantz is the top-line SR8002 ($2450). Like several new receivers at the show, it includes on-board decoding for Dolby TrueHD, Dolby Digital Plus, and both versions of DTS-HD--a trend of which we approve! Look for it in October.
Marantz announced a whole bunch of new products at a press event yesterday. From our point of view, the two biggest pieces of news are major refreshments of the brand's a/v receiver and Blu-ray player lines. This story will deal with generalities in the categories that interest us most. For more specific model and price information, see the links at bottom.
Most human beings have 10 fingers and 10 toes. Therefore the number 10 is a big deal to us. We use a base-10 number system, bestow honors in top-10 lists, and think in multiples of 10. So it's inevitable that makers of surround receivers have fixated on the number 100, or 10 times 10. For some of them it's the minimum power-output number allowed on any spec sheet, whether the amplifiers measure anywhere near that level of performance or not. Anything beyond that is likely to be in multiples of five (the fingers of one hand): 105 watts, 110 watts, 125 watts, etc. The more you become aware of this compulsion to express everything as a function of our physical form, the more comic it gets—humans are so self-absorbed. Or am I just projecting?
Price: $800 At A Glance: New rounded front panel is borrowed from higher-end gear • Audyssey MultEQ auto setup and room EQ • Audio circuits on separate circuit board
The Middle Kid Syndrome
As the third child in a series of four, I know what it’s like to be in between. My older siblings arrived a decade before I did and towered over me with their adult-like achievements. They had summer jobs, bought Volkswagen Beetles, headed off to college, and—most fatefully, I now recognize—turned me on to rock ’n’ roll. I was the pampered baby for a few years until my younger sibling arrived and, predictably, absorbed more of my mother’s time. This made me terribly jealous.
Audio Performance Video Performance Features Ergonomics Value
PRICE $899
AT A GLANCE Plus
Wi-Fi, AirPlay, Bluetooth built in
Analog multichannel ins and outs
Minus
No HDCP 2.2
THE VERDICT
Though it lacks the latest UHD video future-proofing, this mid-line Marantz delivered great sound and solid value.
D+M has a leading role in the audio/video receiver market. It’s actually an amalgamation of two former companies with markedly different (though both distinguished) histories. Denon, born in 1910 and known for a time as Nippon Columbia, was originally a manufacturer of gramophones and discs in Japan. Marantz, in contrast, was born in the U.S.A. in the early 1950s when Saul Marantz of Kew Gardens, New York, started building preamps in his home.
After numerous corporate permutations (which included a three-decade relationship between Marantz and Philips), Marantz and Denon merged in 2002 into what is now called the D+M Group. In 2014, the pro divisions of both brands were acquired by inMusic Brands, a maker of DJ equipment. However, the consumer divisions continue to market A/V receivers and other audio products under the D+M umbrella.
Audio Performance Video Performance Features Ergonomics Value
Price: $1,200 At A Glance: AirPlay and Bluetooth connectivity • Porthole design • Marantz audiophile tradition continues
Few brands offer as many entry points into audiophilia as Marantz. The vintage angle alone is priceless. Cruise eBay and Audiogon for everything from pricey restorations of vintage tube components to affordable, classic stereo receivers from the 1970s. The present-day Marantz, an honored member of the D&M Holdings family, is the brand to look to for answers to questions like, “Does anyone still make a decent-sounding, standalone CD player?” In some future lifetime, I may explore the potential of such bleeding-edge Reference Series components as the SC-7S2 stereo preamp ($6,500) or the TT-15S1 turntable ($1,500) with the acrylic chassis and platter. But Marantz’s lines of A/V receivers and surround separates have plenty of meat on the bone for both high-end and real-world home theater buffs. In fact, many of Marantz’s multichannel products are adorned with the same distinctive porthole display as the highest-performing members of the brand’s two-channel lines. Putting a round display on a product doesn’t necessarily guarantee quality, but the migration of this cosmetic signature does suggest that Marantz holds surround audiophiles and stereophiles in equally high regard.
Price: $1,600 At A Glance: Top-line model with porthole front panel • Step-up Audyssey MultEQ XT auto setup • DLNA, Bluetooth, Pandora, vTuner, Rhapsody, Napster
Porthole Chic
It’s not unusual for a Marantz A/V receiver to have a curved front panel, inspired by the company’s high-end two-channel gear. But this one has an unusual twist found in no other AVR models (so far). Between the usual volume and source-select knobs is a porthole display. It’s not large enough to support much information—but if you flip down the large door below it, another display appears.
Audio Performance Video Performance Features Ergonomics Value
Price: $1,800 At A Glance: Proprietary HDAM topology • 4K video processing • Audyssey, the works
Marantz has come a long way since Saul Marantz started building audio products in his Kew Gardens, New York, basement. The latest twist in the story is the reinvention of D&M Holdings—that’s D for Denon and M for Marantz—into D+M Group. In addition to trading its ampersand for a plus sign, the company has radically expanded its product lines to include more new products and even new product categories. While Denon has gotten a lot of attention for the latter, including four jam-packed headphone lines, Marantz is also experimenting with new kinds of fun. Its first self-contained iDevice docking system is the Consolette, with a retractable dock, AirPlay, DLNA, Internet radio, two-way internal speakers, and cosmetic echoes of the Saul Marantz–designed preamp that got the party started. But Marantz has not neglected its longtime status as a maker of great home theater products. An overhaul of its audio/video receiver line’s upper end has brought three new models. The top model soon found its way into the guest-receiver berth on my rack.
Audio Performance Video Performance Features Ergonomics Value
PRICE $1,999
AT A GLANCE Plus
Nine amp channels
Audyssey MultEQ XT32
Excellent sound quality Minus
No direct USB input for PC/Mac playback
THE VERDICT
Reference-worthy A/V receiver that offers great bang for the buck.
When I review speakers, I have dozens of major and minor brands to choose from. When I review audio/video receivers, the same names come up time and again. There just aren’t that many of them. You might think reviewing the same AVR brands repeatedly would leave me jaded. But it doesn’t. Every one of those heavy black boxes is a new quest. Every manufacturer has to prove itself all over again—and prove it to me, someone with a frame of reference that goes back decades. My method is pretty simple. I act as a surrogate for the consumer: I am you. I pull the product out of the box, lift it onto my rack, punch through the interface, turn it up loud, and consider both what I hear and how I feel about it.
Audio Performance Video Performance Features Ergonomics Value
PRICE $2,199
AT A GLANCE Plus
Nine amp channels
Atmos-ready, upgradable for DTS:X, Auro-3D
Audyssey MultEQ XT32 room correction
Minus
USB jack not PC compatible
THE VERDICT
The Marantz SR7010 has nine amp channels, Dolby Atmos decoding, DTS:X upgradability, and even Auro-3D upgradability, making it as future-proof as a receiver can currently be.
The Marantz SR7010 is the fifth Dolby Atmos receiver I’ve reviewed. However, to be frank, it’s only the second one that matters to me. Most of the Atmos receivers occupying my rack’s guest berth have been seven-channel models limited to 5.1.2-channel Atmos, with just a single pair of height channels in the front. Only the nine-channel Pioneer Elite SC-89 and this Marantz have provided what I deem the minimum acceptable Atmos experience utilizing 5.1.4 channels, with height channels in both front and back.