Tower Speaker Reviews

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uavGary Altunian  |  Aug 12, 2008  |  First Published: Aug 13, 2008  |  0 comments
Not long ago, large floorstanding speakers were preferred—practically required—to get the sonic performance demanded by audiophiles and home-theater fans. Smaller speakers simply couldn't adequately reproduce the wide dynamic range and clarity of today's high-resolution digital sources.
uavSteve Guttenberg  |  Aug 07, 2008  |  0 comments
The home-theater market's love affair with big displays and skinny speakers hasn't peaked just yet—screen girths are still expanding and speakers are on the verge of anorexia. The folks at EMP (Engineered Music Products) were hip to that fact when they cooked up the seriously svelte HTP-551T speaker package.
Daniel Kumin  |  Jun 15, 2008  |  0 comments
Klipsch began making high-performance speakers well before the advent of the transistor, so when it unveils an all-new flagship design, the world pays
Mark Fleischmann  |  Jun 02, 2008  |  0 comments
A grand canopy of surround sound.

Speakers come and go in my listening room—as I persist in calling it, although it also includes a front-projection system, an LCD HDTV, and my home office. But there’s one review I relive every day. And that’s my rave review of era’s Design 4 speaker system, which appeared in our April 2006 issue. Why? Because I have only to look at my desk, where of course I’m typing this now, and there they are, the Eras, on either side of my recently and joyously installed 24-inch NEC monitor. When I do YouTube, this trusty pair of the Design 4 does the honors, along with an Onix OA21S integrated amp and a Pinnacle Baby Boomer sub.

Wes Phillips  |  Apr 27, 2008  |  0 comments
Judging by my inbox before and after CES last January, the hot new trends in A/V speakers are slim and wall-mounted. Somehow, speaker manufacturers have learned of the trend in TVs—that is, slim and wall-mounted. Imagine that!
Robert Deutsch  |  Apr 21, 2008  |  0 comments
Audiophiles first came to know Paradigm as a manufacturer of speakers in the affordable/cheap 'n' cheerful/bang-for-the-buck category—speakers you might buy when you're in college, until you can afford the speakers you really want. However, Paradigm's products now cover a wide range (five distinct series, plus in-walls and outdoor/marine), topped by the Reference Signature line. This year marks Paradigm's 26th in business, so it must be doing something right.
Thomas J. Norton  |  Apr 04, 2008  |  0 comments
Apart from the occasional foray into cutting-edge technology that doesn't always pan out (ionic tweeters, anyone?), speaker technology is relatively stable—glacial, even, compared to other consumer-electronics products like flat-panel displays. The manageable pace of speaker development has allowed small- and medium-sized speaker companies to thrive. Most of them make nothing but speakers that remain in production for years, which is a plus for buyers. Unlike that flat-panel display you just got, when you buy a new set of speakers today, you can be reasonably sure they won't be yesterday's news tomorrow.
Mark Fleischmann  |  Mar 26, 2008  |  0 comments
Chrono logical.

The Canton Chrono Series seems to have a split personality. With the grilles off, you can’t help noticing the gleaming diamond-etched aluminum trim rings that hold the almost equally flashy aluminum drivers. With the grilles on, the floorstanding models become impassive black totems, complemented by equally self-effacing centers, stand-mounts, and subs. The only hint of style is a glossy lacquered fiberboard baffle that twinkles slightly on close inspection under a bright light.

Steve Guttenberg  |  Mar 10, 2008  |  2 comments
I'm a big Samuel L. Jackson fan, but I didn't totally buy his performance in Black Snake Moan. Jackson plays a righteous old man who takes in a trashy nymphet (Christina Ricci) to set her straight. I was especially intrigued with the story because Jackson's character was loosely based on R.L. Burnside, who didn't just sing the blues, he lived them. Up to the point where Jackson picked up his guitar, he was perfectly fine. But when he started to sing, his performance didn't ring true. It comes down to authenticity. Acting is one thing; singing with a voice that sounds so rough it bleeds is something else. Come to think of it, I could say the same about great speakers. It's one thing to design a speaker that measures well, but that doesn't necessarily make for a great-sounding speaker.
Steve Guttenberg  |  Feb 11, 2008  |  0 comments
Are you experienced?

At its best, home theater is all about making movies feel so real you'd swear you're there. And not just the wham-bam flicks; some of my best experiences have come from straight-ahead dramas. That was absolutely the case with Breach, a chilling portrait of FBI agent Robert Hanssen, the man who sold countless security secrets to the Soviet Union for over 20 years. Actor Chris Cooper's portrayal of the psychopathic traitor totally mesmerized me, but I also credit Paradigm's fifth revision of their Monitor Series speakers for keeping my attention glued to the screen. Every detail of the sound—from the claustrophobic acoustics of Hanssen's office and the whirring noise of his computers' cooling fans, to the dense traffic snarl of Washington, D.C. streets—were all so effortlessly presented that I never thought about the speakers. That's the Zen of it all. When everything's just right, you don't realize the speakers are there.

Steve Guttenberg  |  Feb 04, 2008  |  First Published: Jan 04, 2008  |  0 comments
Pump it up!

Cinepro's demo at the 2007 Custom Electronic Design & Installation Association (CEDIA) show in Denver made a powerful impression on my eardrums. I'm no power-hungry audiophile—far from it—but I immediately understood what Cinepro is all about.

Mark Fleischmann  |  Jan 18, 2008  |  First Published: Dec 18, 2007  |  0 comments
Dress your home in cherry and amber.

If I didn't know better, I'd suspect some kind of hands-across-the-water design coordination in this month's Spotlight System. When the people at Aperion Audio hit upon the handsome cherry veneer finish that graces the Intimus 533 Cinema HD speaker system, the last thing on their mind was the amber display, a longstanding traditional trait, incidentally, of Yamaha receivers. Nonetheless, a harmony did arise between the two golden hues. Of course, the speakers also come in a high-gloss, piano-black finish, but then, the receiver has a black chassis. This merely proves my point, doesn't it?

Geoffrey Morrison  |  Jan 18, 2008  |  First Published: Dec 18, 2007  |  0 comments
Three Ones in this five.

There are two questions you could—maybe should—be asking right now. The first, "Didn't y'all just review some PSB speakers a few months ago?" And two: "Aren't you the video editor?" Well, yes. That either question should come to mind should say something about these speakers.

Thomas J. Norton  |  Jan 14, 2008  |  2 comments

Founded in Worthing, England in 1966 by the late John Bowers, B&W (more formally known as Bowers and Wilkins) is now one of the best-known names in the industry. While the average man in the street might wonder when the car manufacturer started making speakers if you mention B&W, it's one of the first names that comes to an audiophile if asked to make a list of the top speaker companies in the business. And unlike many of its competitors, B&W makes only loudspeakers—unless you count its new iPod speaker system as a major departure.

Steve Guttenberg  |  Dec 20, 2007  |  0 comments
Splendiferous spheres.

Billed as Ron Carter: The Master @ 70, it was a birthday celebration of the legendary jazz bass player's career—and the music at that early summer jazz concert at Carnegie Hall was truly magical. The highlight of the night arrived when Carter played selections from Miles Davis' Kind of Blue album with Herbie Hancock on piano, Wayne Shorter on sax, and Billy Cobham on drums. I could hear the quartet's music reflecting off the stage's rear wall while it simultaneously floated above the audience in the hall. The sound was so masterfully mixed, I couldn't tell for sure how much of what I heard was the actual instruments or Carnegie Hall's discreetly amplified sound system. It stands as one of those "is it live or...." moments. The next day, I played a stack of Ron Carter CDs over Anthony Gallo Acoustics' new Reference AV speakers and TR-2 subwoofer. The sound was so sweet, I experienced that déjà vu feeling all over again.

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